He drew a Chinese house, with bells hanging from every one
of sixteen stories. He drew two Grecian temples with slender marble
pillars, and with steps all round them. He drew a Norwegian church.
It was easy to see that this church had been built entirely of
wood, hewn out and wonderfully put together; every story looked as
if it had rockers, like a cradle. But the most beautiful of all was
the castle, drawn on one of the leaves, and which he called
"Emily's Castle." This was the kind of place in which she must
live. That is what George had thought, and consequently he had put
into this building whatever he thought most beautiful in all the
others. It had carved wood-work, like the Norwegian church; marble
pillars, like the Grecian temple; bells in every story; and was
crowned w
