The Duke of Falvertoon was one of those human hors d’œuvres that stimulate the public appetite for sensation without giving it much to feed on. As a mere child he had been precociously brilliant; he had declined the editorship of the Anglian Review at an age when most boys are content to have declined mensa, a table, and though he could not claim to have originated the Futurist movement in literature, his “Letters to a possible Grandson,” written at the age of fourteen, had attracted considerable notice. In later days his brilliancy had been less conspicuously displayed. During a debate in the House of Lords on affairs in Morocco, at a moment when that country, for the fifth time in seven years, had brought half Europe to the verge of war, he had interpolated the remark “a little Moor and
