When Sybil Burrill, after uttering her defiance in the face of father and husband, had swept from the room, closely followed by her mother, another form moved away from the immediate vicinity of the most accessible drawing-room window,—the form of Evan Lamotte. Crouching, creeping, shivering, cursing, he made his way to the spot where he had left Frank’s horse, and led it toward the stables.
Anything but sober when he commenced his vigil underneath the drawing-room windows, he had been shocked into sobriety by his sister’s violence, and his own rage against her tormentors. Growing more and more sober, and more and more sullen, he stabled the ill-used thoroughbred with his own hands, and then, avoiding alike both servants and family, he crept into the house, and up to his own room.
In the
