Dante pointed to a chair across from his big, fancy desk. Susan sat down, feeling his eyes on her like a hungry animal. He moved smoothly and sat in his own chair, resting his chin on his hands. The room was quiet, except for the faraway city sounds. It felt like he wanted to make her nervous.
"You've had time to get used to things, I hope?" he finally said, his voice soft but strong.
Susan looked him right in the eye. "Used to things isn't really the word I'd pick, Mr. Moretti. I've been... getting used to it."
He almost smiled. "Getting used to it. Good choice of words, Miss Reynolds. Now, let's talk about why you're here."
He picked up a thin, white folder from his desk. He didn't open it right away, just held it and turned it in his hands. "I need some special skills, Miss Reynolds. Skills you have a lot of, even if you don't know it."
Susan frowned. "What skills are those?"
"Watching closely," he started, staring right at her. "Keeping secrets. Being able to fit in anywhere. And, most importantly, being a bit... unexpected."
He finally opened the folder and pushed it across the desk to her. Inside were pictures. Not of people, but of places: a busy art gallery, a quiet, fancy auction house, a secret poker game in a dark room, even a big party for charity. Each picture had short, clear notes written next to it.
"These are places I can't be seen," Dante explained, his voice low. "Or, places where me being there would cause problems for what I'm trying to do. You, on the other hand, are a new face. No one knows you. You'll be my eyes and ears."
Susan picked up a photo of the art gallery. "You want me to... go to these places? And do what?"
"You will watch," he said, leaning forward a little, his eyes still on her. "You will listen. You will tell me everything important. Details, Miss Reynolds. Every quick look, every whispered talk, every small change in how people act. The things people miss. The things they think aren't important. These are the tiny pieces I use to build my big picture."
He paused, letting his words sink in. "Your first job is the Art Nouveau gallery. Tonight. There's a private showing of some art I want to buy. You will go, pretending to be someone who wants to buy art. Marco will give you what you need to get in and the right clothes."
Susan felt a shiver. This wasn't just about staying alive anymore. This was a dangerous game she knew nothing about. But the challenge, how bold it was, lit a spark inside her that she hadn't known was there.
"What exactly am I looking for?" she asked, her voice more steady than she thought it would be.
Dante's small smile returned, a hint of approval in his dark eyes. "That, Miss Reynolds," he said, pushing the folder a little closer, "is where you become truly useful."