The lessons continued. Ziva learned that architecture was not about making pretty shapes. It was about making choices. Every wall, every window, every doorway was a decision that changed how people moved, how they felt, what they did.
The Valkyrie masterclass called this intention. A building should do something. It should make you think a certain way. It should guide you without you knowing. It was the psychology of space.
She studied sightlines. She learned how the placement of a door could control what you saw first upon entering. She understood how a narrow hallway could create anticipation, or how a sudden open room could make you feel exposed. She read about structures designed to calm patients in hospitals, or to encourage conversation in libraries, or to isolate prisoners.
It wa
