First Drafts and First Impressions

253 Words
By the time we scheduled our first call, I had already Googled her name six different ways. “Amira author.” “Amira memoir.” “Amira missing.” Nothing. Just a few LinkedIn profiles and one article about a schoolteacher from Nevada who had nothing to do with her. She didn’t show her face on the video call. Just her initials — A.M. — in a soft gray circle that hovered silently on my screen until her voice filled the space. To “I’m not used to talking about myself,” she said. “That’s okay,” I replied. “You don’t have to be good at it. That’s what I’m here for.” There was a pause. Long enough that I wondered if the connection had frozen. Then she said, “I think I was eleven when I first realized my story mattered. I just didn’t know what to do with it.” I scribbled that down. Eleven. The first spark. I always looked for that moment in people’s lives — the sentence where the book really begins. She told me about her journals. Her late father. The box in her attic she hadn’t opened in over a decade. Her voice trembled at times, but never broke. And I listened. Not like a writer. Like a witness. “I want this book to outlive me,” she said at the end of the call. “Even if my name isn’t on it.” I nodded. “Then let’s start writing.”
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