1: The Dark Star-4

1948 Words
The two stared. On the road, not a mile from the entrance-gate to Gorm, and facing toward it, a man's figure was painted. Insolently, he seemed to dominate the lovely, lonely Glen, and his uncovered head burned red as fire under leaden skies. Alan's face set like a mask. With loathing, he noted the changed aspect of the Picture, its gloom and shadow and brooding horror; a scene from Dante's purgatory rather than the living, burgeoning earth. "Even the star is in it again," he muttered. "The Dark Star." His companion looked long at the blood-red portent over Vorangowl. "The star is Red Alastair's signal, then! A sort of challenge." In striking contrast with Alan's quicksilver energy, Broome stood regarding the Picture; his massive proportions, leonine head, and slow deliberate movements typical of the man. Alan was all speed and movement and quick fiery courage, lean and swift and dangerous in anger as a black panther. Broome's was a slow, deadly, precise strength that makes no mistakes, that waits to strike and never misses; superbly master of himself, he was a man to seek as desert-travelers turn to the shelter of a rock. "You consider this," Broome's quiet voice began, "the work of a man, some tremendous work of genius?" The other looked at him, his lean face, his black eyes cold, furious, implacable. "It's a trick, a damnable hellish trick— to put the wind up— to unnerve me. Why not? He's had two hundred years to learn, to practice his infernal game." The specialist regarded him with pity, with comprehension. "I was prepared to accept your theory, that Red Alastair was a miracle-man, a marvel who had discovered the secret of perpetuating life. The secret could — it will — be discovered ! But this Picture is not the work of a man. It proves that Red Alastair died— in the flesh." Alan turned an impatient eye on his companion. "What proves it?" he demanded. "He couldn't accomplish that," Broome's eyes narrowed on the Picture, "while he was still bound by human limitations in his body. He had to say good-bye to that body before journeying to the hell where such magic was learned. Red Alastair is dead. The Picture is an open door by which he comes and goes to that far hell of his." Alan flung a defiant look at the painted moors. "If there's a way to open a door, there must be a way to close it." "Undoubtedly! As we saw in the records, though, a door of this nature can't be manipulated in any obvious way." The other nodded gloomy assent. "They seem to have tried everything. Painting it out— cutting it out— every sort of destruction..." "And each failure gave new advantage to the enemy." "How's that ?" "Because," Broome answered, "they actively acknowledged Red Alastair's power. Without defense or understanding, they offered combat and he won. His existence in our world depended, and still depends, on such victories." The Picture gleamed sullen, threatening, unchanged upon the wall. Unchanged! Not quite. The man's face was lifted, flung back, its eyes green as a storm-wave in the lightning's glare. Alan's eyes met them unflinching; he gave back look for look, he seemed to project his very soul to thrust back the power in that painted evil face. Broome, acutely aware of the sudden impact of will against will, stood like stone: he bent the whole weight of his strong, disciplined mind to Alan's need. Then, like the snapping of a twig, it was over. The strain, the tension, the unbearable pressure ceased. Alan's breath was expelled in a long quivering sigh, he leaned his weight on Broome's shoulder, turned a gray face and sunken eyes. "Let's get out— away from this." With eloquent gesture he turned and left the tower, his companion close behind. They walked across the intervening space in silence, stood at the castle entrance to look back at the gray, ominous Keep. "I was wrong!" Alan's voice was hoarse. "Reason— fact— logic— all wrong ! It's neither genius nor science behind Red Alastair's devilish Picture. It's black magic, it's from hell." "Don't blame yourself; no sane man would accept the true explanation without proof—the sort of proof you've had." Broome put a hand on Alan's shoulder. "Can you arrange for us to see Lady Maisry now, and be undisturbed for the next hour ? There's only a bare margin of safety for her; she must never, as you said, follow him on that road again; she'd not survive it." "If she went away, now, at once, within the hour ! Out of the country! She could fly across to..." Alan stopped at the other's decisive gesture. "Physical distance is a factor that does not count. The man, the devil she follows on that moorland road can summon her at will— from across the world. It is the soul, the ego, the flame within the lamp of clay that is subject to Red Alastair: the body is a thing apart, governed by different laws and limitations." iv THEY WENT UPSTAIRS and were admitted by a maid to Lady Maisry's apartments. Alan sent a message. The girl quickly returned. "Yes, my lord, at once! And this gentleman, also. Will you come to her sitting-room, please?" The two waited in a room that hung like a nest high up in the southwest wing of Gorm castle. Its window thrust out in a semicircular sweep over a bit of wild uncultivated ground below —long grass and daffodils tossed together, and bushy willow-stumps flashed in sun and wind beside a shallow stream whose soft chuckle sounded in the room through widely opened windows. How like Maisry, how like her strange lovely self, this room! Straight from the devil-haunted tower, it seemed to Alan as velvet-sweet and fresh as a copse of wood-violets. She came in to them at once. Her eyes, their cloud-gray beauty repeated in the chiffons of her dress, showed immense fatigue — dark pools no fresh quick source could stir, no sun touch to happy life again. Her face was pale as ivory; she moved across the room slowly, with trained habitual grace, but could not hide her deathly weariness. Eliot Broome made up his mind at once. Here was one who deserved no less than truth. She was a fighter, strong, and able to endure. He explained himself without preamble, begged her to let him put what knowledge and resources he had at her disposal. She met him with equal directness. "It is good of you—quite extraordinarily kind—to have come so quickly. Everyone knows your fame, your skill. Tell me one thing, first, and I want the absolute truth, please, Mr. Broome. Alan has told you about my dream?" The specialist nodded. "And that I connect it with Red Alastair and his Picture ?" Again he gave grave assent. "You know, then, that I consider myself to be haunted by this ancestor of mine; and, knowing this, do you believe that I am unbalanced, my nerves deranged, my brain affected?" "Dear Lady Maisry, I believe you to be as sane as I am, very sane and unusually well-balanced. That is the reason you can bear to hear the truth from me." She grew very white. "I understand. I am in danger— in deadly peril?" "Yes, " he agreed. "In more than mortal peril; yet, courageous as you are, I would not confess this if I did not know you could be rescued." Light flashed, died out again in her eyes, gray as lake-water at dawn. She shook her golden head. "Please, not that ! I dare not, dare not think along those lines. I am one of the Ill-fated of my line. In life, in death, he cannot be defeated." Broome rose to his feet, took her two hands, and drew her up to face him. His eyes, his voice, were stern. "Listen to me. Lady Maisry. That is a piece of unwisdom I had not dreamed you could say, or believe. It is just such unquestioning belief in Red Alastair that has enabled him to remain earthbound, expanding his mad rapacious ego to colossal dimensions. His existence depends utterly on people's faith and fear." She stood rigid in his grasp, her face fixed in tense abstracted thought. "But he— he is more than man! He is a devil— served by devils. It is not one human soul against another, it never has been that. You do not know Red Alastair's history, nor does Alan; there has been so little time." "No. We have only glanced at the records. Is there any special reason why you are haunted? Are all the women of your family tormented?" "No. I am the first; the first woman that has had 'the sight'. And the reason why he— why he calls me, draws me after him, is this ..." She took up a small shabby leather case from a table at her side and opened it to show an oval miniature set in pale gold with rim of pearls. The two men looked at it and at her. "A lovely portrait of you," Alan said. "No— not of me. That was painted in 1700. It is a portrait of an ancestor of mine on my mother's side—Lady Jean Haugh. Red Alastair stole her on her wedding-day, snatched her from the bridegroom's side as the pair stood before the priest, and rode off with her. To escape him, she flung herself off the cliff-path on the Kaims of Vorangowl. He was riding recklessly, as always, and no doubt his grasp of her loosened as he held up his frightened horse. This is all in the records, and there were many witnesses to this particular crime; for it was April and shepherds were all out on the moors tending the ewes and lambs." "Then Lady Jean Haugh did actually defeat him for once!" "Not finally. She merely postponed his victory. He has waited some two hundred years for her. And now— here am I." "Exactly. Here are you. And you are not the Lady Jean Haugh." "Physically I am, to the last gold hair; and more than that Red Alastair would not recognize. There is no time now to tell you more fully of his life; one year was like another to him, blood and battle, riding and fighting. But chiefly women— the records are black with their names— their unspeakable fate." Eliot Broome watched the girl narrowly. His next question made Alan start and lean forward with hands suddenly cold and shaking, the pulses throbbing at his temples. "And you? You have not thought of escaping as Lady Jean escaped?" Maisry did not shrink. The idea was evidently a familiar one. "My unwisdom, as you call it, is not so great as that. Nor do I count suicide escape— from anything." Broome's square rugged face lightened. "Ah, now you are wise, indeed. If you will continue to think with such intelligence and courage, I repeat— Red Alastair can be defeated." Again she shook her head. "You scarcely know how truly monstrous he is, and was from the beginning. Oh, they are not old wives' tales, the records of his birth and life and death. They come from varying sources, perfectly sound and authentic, and all agree that he was monstrous, devil-possessed from birth." "And his death? What is recorded of that?" "It was never recorded as proved fact. He lived alone at Gorm after Lady Jean's death; entirely, mysteriously alone, cut off from every human being. No one took food to the castle, no one saw him outside its walls. But at night the Keep would blaze with light—and books say 'ringed about with most infernal fire', and thin high pipings and whistlings echoed to the hills. It was a terror in the countryside for three years." "And then?" "The old castle of Gorm was burned to the ground. It blazed and smoldered for nights and days. No one would go near it. Only the Keep was left standing."
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