V. — HOW THE GREAT WIND WENT FROM BEACON HOUSE
Mary was walking between Diana and Rosamund slowly up and down the garden; they were silent, and the sun had set. Such spaces of daylight as remained open in the west were of a warm-tinted white, which can be compared to nothing but a cream cheese; and the lines of plumy cloud that ran across them had a soft but vivid violet bloom, like a violet smoke. All the rest of the scene swept and faded away into a dove-like gray, and seemed to melt and mount into Mary’s dark-gray figure until she seemed clothed with the garden and the skies. There was something in these last quiet colours that gave her a setting and a supremacy; and the twilight, which concealed Diana’s statelier figure and Rosamund’s braver array, exhibited and emphasized her, leavin
