Manhattan Transfer

II. Metropolis-5

Marco laughed. "Santissima Maria putana!"

"How did you talk to them?"

"They pointed to things; then I nodded my head and said Awright. I went there at eight and worked till six and they gave me every day more filthy things to do. . . . Last night they tell me to clean out the toilet in the bathroom. I shook my head. . . . That's woman's work. . . . She got very angry and started screeching. Then I began to learn Angleesh. . . . Go awright to 'ell, I says to her. . . . Then the old man comes and chases me out into a street with a carriage whip and says he wont pay me my week. . . . While we were arguing he got a policeman, and when I try to explain to the policeman that the old man owed me ten dollars for the week, he says Beat it you lousy wop, and cracks me on the coco with his nightstick. . . . Merde alors. . ."

Marco was red in the face. "He call you lousy wop?"

Congo nodded his mouth full of doughnut.

"Notten but shanty Irish himself," muttered Marco in English. "I'm fed up with this rotten town. . . .

"It's the same all over the world, the police beating us up, rich people cheating us out of their starvation wages, and who's fault? . . . Dio cane! Your fault, my fault, Emile's fault. . . ."

"We didn't make the world. . . . They did or maybe God did."

"God's on their side, like a policeman. . . . When the day comes we'll kill God. . . . I am an anarchist."

Congo hummed "les bourgeois à la lanterne nom de dieu."

"Are you one of us?"

Congo shrugged his shoulders. "I'm not a catholic or a protestant; I haven't any money and I haven't any work. Look at that." Congo pointed with a dirty finger to a long rip on his trouserknee. "That's anarchist. . . . Hell I'm going out to Senegal and get to be a nigger."

"You look like one already," laughed Emile.

"That's why they call me Congo."

"But that's all silly," went on Emile. "People are all the same. It's only that some people get ahead and others dont. . . . That's why I came to New York."

"Dio cane I think that too twentyfive years ago. . . . When you're old like me you know better. Doesnt the shame of it get you sometimes? Here" . . . he tapped with his knuckles on his stiff shirtfront. . . "I feel it hot and like choking me here. . . . Then I say to myself Courage our day is coming, our day of blood."

"I say to myself," said Emile "When you have some money old kid."

"Listen, before I leave Torino when I go last time to see the mama I go to a meetin of comrades. . . . A fellow from Capua got up to speak . . . a very handsome man, tall and very thin. . . . He said that there would be no more force when after the revolution nobody lived off another man's work. . . . Police, governments, armies, presidents, kings . . . all that is force. Force is not real; it is illusion. The working man makes all that himself because he believes it. The day that we stop believing in money and property it will be like a dream when we wake up. We will not need bombs or barricades. . . . Religion, politics, democracy all that is to keep us asleep. . . . Everybody must go round telling people: Wake up!"

"When you go down into the street I'll be with you," said Congo.

"You know that man I tell about? . . . That man Errico Malatesta, in Italy greatest man after Garibaldi. . . . He give his whole life in jail and exile, in Egypt, in England, in South America, everywhere. . . . If I could be a man like that, I dont care what they do; they can string me up, shoot me . . . I dont care. . . I am very happy."

"But he must be crazy a feller like that," said Emile slowly. "He must be crazy."

Marco gulped down the last of his coffee. "Wait a minute. You are too young. You will understand. . . . One by one they make us understand. . . . And remember what I say. . . . Maybe I'm too old, maybe I'm dead, but it will come when the working people awake from slavery. . . . You will walk out in the street and the police will run away, you will go into a bank and there will be money poured out on the floor and you wont stoop to pick it up, no more good. . . . All over the world we are preparing. There are comrades even in China. . . . Your Commune in France was the beginning . . . socialism failed. It's for the anarchists to strike the next blow. . . . If we fail there will be others. . . ."

Congo yawned, "I am sleepy as a dog."

Outside the lemoncolored dawn was drenching the empty streets, dripping from cornices, from the rails of fire escapes, from the rims of ashcans, shattering the blocks of shadow between buildings. The streetlights were out. At a corner they looked up Broadway that was narrow and scorched as if a fire had gutted it.

"I never see the dawn," said Marco, his voice rattling in his throat, "that I dont say to myself perhaps . . . perhaps today." He cleared his throat and spat against the base of a lamppost; then he moved away from them with his waddling step, taking hard short sniffs of the cool air.

"Is that true, Congo, about shipping again?"

"Why not? Got to see the world a bit. . ."

"I'll miss you. . . . I'll have to find another room."

"You'll find another friend to bunk with."

"But if you do that you'll stay a sailor all your life."

"What does it matter? When you are rich and married I'll come and visit you."

They were walking down Sixth Avenue. An L train roared above their heads leaving a humming rattle to fade among the girders after it had passed.

"Why dont you get another job and stay on a while?"

Congo produced two bent cigarettes out of the breast pocket of his coat, handed one to Emile, struck a match on the seat of his trousers, and let the smoke out slowly through his nose. "I'm fed up with it here I tell you. . . ." He brought his flat hand up across his Adam's apple, "up to here. . . . Maybe I'll go home an visit the little girls of Bordeaux. . . . At least they are not all made of whalebone. . . . I'll engage myself as a volunteer in the navy and wear a red pompom. . . . The girls like that. That's the only life. . . . Get drunk and raise cain payday and see the extreme orient."

"And die of the syph in a hospital at thirty. . . ."

"What's it matter? . . . Your body renews itself every seven years."

The steps of their rooming house smelled of cabbage and stale beer. They stumbled up yawning.

"Waiting's a rotton tiring job. . . . Makes the soles of your feet ache. . . . Look it's going to be a fine day; I can see the sun on the watertank opposite."

Congo pulled off his shoes and socks and trousers and curled up in bed like a cat.

"Those dirty shades let in all the light," muttered Emile as he stretched himself on the outer edge of the bed. He lay tossing uneasily on the rumpled sheets. Congo's breathing beside him was low and regular. If I was only like that, thought Emile, never worrying about a thing. . . . But it's not that way you get along in the world. My God it's stupid. . . . Marco's gaga the old fool.

And he lay on his back looking up at the rusty stains on the ceiling, shuddering every time an elevated train shook the room. Sacred name of God I must save up my money. When he turned over the knob on the bedstead rattled and he remembered Marco's hissing husky voice: I never see the dawn that I dont say to myself perhaps.

"If you'll excuse me just a moment Mr. Olafson," said the houseagent. "While you and the madam are deciding about the apartment. . ." They stood side by side in the empty room, looking out the window at the slatecolored Hudson and the warships at anchor and a schooner tacking upstream.

Suddenly she turned to him with glistening eyes; "O Billy, just think of it."

He took hold of her shoulders and drew her to him slowly. "You can smell the sea, almost."

"Just think Billy that we are going to live here, on Riverside Drive. I'll have to have a day at home . . . Mrs. William C. Olafson, 218 Riverside Drive. . . . I wonder if it is all right to put the address on our visiting cards." She took his hand and led him through the empty cleanswept rooms that no one had ever lived in. He was a big shambling man with eyes of a washed out blue deepset in a white infantile head.

"It's a lot of money Bertha."

"We can afford it now, of course we can. We must live up to our income. . . . Your position demands it. . . . And think how happy we'll be."

The house agent came back down the hall rubbing his hands. "Well, well, well . . . Ah I see that we've come to a favorable decision. . . . You are very wise too, not a finer location in the city of New York and in a few months you wont be able to get anything out this way for love or money. . . ."

"Yes we'll take it from the first of the month."

"Very good. . . . You wont regret your decision, Mr. Olafson."

"I'll send you a check for the amount in the morning."

"At your own convenience. . . . And what is your present address please. . . ." The houseagent took out a notebook and moistened a stub of pencil with his tongue.

"You had better put Hotel Astor." She stepped in front of her husband.

"Our things are stored just at the moment."

Mr. Olafson turned red.

"And . . . er . . . we'd like the names of two references please in the city of New York."

"I'm with Keating and Bradley, Sanitary Engineers, 43 Park Avenue. . ."

"He's just been made assistant general manager," added Mrs. Olafson.

When they got out on the Drive walking downtown against a tussling wind she cried out: "Darling I'm so happy. . . . It's really going to be worth living now."

"But why did you tell him we lived at the Astor?"

"I couldnt tell him we lived in the Bronx could I? He'd have thought we were Jews and wouldnt have rented us the apartment."

"But you know I dont like that sort of thing."

"Well we'll just move down to the Astor for the rest of the week, if you're feeling so truthful. . . . I've never in my life stopped in a big downtown hotel."

"Oh Bertha it's the principle of the thing. . . . I don't like you to be like that."