Executioners: A Silent Murder

EXECUTION 27

The grandchildren asked her to play the piano.

She played Schumann. “Now some Beethoven” called Cecil, when the querulous beauty of the music had died. She shook her head and played Schumann again. The melody rose, unprofitably magical. It broke; it was resumed broken, not marching once from the cradle to the grave. The sadness of the incomplete—the sadness that is often Life, but should never be Art—throbbed in its disjected phrases, and made the nerves of the audience throb. Not thus had she played on the little draped piano at the Bertolini, and “Too much Schumann” was not the remark that Mr. Beebe had passed to himself when she returned.

When the guests were gone, and Lucy had gone to bed, Mrs. Vyse paced up and down the drawing-room, discussing her little party with her son. Mrs. Vyse was a nice woman, but her personality, like many another’s, had been swamped by London, for it needs a strong head to live among many people. The too vast orb of her fate had crushed her; and she had seen too many seasons, too many cities, too many men, for her abilities, and even with Cecil she was mechanical, and behaved as if he was not one son, but, so to speak, a filial crowd.

“Make Lucy one of us,” she said, looking round intelligently at the end of each sentence, and straining her lips apart until she spoke again. “Lucy is becoming wonderful—wonderful.”

“Her music always was wonderful.”

“Yes, but she is purging off the Honeychurch taint, most excellent Honeychurches, but you know what I mean. She is not always quoting servants, or asking one how the pudding is made.”

“Italy has done it.”

“Perhaps,” she murmured, thinking of the museum that represented Italy to her. “It is just possible. Cecil, mind you marry her next January. She is one of us already.”

“But her music!” he exclaimed. “The style of her! How she kept to Schumann when, like an i***t, I wanted Beethoven. Schumann was right for this evening. Schumann was the thing. Do you know, mother, I shall have our children educated just like Lucy. Bring them up among honest country folks for freshness, send them to Italy for subtlety, and then—not till then—let them come to London. I don’t believe in these London educations—” He broke off, remembering that he had had one himself, and concluded, “At all events, not for women.”

“Make her one of us,” repeated Mrs. Vyse, and processed to bed.

As she was dozing off, a cry—the cry of nightmare—rang from Lucy’s room. Lucy could ring for the maid if she liked but Mrs. Vyse thought it kind to go herself. She found the girl sitting upright with her hand on her cheek.

“I am so sorry, Mrs. Vyse—it is these dreams.”

“Bad dreams?”

“Just dreams.”

The elder lady smiled and kissed her, saying very distinctly: “You should have heard us talking about you, dear. He admires you more than ever. Dream of that.”

Lucy returned the kiss, still covering one cheek with her hand. Mrs. Vyse recessed to bed. Cecil, whom the cry had not awoke, snored. Darkness enveloped the flat.

It was a Saturday afternoon, gay and brilliant after abundant rains, and the spirit of youth dwelt in it, though the season was now autumn. All that was gracious triumphed. As the motorcars passed through Summer Street they raised only a little dust, and their stench was soon dispersed by the wind and replaced by the scent of the wet birches or of the pines. Mr. Beebe, at leisure for life’s amenities, leant over his Rectory gate. Freddy leant by him, smoking a pendant pipe.

“Suppose we go and hinder those new people opposite for a little.”

“M’m.”

“They might amuse you.”

Freddy, whom his fellow-creatures never amused, suggested that the new people might be feeling a bit busy, and so on, since they had only just moved in.

“I suggested we should hinder them,” said Mr. Beebe. “They are worth it.” Unlatching the gate, he sauntered over the triangular green to Cissie Villa. “Hullo!” he cried, shouting in at the open door, through which much squalor was visible.

A grave voice replied, “Hullo!”

“I’ve brought someone to see you.”

“I’ll be down in a minute.”

The passage was blocked by a wardrobe, which the removal men had failed to carry up the stairs. Mr. Beebe edged round it with difficulty. The sitting-room itself was blocked with books.

“Are these people great readers?” Freddy whispered. “Are they that sort?”

“I fancy they know how to read—a rare accomplishment. What have they got? Byron. Exactly. A Shropshire Lad. Never heard of it. The Way of All Flesh. Never heard of it. Gibbon. Hullo! dear George reads German. Um—um—Schopenhauer, Nietzsche, and so we go on. Well, I suppose your generation knows its own business, Honeychurch.”

“Mr. Beebe, look at that,” said Freddy in awestruck tones.

On the cornice of the wardrobe, the hand of an amateur had painted this inscription: “Mistrust all enterprises that require new clothes.”

“I know. Isn’t it jolly? I like that. I’m certain that’s the old man’s doing.”

“How very odd of him!”

“Surely you agree?”

But Freddy was his mother’s son and felt that one ought not to go on spoiling the furniture.

“Pictures!” the clergyman continued, scrambling about the room. “Giotto—they got that at Florence, I’ll be bound.”

“The same as Lucy’s got.”

“Oh, by-the-by, did Miss Honeychurch enjoy London?”

“She came back yesterday.”

“I suppose she had a good time?”

“Yes, very,” said Freddy, taking up a book. “She and Cecil are thicker than ever.”

“That’s good hearing.”

“I wish I wasn’t such a fool, Mr. Beebe.”

Mr. Beebe ignored the remark.

“Lucy used to be nearly as stupid as I am, but it’ll be very different now, mother thinks. She will read all kinds of books.”

“So will you.”

“Only medical books. Not books that you can talk about afterwards. Cecil is teaching Lucy Italian, and he says her playing is wonderful. There are all kinds of things in it that we have never noticed. Cecil says—”

“What on earth are those people doing upstairs? Emerson—we think we’ll come another time.”

George ran down-stairs and pushed them into the room without speaking.

“Let me introduce Mr. Honeychurch, a neighbour.”

Then Freddy hurled one of the thunderbolts of youth. Perhaps he was shy, perhaps he was friendly, or perhaps he thought that George’s face wanted washing. At all events he greeted him with, “How d’ye do? Come and have a bathe.”

“Oh, all right,” said George, impassive.

Mr. Beebe was highly entertained.

“‘How d’ye do? how d’ye do? Come and have a bathe,’” he chuckled. “That’s the best conversational opening I’ve ever heard. But I’m afraid it will only act between men. Can you picture a lady who has been introduced to another lady by a third lady opening civilities with ‘How do you do? Come and have a bathe’? And yet you will tell me that the sexes are equal.”

“I tell you that they shall be,” said Mr. Emerson, who had been slowly descending the stairs. “Good afternoon, Mr. Beebe. I tell you they shall be comrades, and George thinks the same.”

“We are to raise ladies to our level?” the clergyman inquired.

“The Garden of Eden,” pursued Mr. Emerson, still descending, “which you place in the past, is really yet to come. We shall enter it when we no longer despise our bodies.”

Mr. Beebe disclaimed placing the Garden of Eden anywhere.

“In this—not in other things—we men are ahead. We despise the body less than women do. But not until we are comrades shall we enter the garden.”

“I say, what about this bathe?” murmured Freddy, appalled at the mass of philosophy that was approaching him.

“I believed in a return to Nature once. But how can we return to Nature when we have never been with her? To-day, I believe that we must discover Nature. After many conquests we shall attain simplicity. It is our heritage.”

“Let me introduce Mr. Honeychurch, whose sister you will remember at Florence.”