Elias and I began meeting every afternoon. We cleared the water channel, compared maps, and worked on the rosebush.
The rosebush remained dead.
The channel, however, began to flow. Water reached the east garden for the first time in several years. A row of small green shoots appeared along the stone border.
The Conservatory noticed.
A board member named Mrs. Halloway came to inspect the channel. She wore a dark green suit and carried a silver cane. Maura accompanied her. I came too, with my notebook tucked under one arm.
"Mr. Vale," Mrs. Halloway said, "I understand you found the old spring valve."
"I found the map," Elias answered. "The valve was where the map said it would be."
"And the map belongs to the Conservatory?"
"It belongs to me."
Mrs. Halloway's expression did not change. "If the channel serves Conservatory grounds, we have a responsibility to document it."
"Documenting it doesn't require taking my work."
Maura stepped forward. "This is why the accord might be helpful. A formal partnership would establish shared responsibilities."
"An accord doesn't transfer ownership," I said.
Mrs. Halloway glanced at me. "You have been reading the rules."
"I have."
"That is commendable."
It sounded like a warning dressed as praise.
After the visit, I found Elias at the end of the channel, tracing the water with one finger.
"They're going to ask for your maps again," I said.
"I know."
"Could they take them?"
"Not under the accord rules."
"Could they make it difficult for you to stay here?"
He gave me a brief look. "The agreement says my room can't depend on a bond."
"I read that."
"Then you know."
"I don't know what they will do when someone points out the rule."
He wiped his finger on his trousers. "What would you do if they did?"
The question stopped me. "I'd tell them they couldn't."
"Would you?"
I opened my mouth. The answer I wanted to give was yes. The answer I could trust was less certain.
"I would try."
"That's enough for now."
That night, I reread the standard agreement in the Registry. Beneath the printed rules, there was a section for local arrangements. The form allowed the Conservatory to provide a temporary room, but the box beside "housing extension" had been filled in by hand.
A note beside it read: Pending board review.
The ink was fresh.
I copied the line into my notebook and asked the clerk when it had been added.
"Yesterday," she said.
"Who added it?"
"Director's office."
"Can I see the original?"
"That is the original."
I made a note of the clerk's answer and left.
On my way back to the greenhouse, I found Maura waiting in the corridor.
"You've been asking a lot of questions," she said.
"I need to understand the agreement."
"The standard terms are clear."
"Then why has the board added a pending review to Elias's housing?"
Her eyes moved briefly to my notebook. "It may be a clerical precaution."
"Does it apply to all practicum partners?"
"I don't know."
"Could you find out?"
"Of course."
She said it gently. I knew that tone. It was the tone she used when she wanted a conversation to end without having to answer.
I pressed the notebook against my chest. "Why did you bring him to me?"
"I thought he would be good for you."
"That isn't an answer."
"It is the answer I have."
I wanted to ask whether she had chosen him because he needed a room, or because he had found the spring valve, or because she thought I would be too frightened to refuse him.
My throat tightened.
"Elowen," Maura said, "you don't have to turn every kindness into a trap."
"I'm not."
"Then let yourself have this."
She reached for my hand. I pulled it back before she could touch me.
I had never done that before.
Her face changed, just a little. Then she let her hand fall.
"All right," she said. "Ask what you need to ask."