Like Nina’s other works, it’s done mostly in grays and black, but the shapes are sharper here, more recognizable. The whole bottom part shows piles of rocks, parts of buildings, and different debris. Clouds of smoke here and there are done in white paint. Above the central pile of debris, a lone figure sporting huge devil horns looms. He’s also done in black with shades of gray, and holds a huge sledgehammer in his right hand as if he’s in mid-swing. The figure’s face isn’t visible because he wears a huge red helmet in the shape of a wolf’s jaws, and a long red cloak floats behind it. It’s magnificent.
“Why is he smashing everything?” I ask, not able to move my eyes from the scene.
“Because he can, I guess.”
“What is the stuff scattered around? City ruins?”
“Not really. It’s a meta
