“Look this way now, girls,” Cynthia says, drawing our attention to a meter-wide rectangle of red light projected against the white wall below the rose window.
No - not a projection. It’s some sort of thin TV screen discreetly set into the wall.
At first I can’t make out what I’m meant to be seeing, and then the picture gradually comes into focus. Seven small terrified faces stare out from the rectangle of red light - my own face amongst them. I lift my hand to wave it in the air above my head, confirming my suspicions.
This is a top view shot of the chapel from outside - the live feed, streaming in real time from a camera attached to some sort of drone which is currently hovering in the air outside the chapel’s rose window, filming everything and everyone inside.
The footage is satur
