Chapter 15

4394 Words
Margaret knew by this time that Logotheti was really very much in love; she was equally sure that she was not, and that when she encouraged him she was yielding to a rather complicated temptation that presented elements of amusement and of mild danger. In plain English, she was playing with the man, though she guessed that he was not the kind of man who would allow himself to be played with very long. There are not many young women who could resist such a temptation under the circumstances, and small blame to them. Margaret had done nothing to attract the Greek and was too unsophisticated to understand the nature of her involuntary influence over him. He was still young, he was unlike other men and he was enormously rich; a little familiarity with him had taught her that there was nothing vulgar about him below the surface, and he treated her with all the respect she could exact when she chose to put herself in his power. The consequence was that as she felt nothing herself she sometimes could not resist making little experiments, just to see how far he would run on the chain by which she held him. Besides, she was flattered by his devotion. It was not a noble game that she was playing with him, but in real life very few young men and women of two-and-twenty are 'noble' all the time. A good many never are at all; and Margaret had at least the excuse that the victim of her charms was no simple sensitive soul with morbid instincts of suicide, like the poor youth who cut his throat for Lady Clara Vere de Vere, but a healthy millionaire of five-and-thirty who enjoyed the reputation of having seen everything and done most things in a not particularly well-spent life. Besides, she ran a risk, and knew it. The victim might turn at any moment, and perhaps rend her. Sometimes there was a quick glance in the almond-shaped eyes which sent a little thrill of not altogether unpleasant fear through her. She had seen a woman put her head into a wild beast's mouth, and she knew that the woman was never quite sure of getting it out again. That was part of the game, and the woman probably enjoyed the sensation and the doubt, since playing for one s life is much more exciting than playing for one's money. Margaret began to understand the lion-tamer's sensations, and not being timid she almost wished that her lion would show his teeth. She gave herself the luxury of wondering what form his wrath would take when he was tired of being played with. He was already approaching that point, on the day when Lushington was looking out for him on the road through the Fausses Reposes woods. When they were well away from the city, he slackened his speed as usual and began to talk. 'I wish,' he said, 'that you would sometimes be in earnest. Won't you try?' 'You might not like it,' Margaret answered, carelessly. 'For my part, I sometimes wish that you were not quite so much in earnest yourself!' 'Do I bore you?' 'No. You never bore me, but you make me feel wicked, and that is very disagreeable. It is inconsiderate of you to give me the impression that I am a sort of Lorelei, coolly luring you to your destruction! Besides, you would not be so easily destroyed, after all. You are able to take care of yourself, I fancy.' 'Yes. I think my heart will be the last of me to break.' He laughed and looked at her. 'But that is no reason why you should try to twist my arms and legs off, as boys do to beetles.' 'I wish I could catch a boy doing it!' 'You may catch a woman at it any day. They do to men what boys do to insects. Cruelty to insects or animals? Abominable! Shocking! There is the society, there are fines, there is prison, to punish it! Cruelty to human beings? Bah! They have souls! What does it matter, if they suffer? Suffering purifies the spirit for a better life!' 'Nonsense!' 'That is easily said. But it was on that principle that Philip burned the Jews, and they did not think it was nonsense. The beetles don't think it funny to be pulled to pieces, either. I don't. A large class of us don't, and yet you women have been doing it ever since Eve made a fool and a sinner of the only man who happened to be in the world just then. He was her husband, which was an excuse, but that's of no consequence to the argument.' 'Perhaps not, but the argument, as you call it, doesn't prove anything in particular, except that you are calling me names!' Margaret laughed again. 'After all,' she went on, 'I do the best I can to be—what shall I say?—the contrary of disagreeable! You ask me to let you take me to my rehearsals, and I come day after day, risking something, because you are disguised. I don't risk much, perhaps—Mrs. Rushmore's disapproval. But that is something, for she has been very, very good to me and I wouldn't lose her good opinion for a great deal. And you ask me to lunch with you, and I come—at least, I've been twice to your house, and I've lunched once. Really, if you are not satisfied, you're hard to please! We've hardly known each other a month.' 'During which time I've never had but one idea. Don't raise your beautiful eyebrows as if you didn't understand!' He spoke very gently and smiled, though she could not see that. 'You've no idea how funny that is!' laughed Margaret. 'What?' 'If you could see yourself, and hear yourself at the same time! With those goggles, and your leather cap and all the rest, you look like the Frog Footman in Little Alice—or the dragon in Siegfried! It does very well as long as you are disagreeable, but when you speak softly and throw intense expression into your voice'—she mimicked his tone—'it's really too funny, you know! It's just as if Fafnir were to begin singing "Una furtiva lacrima" in a voice like Caruso's! Siegfried would go into convulsions of laughter, instead of slitting the dragon's throat.' 'I wasn't trying to be picturesque just then,' answered Logotheti, quite unmoved by the chaff. 'I was only expressing my idea. I've known you about a month. The second time we met, I asked you to marry me, and I've asked you several times since. As you can't attribute any interested motive to my determination——' 'Eh?' 'I said, to my determination——' 'Determination? How that sounds!' 'It sounds very like what I mean,' answered Logotheti, in an indifferent tone. 'But really, how can you "determine" to marry me, if I won't agree?' 'I'll make you,' he replied with perfect calm. 'That sounds like a threat,' said Margaret, her voice hardening a little, though she tried to speak lightly. 'A threat implies that the thing to be done to the person threatened is painful or at least disagreeable. Doesn't it? I'm only a Greek, of course, and I don't pretend to know English well! I wish you would sometimes correct my mistakes. It would be so kind of you!' 'You know English quite as well as I do,' Margaret answered. 'Your definition is perfect.' 'Oh! Then would it be painful, or disagreeable to you, to marry me?' Margaret laughed, but hesitated a moment. 'It's always disagreeable to be made to do anything against one's will,' she answered. 'I'm sorry,' said Logotheti coolly, 'but it can't be helped.' She was not quite sure how it would be best to meet this uncompromising statement, and she thought it wiser to laugh again, though she felt quite sure that at the moment there was that quick gleam in his eyes, behind the goggles, which had more than once frightened her a little. But he was looking at the road again, and a moment later he had put the car at full speed along a level stretch. That meant that the conversation was at an end for a little while. Then an accident happened. A straight rush up an easy incline towards a turning ahead, and the deep note of the horn; round the corner to the right, close in; the flash of a bicycle coming down on the wrong side, and swerving desperately; a little brittle smashing of steel; then a man sprawling on his face in the road as the motor car flew on. Logotheti kept his eyes on the road, one hand went down to the levers and the machine sprang forward at forty miles an hour. 'Stop!' cried Margaret. 'Stop! you've killed him!' Full speed. Fifty miles an hour now, on another level stretch beyond the turn. No sign of intelligence from Logotheti. Both hands on the wheel. 'Stop, I say!' Margaret's voice rang out clear and furious. Logotheti's hands did not move. Margaret knew what to do. She had often been in motor cars and had driven a little herself. She was strong and perfectly fearless. Before Logotheti saw what she was going to do, she was beside him, she had thrown herself across him and had got at the brake and levers. He was too much surprised to make any resistance; he probably would not have tried to hinder her in any case, as he could not have done so without using his strength. The car was stopped in a few seconds; he had intuitively steered it until it stood still. 'How ridiculous!' he exclaimed. 'As if one ever stopped for such a thing!' Margaret's eyes flashed angrily and her answer came short and sharp. 'Turn back at once,' she said, and she sat down beside him on the front seat. He obeyed, for he could do nothing else. In running away from the accident, he had simply done what most chauffeurs do under the circumstances. His experience told him that the man was not killed, though he had lain motionless in the road for a few moments. Logotheti had seen perfectly well that the car had struck the hind wheel of the bicycle without touching the man's body. Moreover, the man had been on the wrong side of the road, and it was his fault that he had been run into. Logotheti had not meant to give him a chance to make out a case. But now he turned back, obedient to Margaret's command. Before she had stopped the car it had run nearly a mile from the scene of the accident. When it reached the spot again, coming back at a more moderate pace, nearly five minutes had elapsed. She found the man leaning against the rail fence that followed the outer curve of the turning. It was the man they had so often met on the other road, in his square-toed kid boots and ill-fitting clothes; it was Edmund Lushington, with his soft student's hat off, and his face a good deal scratched by the smashing of his tortoise-shell-rimmed spectacles. They had been tied behind with a black string, and the rims of them, broken in two, hung from his ears. His nose was bleeding profusely, as he leaned against the fence, holding his head down. He was covered with mud, his clothes were torn, and he was as miserable, damaged and undignified a piece of man as ever dreaded being taken at disadvantage by the idol of his affections. He would have made a pact with the powers of evil for a friendly wall or a clump of trees when he saw the car coming back. There was nothing but the fence. The car stopped close beside him. He held his handkerchief to his nose, covering half his face as he looked up. 'Are you hurt, Monsieur?' Margaret asked anxiously in French. 'On the contrary, Mademoiselle,' Lushington answered through the handkerchief, and it sounded as if he had a bad cold in the head. 'I am afraid——' Margaret began, and then stopped suddenly, staring at him. 'You were on the wrong side of the road, Monsieur,' said Logotheti in an assertive tone. 'Perfectly,' assented Lushington, holding his nose and turning half away. 'Then it was your fault,' observed Logotheti. 'Precisely,' admitted the other. 'Pray don't stop. It's of no consequence!' But he had betrayed himself unconsciously, in the most natural way. His spectacles were gone, and by covering the lower part of his face with his handkerchief he had entirely concealed the very great change made by shaving his beard and moustache. While he and Logotheti had been speaking, Margaret had scrutinised his features and had made sure of the truth. Then she believed that she would have recognised him by his voice alone. Between the emotion that followed the accident and the extreme anxiety his position caused him, the perspiration stood in beads on his forehead. Margaret smiled maliciously, for she remembered how often they had passed him on the road, and realised in an instant that he had disguised himself to watch her doings. He should pay for that. 'You look hot,' she observed in English, fixing her eyes on him severely. He blushed to the roots of his hair, though he had been rather pale. Logotheti, whose only preoccupation hitherto had been to get away as soon as possible, now stared at him, too. Margaret's tone and her sudden change to the use of English did the rest. He recognised Lushington, but remembered that he himself was completely disguised in his chauffeur's dress and mask; so he said nothing. Lushington writhed under Margaret's eyes for a moment; but then his English courage and coolness suddenly returned, the colour subsided from his face and his expression hardened, as far as the necessary handkerchief permitted her to see it. 'Yes,' he said, 'I'm Lushington. I can only repeat that the accident happened by my fault. I'm used to taking the left side in England and I lost my head. Monsieur Logotheti need not have run away, for it would never have occurred to me to make a complaint.' He looked straight at Logotheti's goggles as he spoke, and Margaret began to feel uncomfortable. 'I supposed that you had recognised me,' observed the Greek coldly. 'That is, no doubt, why you have taken the trouble to disguise yourself and watch me of late.' 'That was the reason,' answered Lushington, facing his adversary, but conscious that the necessity for holding his nose put him at a disadvantage as to his dignity. 'It was very well done,' said the Greek with gravity. 'I should never have known you.' 'Your own disguise is admirable,' answered the Englishman, with cool politeness. 'If I had not seen you without your mask the other day I should not have recognised you.' 'Shall we go on?' inquired Logotheti, turning to Margaret. 'No,' she answered, rather sharply. 'Are you hurt?' she inquired, looking at Lushington again. He was busy with his nose, which he had neglected for a few moments. He shook his head. 'I won't leave him here in this state,' Margaret said to Logotheti. The Greek made a gesture of indifference, but said nothing. Meanwhile Lushington got so far as to be able to speak again. 'Please go on,' he said. 'I can take care of myself, thank you. There are no bones broken.' Logotheti inwardly regretted that his adversary had not broken his neck, but he had tact enough to see that he must take Margaret's side or risk losing favour in her eyes. 'I really don't see how we can leave you here,' he said to Lushington. 'Your bicycle is smashed. I had not realised that. I'll put what's left of it into the car.' He jumped out as he spoke, and before Lushington could hinder him he had hold of the broken wheel. But Lushington followed quickly, and while he held his nose with his left hand, he grabbed the bicycle with the other. It looked as if the two were going to try which could pull harder. 'Let it alone, please,' said Lushington, speaking with difficulty. 'No, no'! protested Logotheti politely, for he wished to please Margaret. 'You must really let me put it in.' 'Not at all!' retorted Lushington. 'I'll walk it to Chaville.' 'But I assure you, you can't!' retorted the Greek. 'Your hind wheel is broken to bits! It won't go round. You would have to carry it!' And he gently pulled with both hands. 'Then I'll throw the beastly thing away!' answered Lushington, who did not relinquish his hold. 'It's of no consequence!' 'On the contrary,' objected Logotheti, still pulling, 'I know about those things. It can be made a very good bicycle again for next to nothing.' 'All the better for the beggar who finds it!' cried the Englishman. 'Throw it over the fence!' 'You English are so extravagant,' said the Greek in a tone of polite reproach, but not relinquishing his hold. 'Possibly, but it's my own bicycle, and I prefer to throw it away.' Margaret had watched the contest in silence. She now stepped out of the car, came up to the two men and laid her hands on the object of contention. Logotheti let go instantly, but Lushington did not. 'This is ridiculous,' said Margaret. 'Give it to me!' Lushington had no choice, and besides, he needed his right hand for his nose, which was getting the better of him again. He let go, and Margaret lifted the bicycle into the body of the car herself, though Logotheti tried to help her. 'Now, get in,' she said to Lushington. 'We'll take you as far at the Chaville station.' 'Thank you,' he answered. 'I am quite able to walk.' He presented such a lamentable appearance that he would have hesitated to get into the car with Margaret even if they had been on good terms. He was in that state of mind in which a man wishes that he might vanish into the earth like Korah and his company, or at least take to his heels without ceremony and run away. Logotheti had put up his glasses and shield, over the visor of his cap, and was watching his rival's discomfiture with a polite smile of pity. Lushington mentally compared him to Judas Iscariot. 'Let me point out,' said the Greek, that if you won't accept a seat with us, we, on our part, are much too anxious for your safety to leave you here in the road. You must have been badly shaken, besides being cut. If you insist upon walking, we'll keep beside you in the car. Then if you faint, we can pick you up.' 'Yes,' assented Margaret, with a touch of malice, 'that is very sensible.' Lushington was almost choking. 'Do let me give you another handkerchief,' said Logotheti, sympathetically. 'I always carry a supply when I'm motoring—they are so useful. Yours is quite spoilt.' A forcible expression rose to Lushington's lips, but he checked it, and at the same time he wondered whether anybody he knew had ever been caught in such a detestable situation. But Anglo-Saxons generally perform their greatest feats of arms when they are driven into a corner or have launched themselves in some perfectly hopeless undertaking. It takes a Lucknow or a Balaclava to show what they are really made of. Lushington was in a corner now; his temper rose and he turned upon his tormentors. At the same time, perhaps under the influence of his emotion, his nose stopped bleeding. It was scratched and purple from the fall, but he found another handkerchief of his own and did what he could to improve his appearance. His shoulders and his jaw squared themselves as he began to speak and his eyes were rather hard and bright. 'Look here,' he said, facing Logotheti, 'we don't owe each other anything, I think, so this sort of thing had better stop. You've been going about in disguise with Miss Donne, and I have been making myself look like some one else in order to watch you. We've found each other out and I don t fancy that we're likely to be very friendly after this. So the best thing we can do is to part quietly and go in opposite directions. Don't you think so?' The last question was addressed to Margaret. But instead of answering at once she looked down and pushed some little lumps of dry mud about with the toe of her shoe, as if she were trying to place them in a symmetrical figure. It is a trick some young women have when they are in doubt. Lushington turned to Logotheti again and waited for an answer. Now Logotheti did not care a straw for Lushington, and cared very little, on the whole, whether the latter watched him or not; but he was extremely anxious to please Margaret and play the part of generosity in her eyes. 'I'm very sorry if anything I've said has offended you,' he said in a smooth tone, answering Lushington. 'The fact is, it's all rather funny, isn't it? Yes, just so! I'm making the best apology I can for having been a little amused. I hope we part good friends, Mr. Lushington? That is, if you still insist on walking.' Margaret looked up while he was speaking and nodded her approbation of the speech, which was very well conceived and left Lushington no loophole through which to spy offence. But he responded coldly to the advance. 'There is no reason whatever for apologising,' he said. 'It's the instinct of humanity to laugh at a man who tumbles down in the street. The object of our artificial modern civilisation is, however, to cloak that sort of instinct as far as possible. Good morning.' After delivering this Parthian shot he turned away with the evident intention of going off on foot. None of the three had noticed the sound of horses' feet and a light carriage approaching from the direction of Versailles. A phaeton came along at a smart pace and drew up beside the motor. Margaret uttered an exclamation of surprise, and the two men stared with something approaching to horror. It was Mrs. Rushmore, who had presumably taken a fancy for an airing as the day had turned out very fine. The coachman and groom had both seen Margaret and supposed that something had happened to the car. Before the carriage had stopped Mrs. Rushmore had recognised Margaret too, and was leaning out sideways, uttering loud exclamations of anxiety. 'My dear child!' she cried. 'Good heavens! An accident! These dreadful automobiles! I knew it would happen!' Portly though she was, she was standing beside Margaret in an instant, clasping her in a motherly embrace and panting for breath. It was evidently too late for Logotheti to draw his glasses and shield over his face, or for Lushington to escape. Each stood stock-still, wondering how long it would be before Mrs. Rushmore recognised him, and trying to think what she would say when she did. For one moment, it seemed as if nothing were going to happen, for Mrs. Rushmore was too much preoccupied on Margaret's account to take the slightest notice of either of the others. 'Are you quite sure you're not hurt?' she inquired anxiously, while she scrutinised Margaret's blushing face. 'Get into the carriage with me at once, my dear, and we'll drive home. You must go to bed at once! There's nothing so exhausting as a shock to the nerves! Camomile tea, my dear! Good old-fashioned camomile tea, you know! There's nothing like it! Clotilde makes it to perfection, and she shall rub you thoroughly! Get in, child! Get in!' Quick to see the advantage of such a sudden escape, Margaret was actually getting into the carriage, when Mrs. Rushmore, who was kindness itself, remembered the two men and turned to Logotheti. 'I will leave you my groom to help,' she said, in her stiff French. Then her eyes fell on Lushington's blood-stained face, and in the same instant it flashed upon her that the other man was Logotheti. Her jaw dropped in astonishment. 'Why—good gracious—how's this? Why—it's Monsieur Logotheti himself! But you'—she turned to Lushington again 'you can't be Mr. Lushington—good Lord—yes, you are, and in those clothes, too. And—what have you done to your face?' As her surprise increased she became speechless, while the two men bowed and smiled as pleasantly as they could under the circumstances. 'Yes, I'm Lushington,' said the Englishman. 'I used to wear a beard.' 'My chauffeur was taken ill suddenly,' said the Greek without a blush, 'and as Miss Donne was anxious to get home I thought there would be no great harm if I drove the car out myself. I had hoped to find you in so that I might explain how it had happened, for, of course, Miss Donne was a little—what shall I say?—a little——' He hesitated, having hoped that Margaret would help him out. After waiting two or three seconds, Mrs. Rushmore turned on her. 'Margaret, what were you?' she asked with severity. 'I insist upon knowing what you were.' 'I'm sure I don't know,' Margaret answered, trying to speak easily, as if it did not matter much. 'It was very kind of Monsieur Logotheti, at all events, and I'm much obliged to him.' 'Oh, and pray, what has happened to Mr. Lushington?' inquired Mrs. Rushmore. 'I was on the wrong side of the road, and the car knocked me off my bicycle,' added Lushington. 'They kindly stopped to pick me up. They thought I was hurt.' 'Well—you are,' said Mrs. Rushmore. 'Why don't you get into the automobile and let Monsieur Logotheti take you home?' As it was not easy to explain why he preferred walking in his battered condition, Lushington said nothing. Mrs. Rushmore turned to her groom, who was English. 'William,' she said, 'you must have a clothes-brush.' William had one concealed in some mysterious place under the box. 'Clean Mr. Lushington, William,' said the good lady.
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