There stands out—because of the tranquil beauty of its setting perhaps—a talk we had in the veranda of the little pavilion near my worksheds behind Crest Hill in which my aeroplanes and navigable balloons were housed. It was one of many similar conversations, and I do not know why it in particular should survive its fellows. It happens so. He had come up to me after his coffee to consult me about a certain chalice which in a moment of splendour and under the importunity of a countess he had determined to give to a deserving church in the east-end. I, in a moment of even rasher generosity, had suggested Ewart as a possible artist. Ewart had produced at once an admirable sketch for the sacred vessel surrounded by a sort of wreath of Millies with open arms and wings and had drawn fifty pounds
