Eleanor Pierce's preservation gala was held at the Ashford Historical Society, a converted mansion downtown with the kind of ballroom that made Sienna acutely aware of the difference between her closet and the closets of everyone else likely to be in attendance. Priya had solved the problem by loaning her a dress she swore she'd only worn once, and Sienna stood in front of the loft's single decent mirror that evening feeling like a woman about to walk into a role she hadn't fully rehearsed.
"You look like you're about to argue a case in front of the Supreme Court," Priya said, adjusting the dress's shoulder. "Which, considering the company, might not be far off."
The gala was, officially, a fundraiser for the preservation committee's broader work across the city. Unofficially, everyone in Ashford's civic and business circles understood it as the public debut of the Whitmore joint venture, the first time Marlowe Design and Cross Holdings would appear together, as partners, in front of the exact audience whose opinion mattered most to both companies' futures.
Damian found her within the first twenty minutes, which she suspected wasn't an accident, and which she found herself glad about more than she wanted to examine too closely.
"You clean up well, Ms. Marlowe," he said, and there was something warm underneath the formality that hadn't been there three months ago.
"Sienna," she corrected, and watched him smile at the reminder.
"Sienna. You look like you're about to give a very good speech."
"I don't have a speech."
"Eleanor's going to ask you to say a few words. I'd put money on it."
She lost that particular bet within the hour, when Eleanor took the small stage set up at the front of the ballroom and gestured, without warning, for both of them to join her. Sienna felt Damian's hand find the small of her back for half a second, steadying, and then they were both standing in front of the room, and Eleanor was talking about the Whitmore's history, about the arts district, about the unusual partnership that had come out of the bid process.
"I'll be honest with this room," Eleanor said, in the blunt way that had made her a legend on the committee. "When I recommended this joint venture, I wasn't entirely sure it would work. These are two firms with a complicated history, and I've been in this business long enough to know that complicated histories don't always resolve themselves just because a contract says they have to. But I've watched the work these two have produced over the last three months, and I want to say, in front of everyone here, that this is exactly the kind of partnership this city needs more of. Not because it's easy. Because it's honest."
The applause that followed felt, to Sienna, both earned and slightly premature, given everything that had actually happened to get them to this room, but she found herself smiling anyway, genuinely, standing beside Damian in front of a crowd that had, three months ago, been skeptical of both their companies for entirely different reasons.
"A few words," Eleanor prompted, handing the small microphone toward them.
Sienna hadn't prepared anything, but she found, once she started talking, that the words came easier than she'd expected. She talked about her father, about the Alderman Building, about what it meant to bring a piece of the city's history back instead of tearing it down for something easier and cheaper. She didn't mention the riverfront deal, didn't mention Cross Holdings' history, kept the focus where it belonged, on the building and the work.
When it was Damian's turn, he surprised her.
"I want to say something a little more personal than I probably should at a fundraiser," he said, and Sienna felt her stomach tighten with a nervousness she couldn't immediately explain. "Cross Holdings has a complicated history in this city. I'm not going to pretend otherwise, standing in this room, in front of people who know that history better than most. What I can say is that working on this project, working with Marlowe Design, has changed how I think about what this company should be trying to build, and not just at the Whitmore. I'm grateful for that. I'm grateful, specifically, to Sienna, for holding this project, and me, to a higher standard than I think either of us expected going into this."
The room applauded again, warmer this time, and Sienna felt her face heat in a way that had nothing to do with the ballroom's temperature. She caught Damian's eye as they stepped down from the small stage, and something passed between them that felt larger than the moment technically warranted, a kind of acknowledgment neither of them had quite said out loud yet.
They ended up on the mansion's back terrace an hour later, away from the noise of the party, the city lights spread out below them in the dark.
"You didn't have to say that," Sienna said. "About me. Up there."
"I wanted to," Damian said. "I've been wanting to say something like that for a few weeks now, honestly. I just hadn't found the right moment, and then Eleanor handed me a microphone, so."
"That's a terrifying amount of honesty for a man who used to answer every question with a negotiating tactic."
"You've changed that about me," he said, quietly, turning to face her fully. "I don't say that lightly. I spent most of my adult life being extremely careful about what I let myself want, because wanting things, in my family, usually meant someone was about to use it against you. I don't feel that way around you. I don't know exactly when that stopped being true, but I know it isn't true anymore."
Sienna was quiet for a moment, looking out at the city, aware of how close he was standing, aware of the particular quality of silence between two people who both know something is about to be said and are both, in their own ways, bracing for it.
"I told myself I would hate you for as long as I needed to," she said finally. "It felt safer that way. Uncomplicated. And somewhere over the last three months, I lost the thread of it, and I'm not entirely sure how to feel about that, because it means admitting that everything I built my anger on was more complicated than I wanted it to be."
"Is that a bad thing?"
"I don't know yet. Ask me again once I've had more time to sit with it."
He reached out, slowly, and tucked a strand of hair behind her ear, a small gesture, careful, giving her every opportunity to step back if she wanted to. She didn't step back.
"For what it's worth," he said, his voice low, "I'm not in any hurry. I just wanted you to know where I stand."
"I know where you stand," she said, and found, to her own surprise, that she wasn't ready to end this moment either. "I'm working on figuring out where I stand. It's taking me a little longer than it apparently took you."
"Take whatever time you need," he said, and the sincerity in it was so complete, so free of any of the calculation she'd once been so certain lived underneath everything he said, that she felt something in her chest loosen that had been held tight for three years.
They stood on the terrace a while longer, not touching, not quite talking either, just present with each other in a way that felt, to Sienna, like the beginning of something she hadn't let herself imagine wanting, until the party noise eventually pulled them both back inside, and the night folded itself into memory, unfinished, but no longer entirely uncertain.