(Aria’s POV)
The gallery didn’t look like a place that belonged to a man whose power could erase anyone from sight.
It was quiet, polished, and bathed in a cold kind of beauty. Glass walls. Steel beams. Paintings suspended in soft light that made every color hum like it was alive. The air smelled faintly of turpentine and something sharper — power, maybe.
I stood in the middle of the main room, clutching the strap of my bag, feeling small under the weight of it all. My own paintings would never hang in a place like this. Not before Damian.
He was late.
I’d arrived with one of his men — the same silent shadow who’d brought me coffee that morning without saying a word. No one spoke to me here. No one even looked directly at me. They moved around me as if I were part of the décor — something fragile, temporary.
When the elevator doors opened, everything shifted.
Damian stepped out in a black coat, his presence slicing through the silence. He didn’t look at anyone else, just me. And even from across the room, that look pinned me in place.
“Good,” he said softly. “You came.”
“You told me to.”
“I wasn’t sure you’d listen.”
“I wasn’t sure I had a choice.”
That earned a faint curve of his mouth. He motioned for me to follow him into a smaller gallery room, separated from the main one by glass. Inside, the lighting was dimmer, more intimate. Only one painting hung on the wall — something abstract, all crimson and shadow, raw and restless.
“Do you like it?” he asked.
“It’s … unsettling,” I said. “But beautiful.”
“That’s why I bought it.” He paused, glancing at me. “Beauty should unsettle. Otherwise it’s meaningless.”
His gaze lingered on me longer than it should have, and I felt it — the kind of look that stripped you down to your pulse. I looked away first.
“So,” I said, forcing my voice steady, “is this where you tell me what my part in all this really is?”
He walked toward the painting, his back to me. “You’ll work here,” he said. “In this gallery. You’ll paint, curate, design. In public, you’ll be the face of Verris Art Division.”
I frowned. “That sounds like a real job.”
“It is.” He turned, eyes unreadable. “But it also keeps you close.”
The last part came out softer, almost under his breath, but I caught it.
“Close,” I repeated.
He didn’t answer.
Instead, he picked up a small black folder from the table beside him and handed it to me. “Your deal,” he said.
I flipped it open — no papers, no contracts. Just a single, blank sheet.
“There’s nothing written,” I said.
“There doesn’t need to be,” he replied. “You work. You stay useful. I decide when the debt is paid.”
My pulse quickened. “That’s not a deal. That’s — ”
“A promise,” he cut in quietly. “Mine.”
The air between us thickened.
He walked closer, stopping just short of touching me. I could feel the heat from his body, the faint scent of rain on his coat. His voice dropped. “Do you think I’m a villain, Aria?”
“I think you want me to,” I said, surprised by my own words.
He smiled — small, dangerous, real. “Maybe I do.”
I should have stepped back. I didn’t.
Instead, I held his gaze. “If I’m working for you, I need to know what this company actually does.”
His expression didn’t change, but something cold flickered behind his eyes. “You’re safer not knowing.”
“That’s not an answer.”
He sighed. “Verris Holdings acquires and trades in high-value assets. Some legal. Some … delicate.”
“Art,” I said. “You use art to move pieces that aren’t meant to be seen.”
He didn’t deny it.
“Why tell me that?” I asked.
“Because I want you to understand the risk of walking away.” His tone was calm, but the meaning underneath it wasn’t.
“So that’s it,” I said. “You keep me here, I paint, and when you’re done, I just fade out of sight?”
His jaw tightened, and for the first time, something like frustration cracked his mask. “You talk as if I enjoy this.”
“Don’t you?”
“No.” His voice was low, rougher than before. “But I can’t stop.”
The silence that followed felt alive.
He turned away, running a hand through his hair — a rare gesture, unguarded and human. “You said once that even the broken deserve a way out,” he murmured. “I haven’t had one in a long time.”
I didn’t know what to say. The man who had once terrified me in that alley now stood beneath the same light as his painting — red, shadow, and something restless beneath the surface.
He turned back to me, his control stitched neatly back into place. “The car will take you back to the penthouse. You’ll start here tomorrow.”
“And my freedom?”
“When your work is finished,” he said, “you’ll have it.”
I took a step toward him. “You’ll keep your word?”
His gaze met mine — gray and endless. “I always do.”
But as he said it, something in his eyes betrayed him.
A flicker. A hesitation. A secret.
Because I could tell — in that moment — Damian Verris didn’t want to let me go.
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(Damian’s POV — brief close)
She was supposed to be a strategy — a calculated move. Nothing more.
But when she looked at me — really looked — something inside me twisted, a thread I’d buried years ago. She didn’t flinch the way others did. She saw.
And that made her dangerous.
I told myself the deal was business. That keeping her close was practical. That her art would serve its purpose.
But every brushstroke she made felt like it was painting me instead — pulling pieces of me into color and light, places I’d sworn no one would touch again.
I was supposed to own her freedom.
Instead, she was starting to own my ruin.