EXECUTION 47

1207 Words
“Oh, mother, what rubbish you talk! Of course I’m not tired of Windy Corner.” “Then why not say so at once, instead of considering half an hour?” She laughed faintly, “Half a minute would be nearer.” “Perhaps you would like to stay away from your home altogether?” “Hush, mother! People will hear you”; for they had entered Mudie’s. She bought Baedeker, and then continued: “Of course I want to live at home; but as we are talking about it, I may as well say that I shall want to be away in the future more than I have been. You see, I come into my money next year.” Tears came into her mother’s eyes. Driven by nameless bewilderment, by what is in older people termed “eccentricity,” Lucy determined to make this point clear. “I’ve seen the world so little—I felt so out of things in Italy. I have seen so little of life; one ought to come up to London more—not a cheap ticket like to-day, but to stop. I might even share a flat for a little with some other girl.” “And mess with typewriters and latch-keys,” exploded Mrs. Honeychurch. “And agitate and scream, and be carried off kicking by the police. And call it a Mission—when no one wants you! And call it Duty—when it means that you can’t stand your own home! And call it Work—when thousands of men are starving with the competition as it is! And then to prepare yourself, find two doddering old ladies, and go abroad with them.” “I want more independence,” said Lucy lamely; she knew that she wanted something, and independence is a useful cry; we can always say that we have not got it. She tried to remember her emotions in Florence: those had been sincere and passionate, and had suggested beauty rather than short skirts and latch-keys. But independence was certainly her cue. “Very well. Take your independence and be gone. Rush up and down and round the world, and come back as thin as a lath with the bad food. Despise the house that your father built and the garden that he planted, and our dear view—and then share a flat with another girl.” Lucy screwed up her mouth and said: “Perhaps I spoke hastily.” “Oh, goodness!” her mother flashed. “How you do remind me of Charlotte Bartlett!” “Charlotte!” flashed Lucy in her turn, pierced at last by a vivid pain. “More every moment.” “I don’t know what you mean, mother; Charlotte and I are not the very least alike.” “Well, I see the likeness. The same eternal worrying, the same taking back of words. You and Charlotte trying to divide two apples among three people last night might be sisters.” “What rubbish! And if you dislike Charlotte so, it’s rather a pity you asked her to stop. I warned you about her; I begged you, implored you not to, but of course it was not listened to.” “There you go.” “I beg your pardon?” “Charlotte again, my dear; that’s all; her very words.” Lucy clenched her teeth. “My point is that you oughtn’t to have asked Charlotte to stop. I wish you would keep to the point.” And the conversation died off into a wrangle. She and her mother shopped in silence, spoke little in the train, little again in the carriage, which met them at Dorking Station. It had poured all day and as they ascended through the deep Surrey lanes showers of water fell from the over-hanging beech-trees and rattled on the hood. Lucy complained that the hood was stuffy. Leaning forward, she looked out into the steaming dusk, and watched the carriage-lamp pass like a search-light over mud and leaves, and reveal nothing beautiful. “The crush when Charlotte gets in will be abominable,” she remarked. For they were to pick up Miss Bartlett at Summer Street, where she had been dropped as the carriage went down, to pay a call on Mr. Beebe’s old mother. “We shall have to sit three a side, because the trees drop, and yet it isn’t raining. Oh, for a little air!” Then she listened to the horse’s hoofs—“He has not told—he has not told.” That melody was blurred by the soft road. “CAN’T we have the hood down?” she demanded, and her mother, with sudden tenderness, said: “Very well, old lady, stop the horse.” And the horse was stopped, and Lucy and Powell wrestled with the hood, and squirted water down Mrs. Honeychurch’s neck. But now that the hood was down, she did see something that she would have missed—there were no lights in the windows of Cissie Villa, and round the garden gate she fancied she saw a padlock. “Is that house to let again, Powell?” she called. “Yes, miss,” he replied. “Have they gone?” “It is too far out of town for the young gentleman, and his father’s rheumatism has come on, so he can’t stop on alone, so they are trying to let furnished,” was the answer. “They have gone, then?” “Yes, miss, they have gone.” Lucy sank back. The carriage stopped at the Rectory. She got out to call for Miss Bartlett. So the Emersons had gone, and all this bother about Greece had been unnecessary. Waste! That word seemed to sum up the whole of life. Wasted plans, wasted money, wasted love, and she had wounded her mother. Was it possible that she had muddled things away? Quite possible. Other people had. When the maid opened the door, she was unable to speak, and stared stupidly into the hall. Miss Bartlett at once came forward, and after a long preamble asked a great favour: might she go to church? Mr. Beebe and his mother had already gone, but she had refused to start until she obtained her hostess’s full sanction, for it would mean keeping the horse waiting a good ten minutes more. “Certainly,” said the hostess wearily. “I forgot it was Friday. Let’s all go. Powell can go round to the stables.” “Lucy dearest—” “No church for me, thank you.” A sigh, and they departed. The church was invisible, but up in the darkness to the left there was a hint of colour. This was a stained window, through which some feeble light was shining, and when the door opened Lucy heard Mr. Beebe’s voice running through the litany to a minute congregation. Even their church, built upon the slope of the hill so artfully, with its beautiful raised transept and its spire of silvery shingle—even their church had lost its charm; and the thing one never talked about—religion—was fading like all the other things.
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