Dolofonos

next Chapter 1

"You seem kind of bitter. What's he been doing to you? He was going to give you a dress, wasn't he?"

"Just his dirty joke."

"You were going to take it, though."

"You bet I wasn't. Do you think I'd take a present from him? I was going to sel it back to them and show him the money, and wasnt I going to laugh?"

He thought again with bitter interest, They hate me. If they open this door Ill shoot the lot.

"I'd like to take a swipe at that lip of his. I'd laugh. I'd say I'd laugh."

"I'll put a man," the strange voice said, "across the road. Tip him the wink if our man comes in." The café door closed.

"Oh," the old man said. "I wish my wife was here. She would not miss this for ten shillings."

"I'll give ber a ring," Alice said. "She'll be chatting at Mason's. She can come right over and bring Mrs. Mason too. Let 'em all join in the fun. It was only a week ago Mrs. Mason said she didn't want to see his ugly ace in her shop agais.

"Yes, be a good girl, Alice,. Give her a ring."

Raven reached up his hand and took the bulb out of the fitment: he stood up and flattened himself against the wall

of the box. Alice opened the door and shut herself in with him. He put his hand over her nouth betore she bad time to cry. He sald, Dont you put the pennies in the box. I'll shoot if you do. I'll shoot if you call out, Do what I say." He whispered in her ear. They Were as Close together as if they were in a single bed. He could teel her crooked shoulder

pressed against his chest. kio Satd,Lt the receiver. Pretend you're talking to the old woman. Go on. I don't care a damn if I shoot you. Say, Hello, Frau Groener."

"Hello, Frau Groener."

"Spill the whole story."

"They are after Raven."

"Why?"

That five-pound note. They were waiting at the shop."

"What do you mean?

"They'd got its number. It was stolen."

He'd been double-crossed. His mind worked with mechanical accuracy like ready-reckoner. You only had to supply it with the figures and it gave you the answer. He was possessed by a deep sullen rage. If Mr. Cholmondeley had been in the box with him he would have shot him: he wouldn't have cared a damn.

"Stolen from where?"

"You ought to know that."

"Don't give me any lip. Where from?"

He didn't even know who Cholmondeley's employees were. It was obvious what had happened: they hadn't trusted him. They had arranged this so that he might be put away. A news-boy went by outside calling, "Ultimatum. Ultimatum." His mind registered the fact, but no more, it seemed to have nothing to do with him. He repeated, "Where from?"

"I don't know. I don't remember."

With the automatic stuck against her back he tried to plead with her. "Remember, can't you? It's important. I didn't do it."

"I bet you didn't," she said bitterly into the unconnected pnone.

"Give me a break. All I want you to do is remember."

She said, "On your life I won't,"

"I gave you that dress, didn't I?"

"You didn't. You tried to plant your money, that's all. You didn't know they'd circulated the numbers to every shop in town. We've even got them in the café."

"If I'd done it, why should I want to know where they came from?"

"It be a bigger laugh than ever if you get jugged for something you didn't do."

"Alice," the old man called from the café, "is she coming?"

"I'lI give you ten pounds."

"Phony notes. No thank you, Mr. Generosity."

"Alice, the old man called again; they could hear him coming along the passage.

"Justice," he said bitterly, jabbing her between the ribs with the automatic.

"You don't need to talk about justice," she said. "Driving me like I was in prison. Hitting me when you feel like it. Spilling ash all over the fioor. I've got enough to do with your slops. Milk in the soap dish. Don't talk about justice."

Pressed against him in the tiny dark box she suddenly came alive to him. He was so astonished that he forgot the old man till he had the door of the box open. He whispered

passionately, out of the dark, "Don't say a word or Il plug you." He had them both out of the box in front of him. He said, "Understand this. They arent going to get me. Im not

going to prison. I don't care a damn it I plug one of you. don't care if I hang. My father hanged. . . What's good

enough for him. . . Get along in front of me up to my room. There's hell coming to somebody for this."

When he had them there he locked the door. A customer Get along in front of me up to my room. was ringing the café bell over and over again. He turned on them. "I've got a good mind to plug you. Telling them about my harelip. Why can't you play fair?" He went to the window; he knew there was an easy way down: that was why he had chosen the room.

he kitten caught his eye, prowling Iike a toy tiger in a cage up and doWn the edge of the chest of drawers, afraid to jump. He lifted her up and threw her on his bed; she tried to bite his finger as she went. Then he got through onto the leads. The clouds were massing up across the moon, and the earth seemed to move with them, an icy barren globe, through the vast darkness.

4

Anne Crowder walked upP and down the small room in her heavy tweed coat, she didnt Want to Waste a shilling on the gas meter, because she wouldn't get her shilling's worth before morning. She told hersell, l'm lucky to have got that job. I'm glad to be going ofl to work again. But she wasn't

convinced. It was eight now, hey would have four hours together till midnight. She would have to deceive him and tell him she was catching the nine-o' clock, not the five-o'clock

train, or he would be sending her back to bed early. He was like that. No romance. She smiled with tenderness and blew on her fingers.

The telephone at the bottom of the house was ringing. She thought it was the doorbell and ran to the mirror in the wardrobe. There wasn't enough light from the dull globe to tell

her if her makeup would stand the brilliance of the Astoria Dance Hall. She began making up all over again, if she was pale he Would take her home early.

The landlady stuck her head in at the door and said, "It's your gentleman. On the phone."

"On the phone?"

"Yes," the landlady said, sidling in for a good chat, "he sounded all of a jump. Impatient, I should say. Half barked my head off when I wished him good evening."

"Oh," she said desperately, "it's only his way. You mustn't mind him."

"He's going to call off the evening, I suppose," the landlady said. "Its always the same. You girls who go travelling round never get a square deal. You said d**k Whittington, didn't you?"

"No, no, Aladdin."

She pelted down the stairs. She didn't care a damn who saw her hurry. She said, "Is that you, darling?" There was always something wrong with their telephone. She could hear his voice so hoarsely vibrating against her ear she could hardly realize it was his. He said, "You've been ages. This is a public

call box. I've put in my last pennies. LIsten, Anne, I can't be with you. I'm sorry. It's work. We re onto the man in that safe robbery I told you about. I shall be out all night on it. We've traced one of the notes." His voice beat excitedly against her ear.

She said, "Oh, that's fine, darling. I know you wanted. .."

But she couldn't keep it up. "Jimmy," she said, "I shan't be seeing you again. For weeks."

He said, "It's tough, I know. I'd been dreaming of…. Listen. You'd better not catch that early train, what's the point? There isn't a nine-o'clock. lve been looking them up."

"I know. I just said—"

"You'd better go tonight. Then you can get a rest before rehearsals. Midnight from Euston."

"But I haven't packed. . ."

He took no notice. lt was his favourite occupation, planning things, making decisions. He said, "If I'm near the station, I'II try—"

"Your two minutes up."

He said, "Oh hell, Ive no coppers. Darling, I love you."

She struggled to bring it out herself, but his name stood in the way, impeded her tongue. She could never bring it out without hesitation. "Ji– " The line went dead on her. She hought bitterly, He oughtn't to go out without coppers. She thought, It's not right, cutting off a detective like that. Then she went back up the stairs. She wasn't crying it was just as if somebody had died and left her alone and scared, scared of the new faces and the new job, the harsh provincial jokes,

the fellows who were tresh; scared of herself, scared of not being able to remember clearly how good it was to be loved.

The landlady said, "I just thought so. Why not come down and have a cup of tea and a good chat? It does you good to talk. Really good. A doctor said to me once it clears the lungs. Stands to reason, don't it? You can't help getting dust up, and a good talk blows it out. It wouldn't bother to pack yet. There's hours and hours. My old man would never of died if he'd talked more. Stands to reason. It was something poisonous in his throat cut him off in his prime. If he'd talked more he'd

have blown it out. It's better than spitting."

5

The crime reporter couldn't make himself heard. He kept on trying to say to the chief reporter, "I've got some stuff on that safe robbery."

The chief reporter had had too much to drink. They'd all had too much to drink. He said, "You can go home and read The Decline and Fall–"

The crime reporter was a young earnest man who didn't drink and didn't smoke; It shocked him when someone was sick in one of the telephone boxes. He shouted at the top

of his voice, They've traced one of the notes."

"Write it down, write it down, old boy" the chief reporter said, "and then smoke it."

"The man escaped-held up a girl-it's a terribly good story," the earnest young man said. He had an Oxford accent; that was why they had made him crime reporter: it was the news editor 's joke.

"Go home and read Gibbon,"

The earnest young man caught hold of someone's sleeve. "What's the matter? Are you all crazy? Isn't there going to be any paper or what?"

"War in forty-eight hours," somebody bellowed at him.

"But this is a wonderful story I've got. He held up a girl and an old man, Climbed out of a window–"

"Go home. There won't be any room for it."

"They've killed the annual report of the Kensington Kitten Club."

"No 'Round the Shops.' "

"They've made the Limehouse Fire a News in Brief."

"Go home and read Gibbon."

"He got clean away with a policeman watching the front door. The Flying Squad's out. He's armed. The police are taking revolvers. It's a lovely story."

The chief reporter said, "Armed. Go away and put your head in a glass of milk. We'l all be armed in a day or two. They've published their evidence. It's clear as daylight a Serb shot him. Italy's supporting the ultimatum. They've got forty-eight hours to climb down. lf you want to buy armament shares burry and make your fortune."

"You'll be in the army this day week," somebody said.

"Oh no," the young man said; "no, l Won't be that. You see, Im a pacifist."

The man who was sick in the telephone bOx said, "I'm going home. There 1sn't any more room in the paper if the Bank of England's blown up."

A little thin piping voice said, "My copy's going in."

"I tell you there isn't any room."

"There'll be room for mine. Gas Masks for All. Special Air Raid Practices for Civilians in every town of more than fifty thousand inhabitants."He giggled.

"The funny thing is-it's-it's-" But nobody ever heard what it was. A boy opened the door and Iung them in a pull of the middle page: damp letters on a damp grey sheet; the headlines came olf on your hands. "Yugoslavia Asks for Time. Adriatic Fleet at War Stations. Paris Rioters Break into Italian Embassy." Everyone was suddenly quite quiet as an aeroplane went by, driving low overhead through the dark, heading south, a scarlet tall-lamp, pale transparent Wings in the moonlight. They watched it through the great glass ceiling, and suddenly nobody wanted to have another drink. The chief reporter said, "I'm tired. I'm going to bed."

"Shall I follow up this story?" the crime reporter said.

"If it'll make you happy, but that's the only news from now on."

They stared up at the glass ceiling, the moon, the empty sky.

6

The station clock marked three minutes to midnight. The ticket collector at the barrier said, "There's room in the front."

"A friend's seeing me off," Anne Crowder said. "Can't I get in at this end and go up front when we start?"

"They've locked the doors."

She looked desperately past him. They were turning out the lights in the buffet; no more trains from that platform.

"You'll have to hurry, miss."

The poster of an evening paper caught her eye, and as she ran down the train, looking back as often as she was able, she couldn't help remembering that war might be declared before they met again. He would go to it. He always did what other people did, she told herself with irritation, but she knew that that was the reliability she loved. She wouldn't have loved him if he'd been queer, had his ownn opinions about things; she lived too closely to thwarted genius, to second touring company actresses who thought they ought

to be Cochran stars, to admire difference. She wanted her man to be ordinary, she wanted to be able to know what he'd say next.

A line of lamp-struck faces went by her. The train was full, so full that in the first-class carriages you saw strange shy awkward people who were not at ease in the deep seats, who feared the ticket collector would turn them out. She gave up the search for a third-class carrlage, opened a door, dropped her Woman and Beauty on the only seat, and struggled back to the window over legs and protruding suitcases. The engine was getting up steam, the smoke blew back up the platformn: it was dificult to see as far as the barrier.

A hand pulled at her sleeve. "Excuse me," a fat man said, "if you've quite finished with that Window. I want to buy some chocolate."

She said, "Just one moment, please, Somebody's seeing me off."

"He's not here. It's too late. You can't monopolize the window like that. I must have some chocolate." He swept her on one side and waved an emerald ring under the light. She tried to look over his shoulder to the barrier: he almost filledd the window. He called, "Boy, boy," waving the emerald ring.

He said, "What chocolate have you got? No, not Motorist's, not Mexican. Something sweet."

Suddenly through a c***k she saw Mather. He was past the barrier; he was coming down the train looking for her, looking in all the third-class carriages, running past the firstclass. She implored the fat man, "Please, please do let me come. I can see my friend."

"In a moment. In a moment. Have you Nestlé's? Give me a shilling packet."

"Please let me."

"Haven't you anything smaller," the boy said, "than a ten shilling note?"

Mather went by, running past the first-class. She hammered on the win dow, but he didn't hear her, among the whistles and the beat of trolley wheels, the last packing cases rolling

into the van. Doors slammed, a whistle blew, the train began to move.

"Please. Please."

"I must get my change," the fat man said, and the boy ran beside the carriage counting the shillings into his palmn. When she got to the window and leant out they were past the platform: she could only see a small figure on a wedge of asphalt who couldn't see her. An elderly woman said, "You oughtn't to lean out like that. lt's dangerous."

She trod on their shoes getting back to her seat: she felt unpopularity well up all around her: everyone was thinking, "She oughtn't to be in the carriage. What's the good of our

paying first-class fares when. . ." But she wouldn't cry; she was fortified by all the conventional remarks which came automatically to her mind about spilt milk and it will all be the same in fifty years. Nevertheless she noted with deep

dislike on the label dangling from the fat man's suitcase bhis destination, which was the same as hers, Nottwich. He sat opposite her with the Spectator and the Evening News and the Financial Times on his lap eating sweet milk chocolate.