The following morning, 7:00 a.m. arrived with a strange chill. It wasn't the cold from Waeren’s air conditioning, but rather the reality that after last night’s dinner, the atmosphere between the two of us had shifted.
When I arrived at the studio, the usual noise of CAD files saving or the scratching of a cutter against corkboard was missing. Waeren was sitting in front of the window, staring outside, holding a cup of coffee that I knew was already cold.
"You're five minutes late," he said, but his voice lacked its usual edge.
"Traffic at the corner. You know how tight the roads get, unlike your floor plans," I replied while setting down my things.
"So, why the face? You look like someone’s dream just died."
He turned toward me.
"My parents called. They saw the meeting notes from yesterday. They liked your input on the garden orientation."
"See? I told you they needed a bit of my touch," I joked, trying to brighten the mood.
"But they want a full presentation of the landscape by Monday, Xy. And they want it to be integrated with Celine’s structural proposal for the annex."
I froze while taking out my notebook. Celine again. The ideal blueprint that always seems to wedge itself into every curve of my life.
"So, I have to work with her?"
"We need to," Waeren corrected.
"It's a collaboration. Dad said your garden's 'soul' needs to merge with Celine’s structural 'precision.' It's a test for both of us."
All day, the studio became a battleground of two different worlds. Celine arrived with her technical charts and high-end rendering tools.
While I sat amidst sketchpads and dried leaves I used for model textures, Celine was busy explaining load-bearing capacities and steel reinforcements.
"Xyloise, the roots of these trees might compromise the foundation of the annex," Celine noted, pointing at my sketch.
"We need to move them at least three meters back. It will ruin your 'symmetry,' but safety first, right?"
"If we move them that far, Celine, we lose the natural shade for the master bedroom window. It’ll get even hotter inside, and the carbon footprint will increase because of the AC," I answered, forcing my voice to stay calm.
"Architecture isn't just about the building standing still; it's about how the building lives with the land."
Celine looked at Waeren, seeking support.
"Waeren, tell her. We can't risk the structural integrity for a bit of shade."
Waeren looked at my sketch, then at Celine’s technical drawing. He looked at me—a quick but deep glance.
"The trees stay," Waeren declared. "We’ll use a deeper pier foundation to avoid the root zone. It’s more expensive, but the environmental benefit and the aesthetic value justify the cost."
Celine’s eyes widened. "Waeren, that's not efficient. You're compromising the budget for... for this?"
"I'm not compromising the budget, Celine. I'm investing in the home,"
Waeren said with finality. "Xy, continue with the draft. Celine, adjust the structural grid."
When Celine walked out with heavy steps, silence enveloped us. I looked at Waeren, who had already returned to editing a CAD file.
"Why did you do that?" I asked. "You know she’s right about the budget."
"I didn't do it for the budget, Xy," he said, eyes fixed on the screen.
"I did it because your vision was right. And maybe... because I’m tired of building things that are just 'correct.' I want to build something that feels alive."
I stepped closer and stood behind him.
"Thanks, Architect. I really thought you'd take your ideal partner's side."
He stopped typing and turned slightly.
"The ideal partner isn't the one who follows the rules perfectly, Xyloise. It's the one who knows when to break them for something better."
At that moment, I knew we weren't just talking about landscaping anymore. Every word felt like a new column being added to the structure we were building between us. My heart was slowly giving way—not from the weight of the work, but from the weight of my feelings for this man who was finally learning to look beyond his blueprints.