MILES' POV(RAVEN'S DAD)
I don’t remember the exact day Raven stopped telling me things.
I just know it happened slowly. Like a room going dark one bulb at a time.
One day, she told me she had a new sketchbook.
The next, she held it tighter when I walked into the room.
One day, she told me about a boy who asked her if she liked Ed Sheeran.
The next, she stopped bringing him up altogether.
Now, I’m lucky if she tells me whether she’s eaten.
And I keep asking myself the same question every night before I go to sleep:
When did I become someone she needed to hide from?
She wasn’t always like this.
Raven used to talk to butterflies.
Not in a silly, childish way — no, she whispered to them like she knew they were carrying secrets. She’d kneel in the garden, finger outstretched, telling stories to specks of color while Lisa watched from the kitchen window.
She’d name them things like “Peanut” or “Queen Aria,” depending on their wings.
She believed they could hear her.
And for some reason, I think they did.
She used to draw her family with huge heads and tiny feet.
I always had the biggest smile. Lisa always wore glasses — even though she doesn’t — and Jason was always drawn with a gaming controller.
And Raven?
She always drew herself smaller.
In the corner.
Usually watching.
Even then, I should’ve known.
But back then, her quietness was imagination.
Now it feels like armor.
And I’m terrified she’s built a fortress I don’t know how to get into.
Lisa says she’ll grow out of it. That teenage girls go through phases. That as long as she’s passing her classes and not causing problems, she’s “fine.”
But Lisa doesn’t sit outside Raven’s room at 11 p.m. wondering if their daughter is silently begging for help she doesn’t know how to ask for.
Lisa doesn’t see the way Raven winces at the word “move,” like it’s a knife pressed to something fragile inside her.
Lisa doesn’t see how Raven’s laughter — when it does come — sounds borrowed.
This move was supposed to make things better.
That’s what I told myself.
More money. Better hours. A new town with new beginnings. Stability.
But somewhere in the middle of planning for a better future, I stopped noticing the cracks in the present.
Raven doesn’t want to move.
She hasn’t said the words outright — she never does — but it’s all over her face every time we bring it up.
She tenses.
She fakes interest.
She gets quiet — the dangerous kind.
The kind where her voice sounds like she’s retreating somewhere inside herself.
And I don’t know how to reach her there.
That’s the worst part about being a father.
You think your job is to fix things.
To protect.
To provide.
But then one day, you realize it’s not about scraped knees or forgotten math homework anymore.
It’s about silence.
About doors that don’t open.
About watching your daughter fall into herself and not knowing if you can follow.
There was a night — years ago — when Raven had a fever so high we almost took her to the ER.
She was shaking. Burning. And in the haze of it, she kept calling for me.
Over and over: “Daddy? Daddy?”
I remember sitting on the bathroom floor at 3 a.m. with a wet cloth, holding her in my arms, whispering, “I’m here. I’ve got you.”
And she finally slept.
I remember thinking, This is fatherhood. This right here.
But now?
Now I’m not even sure she’d call my name if she was burning again.
---
Jason tells me I worry too much.
That Raven’s always been weird — his word, not mine — and that she just “lives in her head a lot.”
But there’s a difference between living in your head and hiding there because the outside world hurts too much.
And lately, she’s been hiding.
There was a moment — not long ago — when I caught her in the kitchen after midnight.
She didn’t see me. She had her back turned, headphones in, singing quietly under her breath while scooping ice cream from the tub.
She was singing Ed Sheeran. Of course.
But there was something in her voice… something raw.
Not a performance.
A prayer.
And I stood there in the dark, watching my daughter sing heartbreak songs to an empty room, and felt like a stranger in my own house.
I want to tell her that I miss her.
That I don’t care if she talks about school or art or boys or nothing at all.
I just want her to know she’s still allowed to take up space.
That she doesn’t have to shrink to be loved.
Sometimes, I wonder what kind of world she thinks she lives in.
If she feels like there’s no room for girls like her — quiet ones, deep ones, the ones who don’t bounce into every room with sparkle and noise.
Sometimes, I wonder if I’ve accidentally raised her to believe she has to hold her pain inside just to make it easier for everyone else.
And if I did — if I made her think silence is safer than honesty — then I failed her.
I’m trying to talk to Lisa more.
About everything.
The move.
The marriage.
The way we keep trying to build new things while our foundation is quietly cracking.
Some days, it feels like we’re pretending we still fit together.
That we’re staying together for Raven, even though Raven sees through it better than either of us.
We talk about logistics, jobs, bills.
But not about love.
Not about guilt.
Not about the ache of watching your child disappear behind closed doors.
I love my daughter.
That should be enough, right?
But love feels useless when you can’t translate it into something that makes them feel safe.
Something that makes them stay.
If I could go back to that six-year-old version of her — the one with glitter markers and butterfly wings and bedtime stories about stars that could sing — I’d hold her tighter.
I’d tell her:
“You don’t have to be loud to be heard.”
“You don’t have to be perfect to be seen.”
“You don’t have to hide to be safe.”
And I’d promise her:
“I will never stop listening.”
Even when she stops talking.
Because the truth is, I still hear her.
Even in the silence.
Especially in the silence.