I was dumb.
"You are surprised that I praise you to your face? It is not my habit. But you, one can see, are suffering from malappreciation. Those two ugly lines between your brows were born of the belief that you were too plain and uninteresting ever to hope to win a niche of your own in the world. And so you are if you think you are. But you don't have to think so. Think that cross look away and your face will show what is rarer than beauty—character, individuality. Old Time himself cannot rob you of that." She turned to the ape. "I believe this is what we were looking for, Giannino."
I felt as if this strange woman had probed my soul.
"Are you employed now?" she asked abruptly.
"Yes."
"What is your salary?"
I named it.
"I shall double it, Miss Brickley. That is only fair, because I shall make great demands on you."
I tried to stammer my thanks.
"Haven't you got some questions to ask me?" she said.
"What is the nature of your business?" I diffidently inquired.
"You will soon see," she said smiling. "I assure you it is quite honest. You may call me a practical psychologist—specialising in the feminine."
IIMost of you will remember how the murder of Ashcomb Poor set the whole town agog. The victim's wealth and social position and the scandalous details of his private life that began to ooze out, whetted the public appetite for sensation to the highest degree. For years Ashcomb Poor had been one of the most beparagraphed men in town, and now the manner of his taking off seemed like a tremendous climax to a thrilling tale.
The day it first came out in the papers Mme. Storey did not arrive at the office until noon. She was very plainly dressed and wore a thick veil that partly obscured her features. By this time I was accustomed to these metamorphoses of costume. From a little bag that she carried she took several articles and handed them over to me. These were (a) a hank of thin green string in a snarl, (b) a piece of iridescent chiffon, partly burned, (c) an envelope containing seven cigarette butts.
"Some scraps of evidence in the Ashcomb Poor case," she explained. "Put them in a safe place."
I had just been reading the newspaper report.
"What! Have we been engaged in that case already?" I exclaimed. Mme. Storey encouraged me to speak of our business in the first person plural, and of course it flattered me to do so.
"No," she said, smiling, "but we may be. At any rate, I have forearmed myself by taking a look over the ground."
In the rear of her room there was a smaller one that she used as a retiring and dressing-room. She changed there now to a more suitable costume.
Two days later she remarked: "The signs tell me that we shall receive a call from the district attorney's office today."
Sure enough, Assistant District Attorney Barron turned up before the morning was over. Though he was a young man for the job, he was a capable one, and held over through several succeeding administrations. This was the first time I had seen him, though it turned out he was an old friend of Mme. Storey's. A handsome, full-blooded fellow, his weakness was that he thought just a little too well of himself.
I showed him into the private office and returned to my desk. There is a dictagraph installed between Mme. Storey's desk and mine, and when it is turned on I am supposed to listen in and make a transcript of whatever conversation may be taking place. Sometimes, to my chagrin, she turns it off at the most exciting moment, but more often she leaves it on, I am sure, out of pure good nature, because she knows I am so keenly interested. Mme. Storey is good enough to say that she likes me to be in possession of full information, so that she can talk things over with me.
The circuit was open now, and I heard him say: "My God, Rose, you're more beautiful than ever!"
"Thanks, Walter," she dryly retorted. "The dictagraph is on, and my secretary can hear everything you say."
"For Heaven's sake, turn it off!"
"I can't now, or she'd imagine the worst. You'll have to stick to business. I suppose you've come to see me about the Ashcomb Poor case."
"What makes you jump to that conclusion?"
"Oh, you were about due."
"Humph! I suppose that's intended to be humorous. If you weren't quite so sure of yourself you'd be a great woman, Rose. But it's a weakness in you. You think you know everything!"
"Well, what did you come to see me about?"
"As a matter of fact, it was the Ashcomb Poor case. But that was just a lucky shot on your part. I suppose you read that I had been assigned to the case."
"Walter, you're a good prosecutor, but you lack a sense of humour."
"Well, you're all right in your own line, feminine psychology and all that. I gladly hand it to you. But the trouble with you is, you want to tell me how to run my job too."
"No one could do that, Walter."
"What do you mean?"
"Never mind. How does the Poor case stand?"
"I suppose you've read the papers."
"Yes; they're no nearer the truth than usual. Give me an outline of the situation as you see it."
"Well, you know the Ashcomb Poors. Top-notchers; fine old family, money, and all that; leaders in the ultra-smart Prince's Valley set on Long Island. They have what they call a small house at Grimstead, where they make believe to live in quiet style; it's the thing nowadays."
"In other words, the extravagantly simple life."
"Exactly. They have no children. The household consisted of Mr. and Mrs. Poor, Miss Philippa Dean, Mrs. Poor's secretary; Mrs. Batten, the housekeeper; a butler and three maids; there were outside servants, too—chauffeur, gardener, and so on—but they don't come into the case. Ashcomb Poor was a handsome man and a free liver. Things about him have been coming out—well, you know. On the other hand, his wife was above scandal, a great beauty——"
"Vintage of 1910."
"Well, perhaps; but still in the running. These women know how to keep their looks. Very charitable woman and all that. Greatly looked up to. On Monday night Mrs. Poor took part in a big affair at the Pudding Stone Country Club near their home. A pageant of all nations or something. Her husband, who did not care for such functions, stayed at home. So did Miss Dean and Mrs. Batten. Mrs. Poor took the other servants to see the show."
"There were only three left in the house, then?"
"Yes—Mr. Poor, Miss Dean, and Mrs. Batten."
"Go on."
"Mrs. Poor returned from the entertainment about midnight. Mrs. Batten let her in the front door. Standing there, the two women could see into the library, where Poor sat with his back to them. They were struck by something strange in his attitude, and started to investigate, Mrs. Batten in advance.
"She was the first to realise that something had happened, and tried to keep Mrs. Poor from approaching the body. They struggled. Mrs. Poor screamed. The girl, Philippa Dean, suddenly appeared, nobody can tell from where. A moment later the other servants, who had gone around to the back door, ran in.
"Well, there was the situation. He had been shot in the back. The pistol was there. The butler telephoned to friends of the family and to the police. Grimstead, as you know, is within the city limits, so it comes within our jurisdiction. I was notified of the affair within an hour and ordered to take personal charge of the case. Nothing had been disturbed. I ordered the arrest of the Dean girl, and she is still in custody."
"What do you want of me?" Mme. Storey inquired.
"I want you to see the girl. Frankly, she baffles me. Under our questioning she broke down before morning and confessed to killing the man. But the next day she repudiated her confession, and has obstinately stuck to her repudiation in spite of all we could do. I want you to see her and get a regular confession."
"What about the girl's lawyers?"
"She has none as yet. Refused to see one."
"You're sure she did it?"
"Absolutely. It was immediately apparent that the murder had been committed by one of the inmates of the house."
"Why?"
"Because when Mrs. Poor and the servants departed for the entertainment Mrs. Batten, who let them out, turned on the burglar-alarm, and it remained turned on until she let her mistress in again. One of the first things I did on arriving at the house was to make sure that the alarm was working properly. I also examined all the doors and windows. Everything was intact."
"Why couldn't the housekeeper have done it?"
"A simple, timid old soul! Impossible! No motive. Besides, if she had she would hardly have given me the principal piece of evidence against those in the house; I mean her testimony about the burglar-alarm."
"What motive could the girl have had?"
"The servants state that their master had been pestering her—forcing his attentions on her."
"Ah! But this is all presumptive evidence, of course. What else have you?"
"Ashcomb Poor was shot with an automatic pistol belonging to Miss Dean. The butler identified it. At first she denied that it was hers. She could not deny, though, that she had one like it, and when asked to produce it she could not. It was not among her effects."
"Where did you find the gun exactly?"
"In the dead man's hand."
"In his hand?"
"Under his hand, I should say. It had been shoved under in a clumsy attempt to make it appear like a suicide. But the hand was clenched on top of the weapon. Moreover, the man was shot between the shoulders. He could not possibly have done it himself. The bullet passed completely through his body, and I found it lodged in the wall across the room."
"Did the housekeeper hear the shot?"
"She did not. She was in another wing of the house."
"Anything else against the girl?"
"Yes. When she appeared, attracted by Mrs. Poor's cry, though she was supposed to have retired some time before, she was fully dressed. Moreover, she knew what had happened before any one told her."
"Ah! How does she explain these suspicious circumstances?"
"She will explain nothing. Refuses to talk."
"What story did she tell when she confessed?"
"None. Merely cried out: 'I did it! I did it! Don't ask me any more!'"
There was a silence here, during which Mme. Storey presumably ruminated on what she had been told. Finally she said: "I'll see the girl, but it must be upon my own conditions."
"What are those?"
"As an independent investigator, I hold no brief for the district attorney's office."
"Well, there's no harm in that."
"But you must understand what that implies. Neither you nor any of your men may be present while I am talking to her. And I do not bind myself to tell you everything she tells me."
"That's out of the question. What would the old man say if he knew that I turned her over to an outsider?"
"Well, that's up to you, of course." Mme. Storey spoke indifferently. "You came to me, you know."
"Well—all right." This very sullenly. "I suppose if she confesses you'll let me know."
"Certainly. But I'm not at all sure this is going to turn out the way you expect."
"After all I've told you?"