Chapter 3
WE SEE YOU SLIPPING
Nora couldn't move.
The old photo lay on the desk between them. The little girl in it had her eyes, her hair, and her face before the world taught her how to hide. Under the picture, in careful writing, were the words that made her stomach drop.
Nora Ellis, missing.
Julian stood in the bathroom doorway. His shirt sleeves were rolled up and his hair was slightly damp. His eyes moved from her face to the photo and back again.
“Clara?” he said again, a bit quieter this time.
Nora forced air into her lungs. Training took over before panic could finish its work. She took a step back and let her expression settle into something close to normal.
“I’m sorry,” she said. “I was looking for you and the door was open. I didn’t mean to touch anything.”
Julian walked to the desk slowly. He didn't pick up the photo right away but only looked at it, then at her hands.
“You look like you’ve seen a ghost,” he said.
“It’s an old picture,” Nora answered. “That’s all.”
He picked up the photo. His thumb rested near the handwritten name and for a long second he said nothing.
“This file is private,” Julian said.
“I know. I shouldn’t have come in.”
“Then why did you?”
Because she needed the River File. Because Second Skin was waiting. Because a message on her phone had told her they could already see her slipping. But none of those answers could leave her mouth.
“I wanted to ask about the manuscript,” she said. “The ending still feels unfinished and I thought you might still be working.”
Julian gave her a good look. His green eyes didn't look angry, they looked careful, the way a person looked when they were putting small pieces together and didn't like the shape they made.
“You can ask me things without walking into my office after hours,” he said.
“You’re right. I’m sorry.”
He set the photo back inside the folder and closed it.
“Who's Nora Ellis?” Nora asked, before she could stop herself.
Julian’s hand remained on the folder.
“A girl who went missing a long time ago,” he said. “My mother used to collect stories like that, people who disappeared then showed up later with different names. She believed some of them never chose those new names for themselves.”
Nora’s throat felt both tight and dry. “Did she ever find her?”
“No.” Julian’s voice dropped. “My mother died before she could finish looking.”
The honesty in his words got to her even more than an accusation. Nora had spent years listening to people lie so she knew the sound of truth when it arrived without decoration.
“I’m sorry,” she said, and this time the words were real.
Julian nodded then he put the folder into the top drawer and locked it and the key disappeared into his pocket.
“You should go home, Clara.”
Nora turned toward the door. Her legs felt unsteady, but she made them carry her. She had almost reached the hallway when he spoke again.
“If you’re in trouble,” he said, “you can tell me.”
She stopped with her hand on the frame and for one dangerous second she wanted to turn around and say everything. My name isn't Clara, and that little girl in the photo is me. I was taken, trained, and sent here to steal from you.
But she didn't turn around.
“I’m not in trouble,” she said, then she left.
The hallway felt longer than it had earlier. Nora kept her eyes forward as she passed Tessa’s empty desk, and the front windows that were still wet with rain. Only when she stepped outside into the cool night air did she let her breath shake.
She walked two blocks before she stopped under a streetlight and pulled out her phone.
There were three messages. The first was from Riley.
Update me. Board is asking questions.
The second was from Margaret.
Call when you can. Don't write details.
The third had no name.
It was a photo.
The picture had been taken from outside Julian’s office window. Its angle was slightly high, as if from a building across the narrow street. In the photo, Nora stood beside Julian’s desk. Her hand was near the open folder, the old picture of the missing girl was clearly visible under the lamp.
Under the image was one line of text.
You were seen. Tomorrow you take the file, or we take the choice away from you.
Nora’s fingers went numb around the phone.
Someone had been watching her inside the building and this person has been close enough to catch the exact moment she touched the River File. This was someone who already knew how to reach her.
She looked up and down the street. A car passed and a couple walked by under one umbrella. Though no one seemed to be staring, that didn't mean no one was there.
Nora put the phone away and started walking again, faster now. Her mind raced through options the way it had been trained to do. Leave town tonight. Call Margaret and ask for extraction. Destroy the phone. Go back and tell Julian the truth.
Every option had a cost.
If she ran, Second Skin would find her, and they always did. If she told Julian, she risked him hating her before he even knew her real name. If she stole the file tomorrow, she might finish the job and lose the first person who had looked at her like she was more than a role.
Nora reached her apartment and locked the door behind her. She didn't turn on the main light but sat on the floor with her back against the wall and stared at the dark.
The little girl in the photo kept coming to her mind. Chestnut hair, brown eyes, two adults standing behind her like a life that had been cut off in the middle.
Nora had been told that girl was gone, that the name Nora Ellis was only a tool. But tonight the past had looked up at her from a stranger’s desk and refused to stay buried.
Her phone rang, it was Margaret.
Nora answered.
“You’re late calling,” Margaret said in a calm but almost tired voice. “Tell me you’re still on schedule.”
“Someone is watching me,” Nora said. “They sent a photo from inside the building.”
Silence on the other end.
“Describe it.”
Nora did. She described the angle, the folder, and the message under the picture.
Margaret was quiet for a few seconds. “It may be a pressure tactic. The Board is restless because they want the file sooner.”
“How soon?”
“Tomorrow.”
Nora closed her eyes. “That’s not enough time.”
“It has to be. If you can’t get it cleanly, you get it any way you can. Do you understand?”
Nora understood. She had always understood, that was the problem.
“Yes,” she said.
“And Nora...” Margaret’s voice went soft in a way it rarely did. “Don’t get attached to the target. Attachment is how people like us lose.”
The call ended.
Nora sat there in the dark for some time before she got up and turned on a small lamp to wash her face with cold water. In the mirror she looked like Clara Bennett, not like the child in the photo.
She also didn't look like someone who could walk into Julian Reed’s office tomorrow, take what she had been sent for, and leave without breaking something important.
Nora lay down on the bed without changing her clothes. Sleep didn't come and every time she closed her eyes she saw two things at once: Julian’s face when he asked if she was in trouble, and the photo of a missing girl with her name underneath.
Near morning, her phone buzzed one more time.
A new message from the unknown number.
This one wasn't a photo of her in the office.
It was a photo of Julian, taken from across the street as he locked the front door of Reed & Grove Press. The timestamp said it had been taken only an hour earlier and under it was a new line.
If you protect him, we stop protecting you. Choose.
Nora sat up slowly.
Outside her window, the sky was just beginning to lighten up. Somewhere in Willow Ridge, Julian Reed was probably still awake too, turning over a thin work history and an old photo that didn't belong in a stranger’s hands.
Nora stared at the message then she typed a reply she knew she shouldn't send.
If you touch him, then I stop being useful.
She hit send before she could change her mind.
The phone stayed silent for almost a full minute and when it finally buzzed again, the answer was only five words.
Then you are already gone.