30 - 30 - Shae’s review of the dance performance came out surprisingly well, considering her mind was on other matters. She was pleased with the ambiguities within the piece, how they could be both provocative and decorous. Some said it clearly showed the stability and professionalism of the current Lilithong troupe, but others felt it was a polite call for change within the ranks, and that she was in favour of Orrian taking a lead position in future productions. Just the kind of review she was known for, although personally she couldn’t care less what role Orrian played, or how Lilithong organised themselves. But these things mattered to others, and it was always good to stoke the fires of healthy debate. More troubling was the resurgence of some of her older reports, especially those

