Lady Grove, you know, is a very beautiful house indeed, a still and gracious place, whose age-long seclusion was only effectively broken with the toot of the coming of the motor-car. An old Catholic family had died out in it, century by century, and was now altogether dead. Portions of the fabric are thirteenth century, and its last architectural revision was Tudor; within, it is for the most part dark and chilly, save for two or three favoured rooms and its tall-windowed, oak-galleried hall. Its terrace is its noblest feature; a very wide, broad lawn it is, bordered by a low stone battlement, and there is a great cedar in one corner under whose level branches one looks out across the blue distances of the Weald, blue distances that are made extraordinarily Italian in quality by virtue of
