The card in my pocket felt very heavy.
I pulled it out and checked it a dozen times that evening, reading the neat black letters as if it would tell me something. A Midtown address. Noon. No signature.
In the morning, I nearly changed my mind. Nearly.
The eviction notice sat on my counter. My phone bill was $31.42. Whatever Liam Thorne required, it could not be worse than what was already in store for me in this place.
The building was the kind you only read about in glossy real estate magazines, glass façades, polished marble floors, security guards in suits.
"Mr. Thorne awaits you," replied the receptionist at the front desk, scanning my name. Her smile was professional but questioning.
The elevator ride up to the top floor was too quiet. When the doors opened, I stepped into a room that was office by day, private fortress by night. Floor-to-ceiling windows opened out to the city, sunlight spilling over sleek black workstations and leather couches.
Liam stood at the window, phone held to his ear. He looked at me once, quick and sharp, and nodded toward the chair opposite his desk.
I sat down. I was already nervous.
"Take care of it," he said into the phone, then hung up without a farewell.
"You showed up."
"You didn't leave me much of an option."
His mouth curled up at the corner, though, and not quite a smile. "You always have a choice, Maya. It's just that some of them are worse than the others."
"I'm waiting for you to tell me what this is."
He didn't answer right away. Rather, he reached for water from a side table and poured two glasses full. His movements were slow, calculated, as if whatever he ever did was never ever done in a hurry.
When he eventually sat down in front of me, he leaned backwards, hands loosely resting on the armrests. "I require a wife."
The words dropped so flatly, so unemotionally, that I almost laughed.
"That's not a typical pick-up line," I explained to him.
"It's not a pick-up line," he replied. "It's a business offer."
He outlined the will. The clause. The year-long marriage requirement and the vultures in the waiting room if he didn't comply.
You're not kidding," I said to him when he finished.
"Deadly."
I searched his face for some sign this was a test, a joke, something. There wasn't.
"Why me?"
His eyes didn't even flicker. "You're not from where I am. You're not tied to someone who would use you to try and get me. And." He paused, his eyes narrowing ever so slightly. "You held my gaze at that party without blinking."
"That's it?"
"It's enough.".
I shook my head. "You can have anyone. Why not some woman at the gala?"
"Because they would want it to be real," he said. "This won't be. It's a contract. Twelve months. You get a good paycheck at the end. I get my company."
I stared at him. "You're asking me to pretend to everyone in your life for a year."
"Play a part," he said, correcting me.
"And if I say no?"
His expression didn't change. "Then I'll look for someone else."
A part of me wished to tell him he was mad. That this was the most outlandish thing anyone had ever requested of me. But the words hung in mid-air between my throat and my present bank balance.
"How generous is 'generous'?" I spluttered before I could think.
"Enough to cover your debts, sustain your art for the next five years, and make sure you never have to read another eviction notice again."
My crumpled-up eviction notice danced in front of my eyes.
"And the catch is?" I asked.
“You’ll move into my penthouse,” he said. “We’ll appear together at events. You’ll learn enough about my world to play the part. And you’ll keep your personal life private.”
“That’s it?”
His eyes sharpened. “No falling in love.”
It was my turn to laugh. “Trust me, that won’t be a problem.”
For a minute, we said nothing. I tried to read him, but he was not readable. His calmness was intimidating, as though he'd already calculated every conceivable next step from this exchange.
"I don't make second offers," he said finally. "If you walk away now, the deal is off."
My logical mind wanted out. My desperate mind wanted to grab the pen I spotted on his desk and sign anything, anything at all, before he decided against it.
I considered Mom. My brother. The bills stacking up on my coffee table.
"First, what do you need from me?" I asked.
He didn't say a word. He pulled a drawer open, took out a lean black folder, and slid it across the desk. On the paper within the folder was one sheet, typed, pristine. A contract.
The number on the bottom left me gasping.
"I'll give you twenty‑four hours," he said.
"Why not now?"
"Because after you sign, you can't get out."
He stood up, signifying the conversation was over. I took the folder, most of it in my grasp.
At the elevator, I turned to him once more. "Why do I feel like you're keeping something from me?"
His gaze met mine, resolute and unreadable. "Because there is."
The elevator doors closed before I could ask more questions.
By the time I stepped out into the street, my mind was spinning. A whole year of being married to a man such as Liam Thorne. The money was enough to right all of that, but what was I in for?
The question lingered with me all the way home.
That night, I barely slept. Every time I glanced away, I saw his face behind the desk, serene and assured, as if he decided for me.
The next day, I made coffee and opened the folder again. The contract was straightforward. Dates. Terms. Payment plan. Public appearances.
And, in small print, at the end:
Clause 12: If the marriage is challenged in court, the Spouse agrees to take all measures necessary to ensure its validity, including but not limited to relocation, testimony, and personal image changes.
Relocation? Personal image changes?
My phone rang before I could even think about it. An anonymous message:
"I would read that last clause twice."
No name.
I gazed at the screen, my heart pounding.
And that's when it hit me, someone else had heard of the offer already.