Don't do it," exclaimed the nun, "you would only ruin yourself without saving me. Go!" Then she turned to the others, saying: "Here I am, take me—all of you!" The dark costume dropped from her, as if by magic. She stood there in the radiance of her white body; reached for the veil which was wrapped about her head, face and neck and unwound it with a wonderful circular motion. It sank to the floor, dark hair fell in great profusion over her shoulders, breasts and hips—but before Fridolin could even glance at her face, he was seized by irresistible arms, and pushed to the door. A moment later he found himself in the anteroom, the door closed behind him. A masked servant brought him his fur coat and helped him put it on. The main door opened automatically, and as if driven by some invisible force, he hurried out. As he stood on the street the light behind disappeared. The house stood there in silence with closed windows from which not a glimmer issued. I must remember everything clearly, was his main thought; I must find the house again—the rest will follow as a matter of course. Darkness surrounded him. The dull reddish glow of a street lamp was visible a slight distance above where the cab was to wait for him. The mourning-coach drove up from the street below, as though he had called it. A servant opened the door. "I have my own cab," said Fridolin. When the servant shook his head, Fridolin continued: "If it has already gone, I'll walk back to the city." The man replied with a wave of his hand which was anything but servant-like, so that objection was out of the question. The ridiculously high silk hat of the coachman towered up into the night. The wind was blowing a gale; violet clouds raced across the sky. Fridolin felt that, after his previous experience, there was nothing for him to do but to get into the carriage. It started the moment he was inside. He resolved, as soon as possible, to clear up the mystery of his adventure, no matter how dangerous it might be. His life, it seemed, would not have the slightest meaning any more, if he did not succeed in
finding the incomprehensible woman who at this very moment was paying for his safety. It was only too easy to guess the price. But why should she sacrifice herself for him? To sacrifice—? Was she the kind of woman to whom the things that were facing her, that she was now submitting to, could mean a sacrifice? If she attended these affairs—and since she seemed to understand the rules so well it could not be her first time—what difference could it make to her if she belonged to one of the cavaliers, or to all? Indeed, could she possibly be anything but a woman of easy virtue? Were any of them anything else? That's what they were, without a doubt, even if all of them led another, more normal life, so to speak, besides this one of promiscuity. Perhaps everything he had just gone through had been only an outrageous joke. A joke planned, prepared and even rehearsed for such an occasion when some bold outsider should be caught intruding? And yet, as he thought of the woman who had warned him from the very beginning, who was now ready to pay for him—he remembered something in her voice, her bearing, in the royal nobility of her nude body which could not possibly have been false. Or was it possible that only his sudden appearance had caused her to change? After everything that had happened, such a supposition did not seem impossible. There was no conceit in this idea. There may be hours or nights, he thought, in which some strange, irresistible charm emanates from men who under normal circumstances have no special power over the other s*x. The carriage continued up-hill. If all were well, he should have turned into the main street long ago. What were they going to do with him? Where was the carriage taking him? Was the comedy to be continued elsewhere? And what would the continuation be? A solution of the mystery and a happy reunion at some other place. Would he be rewarded for passing the test so creditably and made a
member of the secret society? Was he to have unchallenged possession of the lovely nun? The windows of the carriage were closed and Fridolin tried to look out—but they were opaque. He attempted to open them, first on one side, then on the other, but it was impossible. The glass partition between him and the coachman's box was just as thick and just as firmly closed. He knocked on the glass, he called, he shouted, but the carriage went on. He tried to open both the doors, but they wouldn't budge. His renewed calling was drowned by the rattling of the wheels and the roaring of the wind. The carriage began to jolt, going down-hill, faster and faster. Fridolin, uneasy and alarmed, was on the point of smashing one of the blind windows, when the carriage suddenly stopped. Both doors opened together, as if by some mechanism, and as though Fridolin had been ironically given the choice between one side or the other. He jumped out, the doors closed with a bang—and without the coachman paying the slightest attention to him, the carriage drove away across the open field into the darkness of the night. The sky was overcast, clouds raced across it, and the wind whistled. Fridolin stood in the snow which shed a faint light round about. He was alone, his open fur coat over his monk's costume, the pilgrim's hat on his head; and an uncanny feeling overcame him. The main street was a slight distance away, where a row of dimly-flickering street lamps indicated the direction of the city. However, he ran straight down across the sloping, snow-covered field, which shortened the way, so as to get among people as quickly as possible. His feet soaked, he came into a narrow, almost unlighted street, and at first walked along between high board fences which groaned in the wind. Turning the next corner, he reached a somewhat wider street, where scattered little houses alternated with empty building lots. Somewhere a tower clock
struck three. Someone was coming towards him. The person wore a short jacket, he had his hands in his trouser pockets, his head was down between his shoulders, and his hat was pulled over his forehead. Fridolin got ready for an attack, but the tramp unexpectedly turned and ran. What does that mean? he asked himself. Then he decided that he must present a very uncanny appearance, took off the pilgrim's hat and buttoned his coat, underneath which the monk's gown was flapping around his ankles. Again he turned a corner into a suburban main street. A man in peasant's dress walked past and spoke to him, thinking him a priest. The light of a street lamp fell upon a sign on a corner house. Liebhartstal—then he wasn't very far from the house which he had left less than an hour before. For a second he felt tempted to retrace his steps and to wait in the vicinity for further developments. But he gave up the idea when he realized that he would only expose himself to grave danger without solving the mystery. As he imagined what was probably taking place in the villa at this very moment he was filled with wrath, despair, shame and fear. This state of mind was so unbearable that it almost made him sorry the tramp had not attacked him; in fact, he almost regretted that he wasn't lying against the fence in the deserted street with a knife-gash in his side. That, at least, might have given some significance to this senseless night with its childish adventures, all of which had been so ruthlessly cut short. It seemed positively ridiculous to return home, as he now intended doing. But nothing was lost as yet. There was another day ahead, and he swore that he would not rest until he had found again the beautiful woman whose dazzling nakedness had so intoxicated him. It was only now that he thought of Albertina, but with a feeling that she, too, would first have to be won. He could not, must not, be reunited with her until he had