The drama reached its breaking point a month later. A fire broke out at Thomas the blacksmith’s forge. The village children were trapped inside. Before Kaelen could stop her, Friction stepped into the heat.
She didn't use a bucket. She reached into the "Noise" and simply pulled the heat away. The villagers watched in absolute, terrifying silence as the fire turned into a cloud of violet frost. Friction walked out, her eyes glowing like twin suns, holding the hand of the blacksmith’s youngest son.
The silence lasted for three heartbeats. Then, the screaming began.
"Witchcraft!" the village Priest, Father Simon, roared, pointing a trembling finger. "The child is a vessel for the Morning Star! See the marks on the mother’s neck! They are the devil’s script!"
Kaelen didn't wait for the trial. He grabbed his iron sword—a blade he had forged with modern metallurgical secrets hidden in a medieval shape—and stood at the doorway.
"Get Friction and the Archive," Kaelen commanded Elara, his eyes reflecting the torches of the approaching mob. "They’re coming with pitchforks, but Father Simon has called for the Baron’s men-at-arms."
"Kaelen, we can't fight the whole village!" Elara cried, clutching Friction to her chest.
"I am the Architect of the Great Bridge," Kaelen said, his human brown eyes flashing with a flicker of his old, supernova power. "Let them come."
The war film had returned, but the "Special Effects" were raw and bloody. Kaelen fought at the door, a one-man army against a dozen villagers. He didn't use physics; he used a year of rage. But when the Baron’s knights arrived, armored in steel and riding heavy chargers, the "Analog Peace" was officially over.