Executioners: A Silent Murder

EXECUTION 34

“Introduce me,” said her mother. “Unless the young man considers that he knows me already.”

He probably did; but Lucy ignored the Sacred Lake and introduced them formally. Old Mr. Emerson claimed her with much warmth, and said how glad he was that she was going to be married. She said yes, she was glad too; and then, as Miss Bartlett and Minnie were lingering behind with Mr. Beebe, she turned the conversation to a less disturbing topic, and asked him how he liked his new house.

“Very much,” he replied, but there was a note of offence in his voice; she had never known him offended before. He added: “We find, though, that the Miss Alans were coming, and that we have turned them out. Women mind such a thing. I am very much upset about it.”

“I believe that there was some misunderstanding,” said Mrs. Honeychurch uneasily.

“Our landlord was told that we should be a different type of person,” said George, who seemed disposed to carry the matter further. “He thought we should be artistic. He is disappointed.”

“And I wonder whether we ought to write to the Miss Alans and offer to give it up. What do you think?” He appealed to Lucy.

“Oh, stop now you have come,” said Lucy lightly. She must avoid censuring Cecil. For it was on Cecil that the little episode turned, though his name was never mentioned.

“So George says. He says that the Miss Alans must go to the wall. Yet it does seem so unkind.”

“There is only a certain amount of kindness in the world,” said George, watching the sunlight flash on the panels of the passing carriages.

“Yes!” exclaimed Mrs. Honeychurch. “That’s exactly what I say. Why all this twiddling and twaddling over two Miss Alans?”

“There is a certain amount of kindness, just as there is a certain amount of light,” he continued in measured tones. “We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won’t do harm—yes, choose a place where you won’t do very much harm, and stand in it for all you are worth, facing the sunshine.”

“Oh, Mr. Emerson, I see you’re clever!”

“Eh—?”

“I see you’re going to be clever. I hope you didn’t go behaving like that to poor Freddy.”

George’s eyes laughed, and Lucy suspected that he and her mother would get on rather well.

“No, I didn’t,” he said. “He behaved that way to me. It is his philosophy. Only he starts life with it; and I have tried the Note of Interrogation first.”

“What DO you mean? No, never mind what you mean. Don’t explain. He looks forward to seeing you this afternoon. Do you play tennis? Do you mind tennis on Sunday—?”

“George mind tennis on Sunday! George, after his education, distinguish between Sunday—”

“Very well, George doesn’t mind tennis on Sunday. No more do I. That’s settled. Mr. Emerson, if you could come with your son we should be so pleased.”

He thanked her, but the walk sounded rather far; he could only potter about in these days.

She turned to George: “And then he wants to give up his house to the Miss Alans.”

“I know,” said George, and put his arm round his father’s neck. The kindness that Mr. Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast landscape—a touch of the morning sun? She remembered that in all his perversities he had never spoken against affection.

Miss Bartlett approached.

“You know our cousin, Miss Bartlett,” said Mrs. Honeychurch pleasantly. “You met her with my daughter in Florence.”

“Yes, indeed!” said the old man, and made as if he would come out of the garden to meet the lady. Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view.

George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: “I—I’ll come up to tennis if I can manage it,” and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help. To one of her upbringing, and of her destination, the weakness of men was a truth unfamiliar, but she had surmised it at Florence, when George threw her photographs into the River Arno.

“George, don’t go,” cried his father, who thought it a great treat for people if his son would talk to them. “George has been in such good spirits today, and I am sure he will end by coming up this afternoon.”

Lucy caught her cousin’s eye. Something in its mute appeal made her reckless. “Yes,” she said, raising her voice, “I do hope he will.” Then she went to the carriage and murmured, “The old man hasn’t been told; I knew it was all right.” Mrs. Honeychurch followed her, and they drove away.

Satisfactory that Mr. Emerson had not been told of the Florence escapade; yet Lucy’s spirits should not have leapt up as if she had sighted the ramparts of heaven. Satisfactory; yet surely she greeted it with disproportionate joy. All the way home the horses’ hoofs sang a tune to her: “He has not told, he has not told.” Her brain expanded the melody: “He has not told his father—to whom he tells all things. It was not an exploit. He did not laugh at me when I had gone.” She raised her hand to her cheek. “He does not love me. No. How terrible if he did! But he has not told. He will not tell.”

She longed to shout the words: “It is all right. It’s a secret between us two for ever. Cecil will never hear.” She was even glad that Miss Bartlett had made her promise secrecy, that last dark evening at Florence, when they had knelt packing in his room. The secret, big or little, was guarded.

Only three English people knew of it in the world. Thus she interpreted her joy. She greeted Cecil with unusual radiance, because she felt so safe. As he helped her out of the carriage, she said:

“The Emersons have been so nice. George Emerson has improved enormously.”

“How are my proteges?” asked Cecil, who took no real interest in them, and had long since forgotten his resolution to bring them to Windy Corner for educational purposes.

“Proteges!” she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl’s soul yearned.

“You shall see for yourself how your proteges are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don’t—” She nearly said, “Don’t protect him.” But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte.

Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed—either Cecil or Miss Bartlett or a Being not visible to the mortal eye—a Being who whispered to her soul: “It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men.” But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck’s Armide that year, and played from memory the music of the enchanted garden—the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: “Now play us the other garden—the one in Parsifal.”