When I came back at last to the real Bladesover on an inconsequent visit, everything was far smaller than I could have supposed possible. It was as though everything had shivered and shrivelled a little at the Lichtenstein touch. The harp was still in the saloon, but there was a different grand piano with a painted lid and a metrostyle pianola, and an extraordinary quantity of artistic litter and bric-a-brac scattered about. There was the trail of the Bond Street showroom over it all. The furniture was still under chintz, but it wasn’t the same sort of chintz although it pretended to be, and the lustre-dangling chandeliers had passed away. Lady Lichtenstein’s books replaced the brown volumes I had browsed among—they were mostly presentation copies of contemporary novels and the National Re
