Chapter 3: Suite 355
7
I sent the revision at eight forty Saturday morning. The answer came back inside a minute.
"Not it. Again."
I read it twice and went back to page one.
The north corner was the argument. She'd said so herself in January, at the kitchen table, my own pages in her hand, and everything after page four was decoration. So I kept the north corner and rebuilt the rest around it: pulled the tree line back, cut the residential mix to two unit types, took out the amenity nobody would pay for if they'd run the numbers instead of the mood board.
Sunday I sent it at eleven at night.
"Still no."
Monday I sent the third one at six, and I was a block from the studio when my phone rang.
"You're the lead on this account," she said.
"I am."
"Then what do you call this."
"It's the third version since Saturday."
"Third." She let the word sit there, not as a question. "Whitaker will have notes for you Friday. Send me another one like the last three and I'll tell him to find somebody else."
I had half a sentence out when she was gone. I stood on the sidewalk with the phone in my hand and people going around me on both sides.
I typed it out walking. *Which sections are you rejecting?* I sent it and watched the bubble, and the bubble went gray, and under it: Not Delivered.
I laughed once, out loud, which got me a look from a guy in a Bears hat.
The broker's listing was four blocks from the studio. I'd set the showing up that afternoon by text, and I got there at seven and he was already waiting in the vestibule with his tablet and his coffee. I had an hour to kill before that, and I spent it walking, because there was nothing in the old place I wanted to sit with.
Third floor, walk-up, radiator under the window, kitchen from the last century. One window, facing east. Light in the morning, nothing after two.
"Original floors," the broker said.
I walked it in under four minutes and stood in the middle of the empty living room.
I'd spent three years doing plans for other people and arithmetic in the shower at night, and the arithmetic had always come out. Down payment, closing, enough left over for paint. I knew that shape the way I knew a nine-page deck: you put the numbers down, the numbers hold the ground, and you build on that.
"It's fine," I said. "I'll take it."
"You want to think about it?"
"No."
We did the papers at the coffee shop on the corner, and I gave him first month and the deposit on my card, and he shook my hand and called me Mr. Cole like we were doing something.
I'd given my notice on the old place that morning, because there was no reason to stay in a two-bedroom by myself, and the landlord had said fine, he already had people.
The broker called while I was standing in the old kitchen with three years going into two bags.
"Mr. Cole. I'm sorry."
"What."
"The owner's pulling it off the market."
"I signed a lease."
"I know." He had the voice of a man reading off a card somebody handed him. "He had a number come in over asking this evening, and he's taking it, and he's not going to hold it for anybody."
"He can't do that."
"He can, actually. I'm not going to pretend with you." A pause where I could hear him breathing through his nose. "The paperwork on the building runs through the leasing office, and the leasing office isn't going to make an argument out of it. I asked twice."
"Who's the leasing office."
He gave me a name. Then he gave me a second one, and said the two of them handled the same nine buildings, and two of those buildings had Hale signage on the front. He didn't say anything else.
I stood in the empty kitchen with the phone down at my side.
The thing about the math was that I'd run it a hundred times that night and never once get the same answer out of it. Housing was the number I could make land. I'd made it land for three years with a pencil. Now there was a landlord in a room somewhere taking a call, and a leasing office that wouldn't argue, and me standing in a place I'd already given notice on with the bags at my feet.
I locked the door and left the key in the mailbox and carried the bags down the stairs.
8
The hotel was two blocks from the studio, nine floors, a man at the desk in a vest who didn't care about anything.
I put the duffel down and slid my license and my card across the counter and he started typing.
The phone buzzed against the counter. I looked at it, because that's what you do.
*ALERT: $30,000.00 debit. LARKSPUR CLUB. Account ending 4417. Available balance $500.00.*
I read it twice. It didn't change.
"We had thirty thousand five hundred dollars in that," I said, out loud, in the lobby, to nobody.
The man in the vest stopped typing. "Sir?"
I pulled the card off the counter and put it back in my wallet, and the ticket was behind it. One way, Chicago to a town in Indiana, for the Friday I figured the job would be done. I'd bought it when the job was still the only thing that was wrong, and I'd left it behind the bank card so I'd see it every time I paid for something. Not a smart place to keep it. I never moved it.
$500.00.
I picked up the bags and went out and called her from the sidewalk. It rang fourteen times.
"Vivian's busy."
A man's voice. Young, with a laugh sitting right under it, like he was standing in a room he liked being in.
"Who's this?"
"This is Ethan Cole."
"Ethan Cole." He said it back slowly and seemed to like having it. Then his voice went off to the room. "Vivian. Your little thing's calling. He wants to talk to you."
Glass on glass behind him. A heel on stone.
Then her voice, flat and close to the mouthpiece.
"Larkspur. Suite three fifty-five."
"There's thirty thousand dollars out of the account."
"Suite three fifty-five."
"The balance is five hundred dollars."
"Suite three fifty-five."
I put my hand over my eyes for a second.
"Tell me what's wrong with the pages," I said. "Any of them. One."
"Come and ask me for the notes."
The laughter in the background went up a notch, and then the line was dead and the screen was a clock, and I stood on the sidewalk with everything I owned piled inside the doors behind me.
I went back in and dragged it all out to the corner and called Tommy.
"Come get the bags," I said. "Or I'll bring them over."
The three-flat was seventeen blocks, and I did it in an hour with two bags on my back and the duffel by the strap.
Tommy stood in the doorway in a T-shirt and opened his mouth twice before he said anything.
"What the hell is this."
"I need a floor for tonight."
"A floor." He looked at the bags and then at me and then at the bags. "What happened to the apartment."
"Nothing happened to it. It's gone." I put the duffel down inside the door and stood up straight, because my back was done. "I'll come back for the rest."
"Gone how."
"The owner took a higher offer an hour after I signed." And then, because there was no way to say half of it, I said the rest. "Thirty thousand dollars came out of the joint account tonight. There's five hundred left in it."
He came off the door frame.
"Thirty thousand."
"To Larkspur Club. That's all the alert said."
"Then we get it back."
"Sure."
He had a lot to say about that. He was going to put his shoes on and come with me. I told him no in the voice that means no, and he stood in the door with his arms crossed while I got the bike down off the wall in the hall.
"Where."
"The north side."
"Ethan."
"I'm getting the notes," I said. "It's a design meeting."
"That's not what that is."
"I know." I clipped my bag to the frame. "Put my stuff by the couch."
He swore at me on the way out. I took that as be careful. Then I rode the whole way up with the wind off the river coming through my jacket.
Larkspur was on a side street four blocks off the lake, six stone steps and a brass plate and no sign, the cars on both curbs parked nose to tail. I'd heard her say the name once, back in the summer, the way people say the name of a house they grew up in, and at the time I'd thought it was a restaurant.
The man at the door didn't ask who I was. He looked at my jacket and then at my face and then stepped back and let me walk in.
It smelled like furniture polish and somebody else's dinner. Carpet wall to wall up the stairs, sconces with fabric shades, a clock in the hallway that cost more than my bike. A woman came down past me carrying two bottles and didn't look at me at all.
The corridor on the second floor was carpeted and quiet. Suite 355 sat at the end of it, yellow light coming out under the door and voices on the other side of it, and the handle was brass and warm when I got my hand near it.
Author’s Note
Three drafts, three rejections, and Ethan still thinks the problem is the pages. That's what gets me in this chapter — a man whose whole life has been numbers that land, watching them stop landing: a lease gone in an hour, thirty thousand dollars out of an account he shares, five hundred left in it. He never once raises his voice. Would you have climbed those six steps?
If you'd like to read ahead, you can keep reading on my p*****n: https://www.patreon.com/c/TranKhang