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Tavon
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Theoria’s introduction is so sudden that it takes us off guard and long enough for the Queen to move away, toward the West, where she waits with a gathering band of Heracla. This band forms an orchestra that’s composed of several drums arranged in one row behind a group of trumpet players that fall into an arc-like formation directly behind a row of Heracla soldiers who are dressed in golden robes and who carry saxophones. On the right and left flanks of the entire band are cello players, and Heracla holding flutes and clarinets make up the front rank. The flute and clarinet players float alongside two violinists and far ahead of a grand piano of shining bronze that’s kept aloft by four Heracla who’ve shouldered the burden on their backs while one flies above the keyboard.
