After the Rising & Before the Fall

1995-5

“I didn’t tell them at first. I knew it wouldn’t take long for it to get out. My father was given the job of tackling me. ‘I hear you’ve been seen in Devereux’s,’ was what he said to me, as if it was a brothel or something. I just laughed, said the old feud had nothing to do with me, that what was past was past.”

“That simple, eh?”

“What could he say, if you think about it?”

A familiar feeling coils inside me, deep and cold. “So…A happy ending all round. How moving.”

He knows what I mean. That it could be that easy, after all they put us through. That he could just say, what’s past is past and, miraculously…it was.

He leans forward in the chair. “I often wondered how things turned out for you, Dev, but I never got the nerve to ask your mother. Our association – hers and mine – was very much on her terms.”

“That sounds like Mrs D. all right.”

“So I never asked. But I often wondered,” he repeats. He leans in close to me, picks up a strand of my hair. “You never changed it,” he says. “When you made your grand entrance into the church yesterday, that was the first thing I thought: she never changed the hair.”

He tugs the curl straight, then winds it around his finger. I let him, but only for a second, before jerking my head away, folding my hair over the opposite shoulder.

“You live alone?” I ask, knowing the answer.

“No.” He tries not to hesitate. “No. I got married nine years ago.”

I had a follow-up line prepared for this inevitable moment but, having invited it, my brain has now decided to evacuate. Silence lengthens and loads. It is he who breaks it. “We have two children,” he says.

“Two? That’s lovely.” That’s lovely? Oh God, is that the best I can do?

“Boys?” I manage after a while, though we both know I saw them this morning. “Or…em…girls?”

“Ella, the girl, is five. Dara is four.”’ His face is expanding with that look parents take on when they talk about their children.

“And your wife, is she from round here? Would I know her?”

“No. She’s from Cork.”

“So you’ve done it all,” I say. “Wife, kids, law practice in town, big house in the country.”

“I’ve been lucky, I suppose.”

Does he not remember that we never wanted all that? Maybe he is right, maybe I haven’t changed as much as he has. Certainly he’s coming over as all grown up whereas I, since arriving in Mucknamore, am reliving the gauchest horrors of adolescence.

I am not normally like this! I want to scream at him. I am a syndicated magazine writer! I have a des. res. in Lower Haight! Sometimes people ask for my autograph!

“What about you?” he wants to know. “Are you married?”

“Oh no. No. You know monogamy was never my thing.”

“Never say never,” he smiles, which makes me want to slap him.

“Hey,” he says, seeing my face. “I didn’t mean that whatever way you’re taking it. I just meant…”

“I’m single because that’s how I like it.”

“Sure. I get that.”

It’s true. There is a great deal about being single that I like. Or that I will like again, once I find my way back to myself. Back to the kinds of days I used to have when I first went to San Francisco — when I had lovers, not pick-ups, when I had joys, not dubious pleasures. When I had Richard.

Well Richard is gone, forever, and I have spent too long wishing he wasn’t. I have to learn how to create myself – by myself, for myself – the colour and excitement he used to bring to my life. That much I’ve worked out.

“Look, I won’t stay long, Jo. I dropped up here because I need to talk to you about your mother’s will.”

“Rory, I’ve already told Maeve. I don’t give a fiddler’s about—”

He holds up his hand. “I know that, Dev. We all know that. But can you just listen for a minute? Last January, your mother said to me, ‘I’m not long for this world. I won’t last the year.’ I laughed it off, the way you do, but she started making plans and she hired me to carry them out. So this is business. And this,” he says, reaching across to place the white envelope he has been holding onto the bedspread, “is for you.”

An A4 envelope with my name written on the outside in blue ink: Siobhán. Mrs D.’s handwriting, still small and neat and tight as print. At the centre, between the folds of paper: something hard.

“Siobhán,” I say. “Nobody ever calls me that. Nobody ever did, except Mrs D.”

“Don’t open the letter yet,” he says, getting up. “There’s something else you have to be given first. Wait here.”

He goes out of the room and returns with a battered blue suitcase. I recognise it immediately. Six times a year, I used to fill it with blankets and sheets and uniform, and be driven with it from Mucknamore to my convent boarding school, or back.

He heaves it onto the bed where it lands at my feet with a bounce. “Jesus, it’s heavy,” he says, puffing. “I’m always surprised by the weight of paper.”

“Paper?”

“It’s full of documents. Family papers, photographs, newspaper cuttings, that sort of thing. The key is in that sealed envelope you’ve got there. You are the only one who is to have access.”

“Why?”

“I don’t know. I’m just following instructions. I was to make sure to give this to you myself and I was to tell you that the contents are for your eyes only, nobody else’s. She was very clear about that.”

I take out the key, pull the case towards me. The locks must have recently been oiled because one twist of the key and – click, click – they snap open. It is crammed with all kinds of documents. Packets of letters tied with faded ribbon. A stack of shop ledger diaries (author: Granny Peg). Sheaves of paper, close covered in black ink, tied with string (author: Auntie Norah). And a smell of yesterday as strong as bottled scent.

Half of me wants to recoil, but the other half wins, and I find myself picking through the photographs: heavy daguerreotypes, stiff sepias from the early part of the century, black-and-whites from the 40s and 50s and from around the time when I was born, colorful prints that bring us all the way up to now, to these pictures on top which were presumably taken by Donal, of Mrs D. – smaller and more wrinkled than I remember – clasped in Maeve’s arms while together they watch Ria blow out the candles on a birthday cake.

Beneath the pictures are pamphlets and booklets, song-sheets with the words of old ballads, and pink files full of notes about what seem to be IRA matters, dispatches to and from various officers of Mucknamore IRA, written by somebody called Máire Parle.

Wasn’t that the name of Gran’s mother?

My great-grandmother.

Damn you, Mrs D., I think as I rummage through, reluctantly first, then greedily, until I become aware again of Rory looking at me looking, which is all too much for me. I replace the papers, close the lid of the case, snap the clasps on tight. “What was she up to?” I ask him.

“I honestly don’t know. Apart from the fact that it meant meeting up with you” – that grin again – “I treated it as if she was just another client. I’ve had stranger requests.”

“How was she so certain I’d come back?”

“If you didn’t, I was to get your address and bring the suitcase and the letter across to you in the States. Make sure to put it into your hand myself.”

I imagine myself in my San Francisco apartment, answering my buzzer one ordinary day and hearing Rory O’Donovan’s voice coming through the speaker at me. At the behest of Mrs D. What the hell was she playing at? And him too, with his hair touching and his “never say never”, and “you haven’t changed a bit”. I was crazy to have come here, to have delivered myself up to this.

“You can take it back,” I say. “I don’t want it.”

“Ah, Dev…”

“Family papers. Can’t you just imagine? Uncle Barney, the IRA hero. Fianna Fáil the fabulous. Spare me, please. Take it back to wherever it came from.”

6th February 1995

Dear Siobhán,

A letter from beyond the grave, what do you think of that? I got one from your Granny Peg when she passed on so I can imagine some of your feelings as you read this. By now you’ll have had the suitcase and seen what’s in it. Most of these letters and records were kept by your Granny Peg – I don’t think that woman ever threw away a piece of paper.

It was always in my mind that we should sort out those papers some day, destroy the rubbish and the private stuff, and give the rest to somebody who could put together a family history. When your gran died, she suggested, among other things, that the person should be you.

As you know, Siobhán, you come from a family that played no small part in Ireland’s fight for freedom. I believe the stories of those who died for their country should be preserved and passed on to the younger generations who, I have to say, seem to take so much for granted these days. Some time ago, I sat down to tackle the task, but I found it impossible. Everything was all mixed up together and one thing seemed to hang on another. I couldn’t work out what to leave in and what to take out.

After days of shuffling bits of paper in and out of different piles, I came round to agreeing with your gran. You are used to writing and would be much better up to the task.

So that is what I want you to do, Siobhán – the Parle family history. Focus on the part our family played in the Easter Rising of 1916, there is where you’ll find our glory.

Contrary to what you’d think if you were to listen only to Dubliners, the glorious uprising that won Ireland its freedom took place in other parts of the country besides the capital. That Enniscorthy here in Co. Wexford was one such is down to your maternal ancestors. That is something of which you can be proud, I think, don’t you?

There is so much ignorance today about the sacrifices endured by that great generation. Sacrifices made so that those who came after them (yourself included, I might add) could grow up in a free country.

Those men and women who worked and died for Ireland are half-forgotten now. The 75-year commemoration of the Rising in ’91 was an unholy disgrace. It nearly killed your gran, how they failed to honour our origins. It’s time someone reminded the young people that not too long ago, there were Irish men and women who had interests beyond the raking in of money, who had principles and ideals they were prepared to die for.

You come from such a family.

There’s a danger in me doing this, Siobhán, I won’t pretend I don’t know it. I’m afraid of what you might write, what you might choose to highlight. But your gran thought you and Maeve should know all, now that the knowing can do no harm, and I’ve come round to thinking maybe she was right. So I’ve destroyed nothing, not even Auntie Norah’s ramblings and inventions, most of which no sane person could read anyhow, her handwriting so bad and her thoughts all over the place.

I’m putting three generations of Parles into your hands, Siobhan, trusting you not to make public anything we would prefer to remain private.