OCTOBER -2

2021 Words
Hardly was the Calabrian seated in his place, when his neighbors presented him with pens and a print; and another boy, from the last bench, sent him a Swiss postage-stamp. MY COMRADES. Tuesday, 25th. The boy who sent the postage-stamp to the Calabrian is the one who pleases me best of all. His name is Garrone: he is the biggest boy in the class: he is about fourteen years old; his head is large, his shoulders broad; he is good, as one can see when he smiles; but it seems as though he always thought like a man. I already know many of my comrades. Another one pleases me, too, by the name of Coretti, and he wears chocolate-colored trousers and a catskin cap: he is always jolly; he is the son of a huckster of wood, who was a soldier in the war of 1866, in the squadron of Prince Umberto, and they say that he has three medals. There is little Nelli, a poor hunchback, a weak boy, with a thin face. There is one who is very well dressed, who always wears fine Florentine plush, and is named Votini. On the bench in front of me there is a boy who is called “the little mason” because his father is a mason: his face is as round as an apple, with a nose like a small ball; he possesses a special talent: he knows how to make a hare’s face, and they all get him to make a hare’s face, and then they laugh. He wears a little ragged cap, which he carries rolled up in his pocket like a handkerchief. Beside the little mason there sits Garoffi, a long, thin, silly fellow, with a nose and beak of a screech owl, and very small eyes, who is always trafficking in little pens and images and match-boxes, and who writes the lesson on his nails, in order that he may read it on the sly. Then there is a young gentleman, Carlo Nobis, who seems very haughty; and he is between two boys who are sympathetic to me,—the son of a blacksmith-ironmonger, clad in a jacket which reaches to his knees, who is pale, as though from illness, who always has a frightened air, and who never laughs; and one with red hair, who has a useless arm, and wears it suspended from his neck; his father has gone away to America, and his mother goes about peddling pot-herbs. And there is another curious type,—my neighbor on the left,—Stardi—small and thickset, with no neck,—a gruff fellow, who speaks to no one, and seems not to understand much, but stands attending to the master without winking, his brow corrugated with wrinkles, and his teeth clenched; and if he is questioned when the master is speaking, he makes no reply the first and second times, and the third time he gives a kick: and beside him there is a bold, cunning face, belonging to a boy named Franti, who has already been expelled from another district. There are, in addition, two brothers who are dressed exactly alike, who resemble each other to a hair, and both of whom wear caps of Calabrian cut, with a peasant’s plume. But handsomer than all the rest, the one who has the most talent, who will surely be the head this year also, is Derossi; and the master, who has already perceived this, always questions him. But I like Precossi, the son of the blacksmith-ironmonger, the one with the long jacket, who seems sickly. They say that his father beats him; he is very timid, and every time that he addresses or touches any one, he says, “Excuse me,” and gazes at them with his kind, sad eyes. But Garrone is the biggest and the nicest. A GENEROUS DEED. Wednesday, 26th. It was this very morning that Garrone let us know what he is like. When I entered the school a little late, because the mistress of the upper first had stopped me to inquire at what hour she could find me at home, the master had not yet arrived, and three or four boys were tormenting poor Crossi, the one with the red hair, who has a dead arm, and whose mother sells vegetables. They were poking him with rulers, hitting him in the face with chestnut shells, and were making him out to be a cripple and a monster, by mimicking him, with his arm hanging from his neck. And he, alone on the end of the bench, and quite pale, began to be affected by it, gazing now at one and now at another with beseeching eyes, that they might leave him in peace. But the others mocked him worse than ever, and he began to tremble and to turn crimson with rage. All at once, Franti, the boy with the repulsive face, sprang upon a bench, and pretending that he was carrying a basket on each arm, he aped the mother of Crossi, when she used to come to wait for her son at the door; for she is ill now. Many began to laugh loudly. Then Crossi lost his head, and seizing an inkstand, he hurled it at the other’s head with all his strength; but Franti dodged, and the inkstand struck the master, who entered at the moment, full in the breast. All flew to their places, and became silent with terror. The master, quite pale, went to his table, and said in a constrained voice:— “Who did it?” No one replied. The master cried out once more, raising his voice still louder, “Who is it?” Then Garrone, moved to pity for poor Crossi, rose abruptly and said, resolutely, “It was I.” The master looked at him, looked at the stupefied scholars; then said in a tranquil voice, “It was not you.” And, after a moment: “The culprit shall not be punished. Let him rise!” Crossi rose and said, weeping, “They were striking me and insulting me, and I lost my head, and threw it.” “Sit down,” said the master. “Let those who provoked him rise.” Four rose, and hung their heads. “You,” said the master, “have insulted a companion who had given you no provocation; you have scoffed at an unfortunate lad, you have struck a weak person who could not defend himself. You have committed one of the basest, the most shameful acts with which a human creature can stain himself. Cowards!” Having said this, he came down among the benches, put his hand under Garrone’s chin, as the latter stood with drooping head, and having made him raise it, he looked him straight in the eye, and said to him, “You are a noble soul.” Garrone profited by the occasion to murmur some words, I know not what, in the ear of the master; and he, turning towards the four culprits, said, abruptly, “I forgive you.” MY SCHOOLMISTRESS OF THE UPPER FIRST. Thursday, 27th. My schoolmistress has kept her promise which she made, and came to-day just as I was on the point of going out with my mother to carry some linen to a poor woman recommended by the Gazette. It was a year since I had seen her in our house. We all made a great deal of her. She is just the same as ever, a little thing, with a green veil wound about her bonnet, carelessly dressed, and with untidy hair, because she has not time to keep herself nice; but with a little less color than last year, with some white hairs, and a constant cough. My mother said to her:— “And your health, my dear mistress? You do not take sufficient care of yourself!” “It does not matter,” the other replied, with her smile, at once cheerful and melancholy. “You speak too loud,” my mother added; “you exert yourself too much with your boys.” That is true; her voice is always to be heard; I remember how it was when I went to school to her; she talked and talked all the time, so that the boys might not divert their attention, and she did not remain seated a moment. I felt quite sure that she would come, because she never forgets her pupils; she remembers their names for years; on the days of the monthly examination, she runs to ask the director what marks they have won; she waits for them at the entrance, and makes them show her their compositions, in order that she may see what progress they have made; and many still come from the gymnasium to see her, who already wear long trousers and a watch. To-day she had come back in a great state of excitement, from the picture-gallery, whither she had taken her boys, just as she had conducted them all to a museum every Thursday in years gone by, and explained everything to them. The poor mistress has grown still thinner than of old. But she is always brisk, and always becomes animated when she speaks of her school. She wanted to have a peep at the bed on which she had seen me lying very ill two years ago, and which is now occupied by my brother; she gazed at it for a while, and could not speak. She was obliged to go away soon to visit a boy belonging to her class, the son of a saddler, who is ill with the measles; and she had besides a package of sheets to correct, a whole evening’s work, and she has still a private lesson in arithmetic to give to the mistress of a shop before nightfall. “Well, Enrico,” she said to me as she was going, “are you still fond of your schoolmistress, now that you solve difficult problems and write long compositions?” She kissed me, and called up once more from the foot of the stairs: “You are not to forget me, you know, Enrico!” Oh, my kind teacher, never, never will I forget thee! Even when I grow up I will remember thee and will go to seek thee among thy boys; and every time that I pass near a school and hear the voice of a schoolmistress, I shall think that I hear thy voice, and I shall recall the two years that I passed in thy school, where I learned so many things, where I so often saw thee ill and weary, but always earnest, always indulgent, in despair when any one acquired a bad trick in the writing-fingers, trembling when the examiners interrogated us, happy when we made a good appearance, always kind and loving as a mother. Never, never shall I forget thee, my teacher! IN AN ATTIC. Friday, 28th. Yesterday afternoon I went with my mother and my sister Sylvia, to carry the linen to the poor woman recommended by the newspaper: I carried the bundle; Sylvia had the paper with the initials of the name and the address. We climbed to the very roof of a tall house, to a long corridor with many doors. My mother knocked at the last; it was opened by a woman who was still young, blond and thin, and it instantly struck me that I had seen her many times before, with that very same blue kerchief that she wore on her head. “Are you the person of whom the newspaper says so and so?” asked my mother. “Yes, signora, I am.” “Well, we have brought you a little linen.” Then the woman began to thank us and bless us, and could not make enough of it. Meanwhile I espied in one corner of the bare, dark room, a boy kneeling in front of a chair, with his back turned towards us, who appeared to be writing; and he really was writing, with his paper on the chair and his inkstand on the floor. How did he manage to write thus in the dark? While I was saying this to myself, I suddenly recognized the red hair and the coarse jacket of Crossi, the son of the vegetable-pedler, the boy with the useless arm. I told my mother softly, while the woman was putting away the things. “Hush!” replied my mother; “perhaps he will feel ashamed to see you giving alms to his mother: don’t speak to him.” But at that moment Crossi turned round; I was embarrassed; he smiled, and then my mother gave me a push, so that I should run to him and embrace him. I did embrace him: he rose and took me by the hand.
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