VIdling on the porch of their summer cottage at the lake, on afternoons when Kennicott was in town, when the water was glazed and the whole air languid, she pictured a hundred escapes: Fifth Avenue in a snow-storm, with limousines, golden shops, a cathedral spire. A reed hut on fantastic piles above the mud of a jungle river. A suite in Paris, immense high grave rooms, with lambrequins and a balcony. The Enchanted Mesa. An ancient stone mill in Maryland, at the turn of the road, between rocky brook and abrupt hills. An upland moor of sheep and flitting cool sunlight. A clanging dock where steel cranes unloaded steamers from Buenos Ayres and Tsing-tao. A Munich concert-hall, and a famous 'cellist playing—playing to her.
One scene had a persistent witchery:
She stood on a terrace overlooki
