The Archdeacon flowed into the whole story, and ended with his exit from Cully. Mornington, listening, felt the story to be fantastic and ridiculous, and would have given himself up to incredulity, had it not been for the notion of the Graal itself. This, which to some would have been the extreme fantasy, was to him the easiest thing to believe. For he approached the idea of the sacred vessel, not as did Sir Giles, through antiquity and savage folklore, nor as did the Archdeacon, through a sense of religious depths in which the mere temporary use of a particular vessel seemed a small thing, but through exalted poetry and the high romantic tradition in literature. This living light had shone for so long in his mind upon the idea of the Graal that it was by now a familiar thing — Tennyson an
