He tried again.
He lay still in the small room over the shop and reached out the way he had reached out a thousand times before: no hands, no distance, just the long pale line of attention he used to lay across a whole ridge without thinking about it.
Nothing. Not silence — everything. A refrigerator humming through two walls, onions going soft in oil somewhere below, a screen door banging down the block. Every ordinary thing, arriving on time.
The other thing did not arrive.
He looked inward instead, which took no time at all, because there was not much to look at. He was a thumbnail of fire sitting in the middle of a boy, with no shape to speak of and no interest in taking one. He had senses that had once covered a valley. Now they stopped at about an arm's length.
By origin he was a fire the world had made for itself: born between sky and ground, high in the rings, fed on nothing but weather. Then he had come down off the high ground looking for a quiet place to burn out a season, and the conservatory had its greenhouse beds laid out in rows with the heat still coming up off the soil. He was hungry. He was a fire. He had eaten a year's crop in about a minute.
That much, taken at once, had broken him through a ring — maybe two — on strength that wasn't his. And the strike had come down on him for it, the way it comes down on anything that takes more than it was given.
Most of him burned off between one breath and the next. He fell — through what, or into what, he had no word for it — and after a stretch of time that had no hours in it, he woke up inside a boy named Owen Penn, in a town he had never heard of, with his rank and his reach and whatever he had been going to be next, all gone.
He had gone through the boy's memories the way you go through the pockets of a borrowed coat. A school. A shop. A bicycle with a bent fender. A teacher whose name he had already lost. Nothing anywhere that suggested this world held a single practitioner, a single living fire besides the one in the middle of him, or anything else that burned the way he burned.
At first he had assumed the boy was only ignorant. He had spent whole evenings in front of the television hoping to be corrected. He didn't do that anymore.
Nineteen days. A fire the size of a thumbnail, in a world with nothing to burn. Not much of a future. Not much of a light, either.
"Owen." His mother's voice came up the stairs. "Owen, I'm drowning down here. Come take some of this off me."
He went down.
The shop was eight tables, a case of cold drinks, a register, a card reader, and a window with TANNER'S on it in white stick-on letters, facing a stop sign and a laundromat. Ms. Tanner — his mother, and the name on the glass — had a stack of boxes in his arms before he had finished crossing the floor. She slid the ticket under the twine.
"Nine, all one address." She was already back at the fryer. "The preschool on the north end. The one with the firs."
"I know the one."
"Money's on the app, so don't let anybody pay you twice. And take the good bag."
The good bag did not have a split in it.
Two regulars sat at the counter with coffee: an old man in a feed-store cap, a woman in scrubs at the end of a shift.
"He doesn't talk much lately," the woman said, to the room.
"He works like three of us," said Ms. Tanner, and swung the basket out of the fryer.
"Still getting over that spill?"
"Don't you start," said Ms. Tanner, without heat, and the old man laughed into his cup.
The spill was in the boy's memories somewhere. A wet floor, a bad afternoon, a wrist in a wrap — or so the memory went. He had never gone looking for the details. Details like that were no use to him.
He loaded the boxes into the milk crate zip-tied to his rack, checked the strap twice, and rode.
It was eleven blocks, and then the road quit at a fence, and past the fence there was nothing but firs standing in rows up the hillside like something planted. The preschool sat at the end of it, with the lot full and the street beside it full, and a folding table carried out to the doors with a jug of lemonade and a stack of paper on it. An open house, or an enrollment day, or a sale of some kind. He hadn't asked. Whatever it was, it had nothing to do with him.
He coasted in, put a foot down, and looked at the cars, because he looked at cars now.
They looked back.
That wasn't right. Or it was right and he had nowhere to put it. For about two seconds the row in front of him was not a row of cars. It was a line of animals standing very still in the sun, holding still the way something holds still when it has already noticed you. A minivan. A wagon. A pickup gone gray at the wheel wells.
Then the boy's back cramped, all the way up, and he locked onto them — and they were a minivan, a wagon, and a pickup. A booster seat in the back of the wagon, its buckle up. A paper cup in a cup holder. A parking lot on a Saturday, full of cars.
He waited. Nothing came back.
He emptied the crate into his arms and started for the doors.
"Hey," said a small voice. "Hey. Come here."
She was standing by the bike rack: five or six years old, two braids, a panda backpack with a little snowman hanging off the zipper. When he looked down, her whole face lit, and she beckoned with one hand like a woman flagging a bus.
He had nine boxes in his arms. "Do you need something?"
She took a breath that pushed her chest out, and recited it.
"You've got a gift. The real kind. Have you ever thought about living a different life?"
He walked around her.
"Wait." She got in front of him again, short legs going double time. "My mom is really good. Really, really good. She can teach you tons."
He shifted the stack against his hip so he could see her. "Oh."
For a second she looked like a kid who had forgotten her line. Then she remembered the other thing she had, and dug into her backpack with both hands.
"Here. You can have some." It was a square of candy in waxed paper, and she held it up at arm's length and waited until he took it.
"Thanks."
"It's my grandma's. She makes it. It's really good." She nodded the whole time she said it, as if she could get him to agree by doing most of the agreeing herself. "And if you come study with my mom, you can have candy every day. And she'd teach you to be an alchemist, like her. Everyone wants her to teach them."
Alchemist. The word went past him and landed on the pile where he kept that kind of talk.
It was a good pile, and it was well stocked. He had started it his first week here, when the television had said that word in the middle of an ordinary night and he had sat up straight like a fool. By now he knew what this world was: a world with no practitioners in it, and an appetite for them. The shows were always on. Somebody nearby was shooting one — a neighbor had said as much, in passing, the way people said the weather.
So: a child actor with a grandmother and an excellent memory for dialogue. There were worse things to be standing next to.
He looked at her a moment longer. She was standing at the mouth of a parking lot full of adults, and she had a mother somewhere in the building, and she was not his problem.
He moved the boxes back into both arms. With his free hand he tapped the top of her head, once.
"Nice acting," he said, and went around her.
The table by the doors had the lemonade and the paper on it and a knot of adults around both, and he went through the knot handing out boxes.
"Tanner's. That was fast."
"Meatloaf."
"Which one's the grilled cheese?"
Somebody took the last one, and there was a moment of general satisfaction, the way there always was. Then, from a man in a fleece vest talking to a woman in sandals:
"Practitioner Vance. Good to see you."
"You too. You brought yours?"
"Wouldn't miss it. If Master Linden's taking a student, you bring the kid. You'd be an i***t not to."
"Mine's been at it since he could walk."
"Results are supposed to come out soon. So we wait."
They said all of it the way people said anything. That was the part that kept catching him: how ordinary it came out, the ranks and the titles and the master taking a student, folded in with the lemonade and the sign-up sheets like a church picnic. Not one of them looked like an actor.
Extras were getting better.
He turned to go, remembered, and turned back.
"Five stars," he said.
"You got it, Owen."
He got a hand on his handlebars. Then the doors opened behind him and the parking lot changed temperature.
The woman who came out was younger than most of them and dressed for something else: a pressed shirt, hair pushed back, no coffee in her hand. The parents moved the way water moves when a stone goes in. "Master Linden—" "Master Linden, do you think—" "Mine's the one with the—"
She smiled through all of it without stopping, said nothing, and came straight down the walk to where he stood with his bicycle. She put her hand on the milk crate.
"Excuse me," she said. "You've got a gift. The real kind. Have you ever thought about living a different life?"
The table went quiet. He could feel the weight of it, a dozen people, whatever envy looked like at a school on a Saturday.
Two of them, now. Mother and daughter. Had to be. Same line, same cadence, same little pause before the word *gift*. It really was a show.
He looked at her hand on his crate until she took it off. Then he got on the bike.
"Sorry," he said. "I'm not interested in being an extra."
She didn't flinch, and she didn't laugh, and she didn't call after him to explain what she had meant.
"All right," she said, and stepped back to let him go, and looked like somebody who had just moved an item from one list to another.
He rode out past the fence and the rows of firs and back down the eleven blocks.
At the corner the back of his neck said somebody was still watching. He turned the corner and went home.
The candy was still in his jeans pocket, in its square of waxed paper. It was still there when he went to bed.