The room changes as soon as we walk in.
Not loudly. Not dramatically. But it’s subtle — like silk stirred under darkened lamps.
Conversation curves around us, gazes flick past, the unwritten geometry of gossip recalculating through each step.
Lorenzo is walking next to me as if he knows what it's like to be watched. Not performing. Not resisting. Just to be at a level that kind of makes people have to recalibrate.
And maybe it’s that … that easy, calm confidence … that silent power which unnerves me more than the loud, predatory men I’m accustomed to.
I can put up with the men who disclose their hunger.
It’s the ones who don’t you’ve got to keep an eye on.
Near a group of guests — members of the investment board, political donors, C.E.O.s whose mouths smile but not their eyes. The sort of chaps who mistake the size of their balance for absolution.
“Lorenzo,” one of them says.
A tall, silver-haired man, an expensive watch on one wrist and a handshake that would likely snap lesser men’s knuckles.
“Good evening,” Lorenzo replies evenly.
“And this… is the Orchid.” Silver Hair’s eyes drag up and down me — appreciative, assessing, slow.
He clears his throat, like he’s swallowed something richer than he thought it would be. “A pleasure.”
I offer him my polite smile — not flirtatious, not coquettish.
Just enough.
“Gentlemen,” Lorenzo says, “if you’d be so kind. I promised Isabella a drink.”
He didn’t. But the lie is polished enough to skate over marble.
We move on.
No clingy hands.
No possessive tug.
Just there, a silent presence at my side, shepherding me through the room as though he’s striding across a strategy board that only he knows.
A bartender nods, as we enter.
“Something sparkling?” Lorenzo asks.m
“I rarely drink on the job” I say to him.
His lips curl ever so slightly — not mocking, not defiant, only recognition.
“Water, then.” He says
Two glasses appear without delay.
We move to a column bathed in soft gold, shadows long enough to take your breath and light that never goes away.
I take in the room — it’s a habit I was born with, a habit carved into my bones. Victor trained vigilance into me until it swam in my blood.
Tonight, watching feels different.
Less survival.
More assessment.
“What are you thinking?” Lorenzo asks quietly.
“That the men here all look like they sell bits of the world and claim it is charity.”I say to him
A faint laugh escapes him— warm, unforced.
“You’re not wrong.” He says
“You hired me for honesty.” I tell him
“And discretion,” he counters.
I tap my glass. “Both are intact.”
A charged silence hangs between us, in a manner I can’t quite put my finger on.
His eyes rove over me as if I were a painting and also what’s written in the wall card next to it — not for beauty but for meaning.
“What do you want from tonight?” I ask.
“Presence,” he says simply.
“That’s vague” I say.
“I’m not vague when it matters” he says to me
Of course he isn’t.
He looks around the room — senators, corporate heads,women with stock-market names, old money posing as philanthrophy.
Lorenzo isn’t here for pleasure.
This is strategy.
And I’m an element of that strategy.
“The fact that you are known to be with me,” he says, “will make them feel differently about me.”
“How?”
He steps a little closer to me, still mindful of distance.
“You are,” he says, his voice low, “a mystery wrapped in certainty.
I feel my breath catch — not in arousal, but because he seems to have reached through my ribs and given a name to something I’d rather had remained unnamed.
“Mysteries are expensive,” I say.
“You think cost matters to me?” He says almost mockingly.
“It matters to everyone” I reply.
“The type of man I am, Isabella — what is it? he asks.
I lift my eyes to his.
“A man who didn’t hire me for s*x, but hired me because I was smart.”
A slow blink. “And that makes me dangerous?”
“No. It makes you unpredictable.”
His lips curve slightly.
“That’s fair.”
But before the moment can congeal, someone taps his shoulder: a fellow in his 40s with neatly trimmed beard and British accent; his bearing as if he once used to issue orders to soldiers.
“Moretti,” he says. “The board needs you.”
“Of course.”
Lorenzo turns to me.
“Are you good here for a second?” He asks, most men don’t ask.
They assume.
They command.
But he asks.
I nod. “Go.”
He steps away.
I exhale, leaning my weight against the marble railing.
Then—
A voice.
Thick. Greedy.
A hand I want to break.
“Isabella.”
Mr. Crane.
My earlier client.
Handsy. Entitled. In the manner of men with too much money and too little morality, dangerous.
I pivot back with a practiced smile.
“Mr. Crane. I didn’t expect to see you.”
He steps in too close.
Whiskey heavy on his breath.
"I didn't think I'd find you with Moretti," he says and his eyes are oozing annoyance and appetite. “He’s not your usual crowd.”
“This is work,” I say apologetically.
‘Everything is work with you girls” The smooth of his gaze slips over me like grease.
I don’t flinch.
“What brings you here?” I ask.
“Board seat.” He smirks. “Money does wonders.”
Yes. Money.
Victor’s favorite language.
Crane leans in, voice thick. “I felt as if tonight should be our last time.”
His hand grazes my arm.
Unwanted.
I remove it gently—but firmly.
“I’m booked,” I say.
“Moretti isn’t going to keep you,” Crane says, spitting it out. “Men like him don’t purchase seconds.”
“You have no idea what men like that do.” I say to him calmly
Crane smirks. “Men like him own the room. Men like me own yo—”
“Is there a problem?”
It is supremacy, not pop supremacy for sure.
Lorenzo’s voice cuts through the tension like a knife.
Crane appears as if he swallowed a nail.
“Just catching up,” he mutters.
Lorenzo doesn’t smile. Doesn’t threaten.
He simply watches Crane.
And Crane folds.
“Good night, Mr. Crane,” says Lorenzo.
Not a suggestion.
A dismissal.
Crane leaves.
I let out a breath.
“You okay?” Lorenzo asks.
“Yes.” I say to hun
“He will never come near you again.”
Something inside me shifts.
“I-I uh Thank you,” I whisper.
“You don’t owe me gratitude.” He says calmly to me.
“You’d be surprised.”
He eyes me for a moment — he motions to the bar.
“You might need a drink now?”
This is it.
My cue.
Burning cold in my hand is the vial.
Victor’s voice: No questions. You know the stakes.
I move with practiced ease.
At the bar, as Lorenzo talks briefly with a senator, I slip the vial behind a napkin.
My pulse is steady.
My face unreadable.
“Just let me order this one,” I say, reaching for his glass.
He nods.
I protect my actions with my wrist c**k orientation.
The liquid vanishes in the drink.
Clear on clear.
Silent.
Deadly.
I stir once, smooth.
Turn.
Hand it to him with a gentle smile.
He watches me — the glass — me.
No suspicion.
He takes it.
Sips.
Another sip.
Finishes half.
Finishes all.
The glass clinks against the marble.
My heart thuds, my face remains a mask.
He feels nothing.
Not yet.
Ten minutes pass.
Fifteen.
He’s still fine.
Then—
His eyes flicker.
Slightly.
Barely.
“Are you all right?” I ask.
“Yes,” he says.
But his voice lags just a tick.
Then his fingers retract from the glass.
Then he blinks slower.
Then—
He sways.
I grab him by the arm, just enough to make a pretense, not like I’m freaking out.
People notice.
Marco his bodyguard who I heard about appears within seconds.
Tall. Sharp-eyed. With his Italian accent still on thick.
“Boss?” Marco says
“He’s had a few drinks too many,” I answer quickly, doubling down on the fabrication. “He needs to rest.”
Marco looks up to me, and frowns. “Lorenzo doesn’t drink.”
“He made an exception tonight,” I say. “Or someone pressured him.”
Marco wavers — but he is also respectful of Lorenzo’s privacy.
“Should I call the driver to take you home?”
“No,” I say gently. “Take us to his penthouse. He shouldn’t be alone.”
Marco’s jaw flexes “I can’t do that” he says.
I hold his gaze.
“Please.”
He looks at Lorenzo, then looks back at me, and just grunts.
We grab Lorenzo between us and escort him out.
He is weighty upon me, warm and heavy.
The world outside is a swirl of humming engines and cold night air.
Marco opens the back door.
I slide in with Lorenzo.
Marco gets in the front.
The car pulls off.
I wait.
One minute.
Two.
Lorenzo is out cold.
Marco checks the mirror. “He will kill me when he wakes up and discovers I let you into his penthouse.”
“I won’t stay,” I lie. “And I want to make sure he’s safe.”
Marco sighs, muttering in Italian.
We make it to the building — penthouse elevator, private key.
Low, warm light in the penthouse.
Marco places Lorenzo on the couch.
“He can sleep it off,” Marco says.
“I’m going to get some water,” I say, in a rush.
He steps out to take a call, but before he does he says to me “Don’t touch anything”
“I won’t” Maybe just your boss, but I say that to myself.
He holds my gaze for a few seconds before he walked out.
Finally.
I turn to Lorenzo.
His breathing steady.
I think where to start from. Victor said he wanted information, any kind of information. I look at him and notice his phone in his pocket.
My pulse spikes.
I could go through his stuff or his phone, but going through his stuff might be riskier so I opt for his phone instead.
I reach in.
My fingers curl around it.
I was about pulling it out before somebody grabs my wrist.
Hard.
Awake.
Alive.
There is a fragility in his voice:
“You really believe sleeping pills will do me in?”