Best Short Stories Omnibus - Volume 2

The Mourner-2-1

A gorgeous scene of kingly pride is the prospect now before us!—the offspring of art, the nursling of nature—where can the eye rest on a landscape more deliciously lovely than the fair expanse of Virginia Water, now an open mirror to the sky, now shaded by umbrageous banks, which wind into dark recesses, or are rounded into soft promontories? Looking down on it, now that the sun is low in the west, the eye is dazzled, the soul oppressed, by excess of beauty. Earth, water, air drink to overflowing the radiance that streams from yonder well of light; the foliage of the trees seems dripping with the golden flood; while the lake, filled with no earthly dew, appears but an imbasining of the sun-tinctured atmosphere; and trees and gay pavilion float in its depth, more dear, more distinct than their twins in the upper air. Nor is the scene silent: strains more sweet than those that lull Venus to her balmy rest, more inspiring than the song of Tiresias which awoke Alexander to the deed of ruin, more solemn than the chantings of St. Cecilia, float along the waves and mingle with the lagging breeze, which ruffles not the lake. Strange, that a few dark scores should be the key to this fountain of sound; the unconscious link between unregarded noise and harmonies which unclose paradise to our entranced senses!

The sun touches the extreme boundary, and a softer, milder light mingles a roseate tinge with the fiery glow. Our boat has floated long on the broad expanse; now let it approach the umbrageous bank. The green tresses of the graceful willow dip into the waters, which are checked by them into a ripple. The startled teal dart from their recess, skimming the waves with splashing wing. The stately swans float onward; while innumerable waterfowl cluster together out of the way of the oars. The twilight is blotted by no dark shades; it is one subdued, equal receding of the great tide of day. We may disembark, and wander yet amid the glades, long before the thickening shadows speak of night. The plantations are formed of every English tree, with an old oak or two standing out in the walks. There the glancing foliage obscures heaven, as the silken texture of a veil a woman’s lovely features. Beneath such fretwork we may indulge in light-hearted thoughts; or, if sadder meditations lead us to seek darker shades, we may pass the cascade towards the large groves of pine, with their vast undergrowth of laurel, reaching up to the Belvidere; or, on the opposite side of the water, sit under the shadow of the silver-stemmed birch, or beneath the leafy pavilions of those fine old beeches, whose high fantastic roots seem formed in nature’s sport; and the near jungle of sweet-smelling myrica leaves no sense unvisited by pleasant ministration.

Now this splendid scene is reserved for the royal possessor; but in past years; while the lodge was called the Regent’s Cottage, or before, when the under-ranger inhabited it, the mazy paths of Chapel Wood were open, and the iron gates enclosing the plantations and Virginia Water were guarded by no Cerebus untamable by sops. It was here, on a summer’s evening, that Horace Neville and his two fair cousins floated idly on the placid lake,

“In that sweet mood when pleasant thoughts

Bring sad thoughts to the mind.”

Neville had been eloquent in praise of English scenery. “In distant climes,” he said, “we may find landscapes grand in barbaric wildness, or rich in the luxuriant vegetation of the south, or sublime in Alpine magnificence. We may lament, though it is ungrateful to say so on such a night as this, the want of a more genial sky; but where find scenery to be compared to the verdant, well-wooded, well-watered groves of our native land; the clustering cottages, shadowed by fine old elms; each garden blooming with early flowers, each lattice gay with geraniums and roses; the blue-eyed child devouring his white bread, while he drives a cow to graze; the hedge redolent with summer blooms; the enclosed cornfields, seas of golden grain, weltering in the breeze; the stile, the track across the meadow, leading through the copse, under which the path winds, and the meeting branches overhead, which give, by their dimming tracery, a cathedral-like solemnity to the scene; the river, winding ‘with sweet inland murmur;’ and, as additional graces, spots like these—oases of taste—gardens of Eden—the works of wealth, which evince at once the greatest power and the greatest will to create beauty?

“And yet,” continued Neville, “it was with difficulty that I persuaded myself to reap the best fruits of my uncle’s will, and to inhabit this spot, familiar to my boyhood, associated with unavailing regrets and recollected pain.”

Horace Neville was a man of birth—of wealth; but he could hardly be termed a man of the world. There was in his nature a gentleness, a sweetness, a winning sensibility, allied to talent and personal distinction, that gave weight to his simplest expressions, and excited sympathy for all his emotions. His younger cousin, his junior by several years, was attached to him by the tenderest sentiments—secret long—but they were now betrothed to each other—a lovely, happy pair. She looked inquiringly, but he turned away. “No more of this,” he said, and, giving a swifter impulse to their boat, they speedily reached the shore, landed, and walked through the long extent of Chapel Wood. It was dark night before they met their carriage at Bishopsgate.

A week or two after, Horace received letters to call him to a distant part of the country. A few days before his departure, he requested his cousin to walk with him. They bent their steps across several meadows to Old Windsor Churchyard. At first he did not deviate from the usual path; and as they went they talked cheerfully—gaily. The beauteous sunny day might well exhilarate them; the dancing waves sped onwards at their feet; the country church lifted its rustic spire into the bright pure sky. There was nothing in their conversation that could induce his cousin to think that Neville had led her hither for any saddening purpose; but when they were about to quit the churchyard, Horace, as if he had suddenly recollected himself, turned from the path, crossed the greensward, and paused beside a grave near the river. No stone was there to commemorate the being who reposed beneath—it was thickly grown with grass, starred by a luxuriant growth of humble daisies: a few dead leaves, a broken bramble twig, defaced its neatness. Neville removed these, and then said, “Juliet, I commit this sacred spot to your keeping while I am away.”

“There is no monument,” he continued; “for her commands were implicitly obeyed by the two beings to whom she addressed them. One day another may lie near, and his name will be her epitaph. I do not mean myself,” he said, half-smiling at the terror his cousin’s countenance expressed; “but promise me, Juliet, to preserve this grave from every violation. I do not wish to sadden you by the story; yet, if I have excited your interest, I will satisfy it; but not now—not here.”

It was not till the following day, when, in company with her sister, they again visited Virginia Water, that, seated under the shadow of its pines, whose melodious swinging in the wind breathed unearthly harmony, Neville, unasked, commenced his story.

“I was sent to Eton at eleven years of age. I will not dwell upon my sufferings there; I would hardly refer to them, did they not make a part of my present narration. I was a fag to a hard taskmaster; every labour he could invent—and the youthful tyrant was ingenious—he devised for my annoyance; early and late, I was forced to be in attendance, to the neglect of my school duties, so incurring punishment. There were worse things to bear than these: it was his delight to put me to shame, and, finding that I had too much of my mother in my blood,—to endeavour to compel me to acts of cruelty from which my nature revolted,—I refused to obey. Speak of West Indian s*****y! I hope things may be better now; in my days, the tender years of aristocratic childhood were yielded up to a capricious, unrelenting, cruel b*****e, far beyond the measured despotism of Jamaica.

“One day—I had been two years at school, and was nearly thirteen—my tyrant, I will give him no other name, issued a command, in the wantonness of power, for me to destroy a poor little bullfinch I had tamed and caged. In a hapless hour he found it in my room, and was indignant that I should dare to appropriate a single pleasure. I refused, stubbornly, dauntlessly, though the consequence of my disobedience was immediate and terrible. At this moment a message came from my tormentor’s tutor—his father had arrived. ‘Well, old lad,’ he cried, ‘I shall pay you off some day!’ Seizing my pet at the same time, he wrung its neck, threw it at my feet, and, with a laugh of derision, quitted the room.

“Never before—never may I again feel the same swelling, boiling fury in my bursting heart;—the sight of my nursling expiring at my feet—my desire of vengeance—my impotence, created a Vesuvius within me, that no tears flowed to quench. Could I have uttered—acted—my passion, it would have been less torturous: it was so when I burst into a torrent of a***e and imprecation. My vocabulary—it must have been a choice collection—was supplied by him against whom it was levelled. But words were air. I desired to give more substantial proof of my resentment—I destroyed everything in the room belonging to him; I tore them to pieces, I stamped on them, crushed them with more than childish strength. My last act was to seize a timepiece, on which my tyrant infinitely prided himself, and to dash it to the ground. The sight of this, as it lay shattered at my feet, recalled me to my senses, and something like an emotion of fear allayed the tumult in my heart. I began to meditate an escape: I got out of the house, ran down a lane, and across some meadows, far out of bounds, above Eton. I was seen by an elder boy, a friend of my tormentor. He called to me, thinking at first that I was performing some errand for him; but seeing that I shirked, he repeated his ‘Come up!’ in an authoritative voice. It put wings to my heels; he did not deem it necessary to pursue. But I grow tedious, my dear Juliet; enough that fears the most intense, of punishment both from my masters and the upper boys, made me resolve to run away. I reached the banks of the Thames, tied my clothes over my head, swam across, and, traversing several fields, entered Windsor Forest, with a vague childish feeling of being able to hide myself for ever in the unexplored obscurity of its immeasurable wilds. It was early autumn; the weather was mild, even warm; the forest oaks yet showed no sign of winter change, though the fern beneath wore a yellowy tinge. I got within Chapel Wood; I fed upon chestnuts and beechnuts; I continued to hide myself from the gamekeepers and woodmen. I lived thus two days.

“But chestnuts and beechnuts were sorry fare to a growing lad of thirteen years old. A day’s rain occurred, and I began to think myself the most unfortunate boy on record. I had a distant, obscure idea of starvation: I thought of the Children in the Wood, of their leafy shroud, gift of the pious robin; this brought my poor bullfinch to my mind, and tears streamed in torrents down my cheeks. I thought of my father and mother; of you, then my little baby cousin and playmate; and I cried with renewed fervour, till, quite exhausted, I curled myself up under a huge oak among some dry leaves, the relics of a hundred summers, and fell asleep.

“I ramble on in my narration as if I had a story to tell; yet I have little except a portrait—a sketch—to present, for your amusement or interest. When I awoke, the first object that met my opening eyes was a little foot, delicately clad in silk and soft kid. I looked up in dismay, expecting to behold some gaily dressed appendage to this indication of high-bred elegance; but I saw a girl, perhaps seventeen, simply clad in a dark cotton dress, her face shaded by a large, very coarse straw hat; she was pale even to marmoreal whiteness; her chestnut-coloured hair was parted in plain tresses across a brow which wore traces of extreme suffering; her eyes were blue, full, large, melancholy, often even suffused with tears; but her mouth had an infantine sweetness and innocence in its expression, that softened the otherwise sad expression of her countenance.