Perhaps the most essential disturbance that arises each inside the play’s community of human relations and in the cosmic fabric itself is the unbalancing of male-lady relations and roles as understood in ancient Greek phrases.
Clytaemnestra is characterised via a strikingly masculine position this is implicitly or overtly criticized during the play. She dominates discourse to an quantity taken into consideration inappropriate for a lady; she has cunning, formidable, violent designs like a person, and she appears to covet strength over Argos. By entrapping Agamem-
non, rendering him vulnerable and passive with the net, after which stabbing him, she reverses the “herbal” relation among man and girl, husband and spouse. She seems to be similarly on top of things of Aegisthus and to have ta
