H. G. Wells – The Complete Collection

Chapter 37

Except for a few queer people, nourished on "Maria Monk" and suchlike anti-papal pornography, I doubt if there will be any Protestants left among the irresponsible rich. Those who do not follow the main current will probably take up with weird science-denouncing sects of the faith-healing type, or with such pseudo-scientific gibberish as Theosophy. Mrs. Piper (in an inelegant attitude and with only the whites of her eyes showing) has restored the waning faith of Professor James in human immortality, and I do not see why that lady should stick at one dogma amidst the present quite insatiable demand for creeds. Shintoism and either a cleaned or, more probably, a scented Obi, might in vigorous hands be pushed to a very considerable success in the coming years; and I do not see any absolute impossibility in the idea of an after-dinner witch-smelling in Park Lane with a witchdoctor dressed in feathers. It might be made amazingly picturesque. People would attend it with an air of intellectual liberality, not, of course, believing in it absolutely, but admitting "there must be Something in it." That Something in it! "The fool hath said in his heart, there is no God," and after that he is ready to do anything with his mind and soul. It is by faith we disbelieve.

And, of course, there will be much outspoken Atheism and Anti-religion of the type of the Parisian Devil-Worship imbecilities. Young men of means will determine to be "wicked." They will do silly things that will strike them as being indecent and blasphemous and dreadful--black masses and suchlike nonsense--and then they will get scared. The sort of thing it will be to shock orthodox maiden aunts and make Olympus ring with laughter. A taking sort of nonsense already loose, I find, among very young men is to say, "Understand, I am non-moral." Two thoroughly respectable young gentlemen coming from quite different circles have recently introduced their souls to me in this same formula. Both, I rejoice to remark, are married, both are steady and industrious young men, trustworthy in word and contract, dressed in accordance with current conceptions, and behaving with perfect decorum. One, no doubt for sinister ends, aspires to better the world through a Socialistic propaganda. That is all. But in a tight corner some day that silly little formula may just suffice to trip up one or other of these men. To many of the irresponsible rich, however, that little "Understand, I am non-moral" may prove of priceless worth.

[52] Vide Mr. Archdall Read's excellent and suggestive book, "The Present Evolution of Man."

THE END

* * * * *

In the Days of the Comet

IN THE DAYS OF THE COMET

BY H. G. WELLS

"The World's Great Age begins anew, The Golden Years return, The Earth doth like a Snake renew Her Winter Skin outworn: Heaven smiles, and Faiths and Empires gleam Like Wrecks of a Dissolving Dream.

CONTENTS

PROLOGUE

PAGE

THE MAN WHO WROTE IN THE TOWER . 3

BOOK THE FIRST

THE COMET

CHAPTER

I. DUST IN THE SHADOWS . . . . . . 9 II. NETTIE . . . . . . . . . . . . 52 III. THE REVOLVER . . . . . . . . . 89 IV. WAR . . . . . . . . . . . . . . 152 V. THE PURSUIT OF THE TWO LOVERS . . 184

BOOK THE SECOND

THE GREEN VAPORS

I. THE CHANGE . . . . . . . . . 221 II. THE AWAKENING . . . . . . . . . 252 III. THE CABINET COUNCIL . . . . . . . 279

BOOK THE THIRD

THE NEW WORLD

CHAPTER PAGE

I. LOVE AFTER THE CHANGE . . . . . . 303 II. MY MOTHER'S LAST DAYS . . . . . . 335 III. BELTANE AND NEW YEAR'S EVE . . . 353

EPILOGUE

THE WINDOW OF THE TOWER . . . . . . . 375

IN THE DAYS OF THE COMET

PROLOGUE

THE MAN WHO WROTE IN THE TOWER

I SAW a gray-haired man, a figure of hale age, sitting at a desk and writing:

He seemed to be in a room in a tower, very high, so that through the tall window on his left one perceived only distances, a remote horizon of sea, a headland and that vague haze and glitter in the sunset that many miles away marks a city. All the appointments of this room were orderly and beautiful, and in some subtle quality, in this small difference and that, new to me and strange. They were in no fashion I could name, and the simple costume the man wore suggested neither period nor country. It might, I thought, be the Happy Future, or Utopia, or the Land of Simple Dreams; an errant mote of memory, Henry James's phrase and story of "The Great Good Place," twinkled across my mind, and passed and left no light.

The man I saw wrote with a thing like a fountain pen, a modern touch that prohibited any historical retrospection, and as he finished each sheet, writing in an easy flowing hand, he added it to a growing pile upon a graceful little table under the window. His last done sheets lay loose, partly covering others that were clipped together into fascicles.

Clearly he was unaware of my presence, and I stood waiting until his pen should come to a pause. Old as he certainly was he wrote with a steady hand. . . .

I discovered that a concave speculum hung slantingly high over his head; a movement in this caught my attention sharply, and I looked up to see, distorted and made fantastic but bright and beautifully colored, the magnified, reflected, evasive rendering of a palace, of a terrace, of the vista of a great roadway with many people, people exaggerated, impossible-looking because of the curvature of the mirror, going to and fro. I turned my head quickly that I might see more clearly through the window behind me, but it was too high for me to survey this nearer scene directly, and after a momentary pause I came back to that distorting mirror again.

But now the writer was leaning back in his chair. He put down his pen and sighed the half resentful sigh--"ah! you, work, you! how you gratify and tire me!"--of a man who has been writing to his satisfaction.

"What is this place," I asked, "and who are you?"

He looked around with the quick movement of surprise.

"What is this place?" I repeated, "and where am I?"

He regarded me steadfastly for a moment under his wrinkled brows, and then his expression softened to a smile. He pointed to a chair beside the table. "I am writing," he said.

"About this?"

"About the change."

I sat down. It was a very comfortable chair, and well placed under the light.

"If you would like to read--" he said.

I indicated the manuscript. "This explains?" I asked.

"That explains," he answered.

He drew a fresh sheet of paper toward him as he looked at me.

I glanced from him about his apartment and back to the little table. A fascicle marked very distinctly "1" caught my attention, and I took it up. I smiled in his friendly eyes. "Very well," said I, suddenly at my ease, and he nodded and went on writing. And in a mood between confidence and curiosity, I began to read.

This is the story that happy, active-looking old man in that pleasant place had written.

BOOK THE FIRST

THE COMET

CHAPTER THE

FIRST

DUST IN THE SHADOWS

Section 1

I HAVE set myself to write the story of the Great Change, so far as it has affected my own life and the lives of one or two people closely connected with me, primarily to please myself.

Long ago in my crude unhappy youth, I conceived the desire of writing a book. To scribble secretly and dream of authorship was one of my chief alleviations, and I read with a sympathetic envy every scrap I could get about the world of literature and the lives of literary people. It is something, even amidst this present happiness, to find leisure and opportunity to take up and partially realize these old and hopeless dreams. But that alone, in a world where so much of vivid and increasing interest presents itself to be done, even by an old man, would not, I think, suffice to set me at this desk. I find some such recapitulation of my past as this will involve, is becoming necessary to my own secure mental continuity. The passage of years brings a man at last to retrospection; at seventy-two one's youth is far more important than it was at forty. And I am out of touch with my youth. The old life seems so cut off from the new, so alien and so unreasonable, that at times I find it bordering upon the incredible. The data have gone, the buildings and places. I stopped dead the other afternoon in my walk across the moor, where once the dismal outskirts of Swathinglea straggled toward Leet, and asked, "Was it here indeed that I crouched among the weeds and refuse and broken crockery and loaded my revolver ready for murder? Did ever such a thing happen in my life? Was such a mood and thought and intention ever possible to me? Rather, has not some queer nightmare spirit out of dreamland slipped a pseudo-memory into the records of my vanished life?" There must be many alive still who have the same perplexities. And I think too that those who are now growing up to take our places in the great enterprise of mankind, will need many such narratives as mine for even the most partial conception of the old world of shadows that came before our day. It chances too that my case is fairly typical of the Change; I was caught midway in a gust of passion; and a curious accident put me for a time in the very nucleus of the new order.

My memory takes me back across the interval of fifty years to a little ill-lit room with a sash window open to a starry sky, and instantly there returns to me the characteristic smell of that room, the penetrating odor of an ill-trimmed lamp, burning cheap paraffin. Lighting by electricity had then been perfected for fifteen years, but still the larger portion of the world used these lamps. All this first scene will go, in my mind at least, to that olfactory accompaniment. That was the evening smell of the room. By day it had a more subtle aroma, a closeness, a peculiar sort of faint pungency that I associate--I know not why--with dust.

Let me describe this room to you in detail. It was perhaps eight feet by seven in area and rather higher than either of these dimensions; the ceiling was of plaster, cracked and bulging in places, gray with the soot of the lamp, and in one place discolored by a system of yellow and olive-green stains caused by the percolation of damp from above. The walls were covered with dun-colored paper, upon which had been printed in oblique reiteration a crimson shape, something of the nature of a curly ostrich feather, or an acanthus flower, that had in its less faded moments a sort of dingy gaiety. There were several big plaster-rimmed wounds in this, caused by Parload's ineffectual attempts to get nails into the wall, whereby there might hang pictures. One nail had hit between two bricks and got home, and from this depended, sustained a little insecurely by frayed and knotted blind-cord, Parload's hanging bookshelves, planks painted over with a treacly blue enamel and further decorated by a fringe of pinked American cloth insecurely fixed by tacks. Below this was a little table that behaved with a mulish vindictiveness to any knee that was thrust beneath it suddenly; it was covered with a cloth whose pattern of red and black had been rendered less monotonous by the accidents of Parload's versatile ink bottle, and on it, leit motif of the whole, stood and stank the lamp. This lamp, you must understand, was of some whitish translucent substance that was neither china nor glass, it had a shade of the same substance, a shade that did not protect the eyes of a reader in any measure, and it seemed admirably adapted to bring into pitiless prominence the fact that, after the lamp's trimming, dust and paraffin had been smeared over its exterior with a reckless generosity.