(Pall Mall Gazette, February 24, 1888.) There are certain problems in archaeology that seem to possess a real romantic interest, and foremost among these is the question of the so-called Venus of Melos. Who is she, this marble mutilated goddess whom Gautier loved, to whom Heine bent his knee? What sculptor wrought her, and for what shrine? Whose hands walled her up in that rude niche where the Melian peasant found her? What symbol of her divinity did she carry? Was it apple of gold or shield of bronze? Where is her city and what was her name among gods and men? The last writer on this fascinating subject is Mr. Stillman, who in a most interesting book recently published in America, claims that the work of art in question is no sea-born and foam-born Aphrodite, but the very Victory Without

