"You didn't sleep."
I turn from the window. Dante Reyes is standing in the doorway of my room, fully dressed, a coffee cup in his hand. Not Rafael. Him. He looks at the bed, still made, covers undisturbed, and then he looks at me, still in yesterday's clothes, and he does not make it a question.
"No," I say.
Something moves across his face. Not sympathy exactly. More like recognition. Like he knows what it is to lie awake in a room that is not yours and map every exit until the gray light comes.
He does not say anything else. He leaves.
I don't sleep much.
What I do instead is lie on top of the covers fully dressed and map everything I remember about this apartment from the moment the elevator opened to the moment Rafael closed my door. I do it the way I do everything, methodically, starting from the outside and working in.
One elevator. Keycard access, Rafael's card, which means the code is tied to biometrics or a rotating PIN I cannot guess. Two security cameras in the main room, angles overlapping so there is no blind spot near the exits. The hallway has one more, mounted high and tilted down. The window in this room is floor to ceiling like the rest of the penthouse, and I am on a floor high enough that the street below looks like a diagram of a street rather than an actual one.
No phone. No laptop. No way to contact anyone.
What I have is my mind, and my mind has gotten me out of worse situations than a very expensive apartment with good security. I just need to think clearly and I need to not do anything stupid before I understand the full shape of what I am inside.
By the time gray light starts coming through the window I have a working map of everything I saw and a list of what I still need to find out. Guard rotation. Whether the keycard system logs entries and exits. Whether the workspace Dante mentioned has internet access or is air-gapped. Whether anyone besides Rafael has access to this floor.
Breakfast arrives at seven thirty.
A woman I have not seen before knocks twice and leaves a tray outside my door without waiting for me to answer. Eggs. Toast. Coffee, real coffee, not the instant kind. I eat all of it standing at the window because sitting feels too settled, too much like accepting something I have not decided to accept yet.
*You already accepted it,* a voice in my head says. *Last night. You said okay.*
I said okay because the alternative was being handed to people Dante Reyes considers less measured than himself, and if a man like that thinks someone else is dangerous, I believe him. That is not acceptance. That is math.
Rafael knocks at nine exactly.
"The workspace is ready," he says when I open the door. He is dressed the same as last night, dark jacket, unhurried expression. I have decided I cannot read Rafael Mora and I should stop trying until I have more data.
I follow him down the hall, past the main room where Dante is not present, through a door I did not clock last night because it was closed and blended into the wall. The workspace behind it stops me in the doorway for two full seconds.
Three monitors. Not cheap ones. The kind of setup that costs more than most people's cars, calibrated and clean, the kind a serious developer would spec out if money was not a consideration. A tower unit I can tell just from the casing is fast, genuinely fast, not consumer fast. A mechanical keyboard. A secondary laptop docked to the left. Every cable organized. Everything exactly where it should be.
It is better than anything I have ever owned.
I hate how much I want to sit down at it.
I sit down at it.
"The files are on the desktop," Rafael says from the doorway. "Mr. Reyes wants a full audit of the accounts in the red folder. Routing histories, transaction flags, anything that looks like it was moved to avoid detection."
"That's what he wants me to do," I say. "What do I get out of it?"
"You get to keep doing it instead of the alternative."
I look at the monitors. The red folder is right there on the desktop, labeled simply AUDIT, and I open it because working is better than sitting still, and because working means access, and access is always the first step toward every way out of everything.
The files are dense. Financial routing logs, shell company structures, transaction chains going back four years. Whoever built this architecture knew what they were doing. Layers inside layers, each account feeding into the next through a system that looks almost clean until you know what to look for. I know what to look for.
I start pulling threads.
Time moves differently when I am working. It always has. The apartment, the cameras, the fact that my laptop is still somewhere on that desk in the main room with Dante Reyes, all of it compresses down to background noise while my brain does the thing it does best. I flag three suspicious transaction chains in the first hour. Find a routing loop that should not exist in the second. Start building a map of the whole structure in the third because the map is how I will eventually find the thing they actually want me to find, whatever that is.
At noon I feel him before I hear him.
That is the only way I can describe it. A change in the air at the doorway, a stillness that is different from the room's stillness, and I know without turning around that Dante Reyes is standing there. I do not turn around. I keep my eyes on the monitor and my hands on the keyboard and I follow the routing thread I was already following because I am not going to perform awareness of him just because he decided to stand in a doorway.
He does not speak.
I do not speak.
I flag another transaction, cross-reference it against the loop I found earlier, add it to the map. My typing does not slow down. My shoulders do not change. If he is waiting for me to acknowledge him he is going to be waiting a long time.
Two minutes pass. Maybe a little more.
He leaves.
I hear the quiet shift of his footsteps moving away down the hall and I let out a breath I did not know I was holding, slow and controlled, just air. That is all. Just air.
I turn back to the monitor.
The routing thread I was following has branched into a sub-account I have not opened yet. I click it. The transaction history loads and I start scanning dates, amounts, origin points, the same way I have been scanning everything in this folder.
Then I stop.
The origin point on one of these transactions. I know that routing signature. Not from anything in this folder, not from anything connected to Reyes Global Ventures or whatever I stumbled into last night. I know it from somewhere else. Somewhere older.
I open the sub-account fully and I stare at the shell company name attached to it.
My hands go still on the keyboard.
I have seen that name before. Years ago, when I was seventeen and sitting on the floor of my mother's home office going through every file she had ever kept, looking for anything that could explain why she was dead. It was in her notes. Just once, circled in pencil, with a question mark beside it like she had found it and was not sure yet what it meant.
She never got to find out.
I am looking at it right now on Dante Reyes's monitor in Dante Reyes's penthouse and my heart is doing something I do not have a clean word for.