Mila hid the note in her pocket before Eli could ask questions. The toy castle kit, however, was harder to explain.
"Who left this?" Eli asked, already pulling the box from the bag, eyes wide.
"I don't know. Maybe Mrs. Calloway."
"Mrs. Calloway gives me cookies. Not castles."
Too smart. He's too damn smart.
"Maybe someone from church," Mila said, unlocking the door. "Come on. Inside."
Eli carried the box like it was made of gold. He sat on the living room floor and started tearing the plastic wrap with his teeth before Mila could even close the door.
"Don't use your teeth."
"Scissors are too slow."
She watched him spread the pieces across the carpet — towers, walls, tiny knights, a dragon with one bent wing. His face was pure concentration, tongue poking out the way it always did when he was focused. He looked so much like Damon in that moment that it physically hurt.
She turned away and went to the kitchen. Poured herself a glass of water. Drank it in one go. Poured another.
Her phone buzzed.
Juno: I'm outside. Brought wine and rage.
Mila opened the door. Juno Park stood there in paint-stained overalls, holding a bottle of red wine and wearing an expression that could cut glass.
"Where is he?" Juno said, walking past Mila without waiting for an invitation. "I'll kill him."
"Lower your voice. Eli's in the living room."
Juno glanced around the corner, saw Eli building the castle, and softened for exactly half a second.
"Hey, little man."
"Hi, Aunt Juno. Look, I got a castle."
"Very cool." She turned back to Mila with murder in her eyes. "From him?"
Mila nodded.
They went to the kitchen. Mila closed the door halfway — enough to hear Eli, not enough for him to hear them.
"Start from the beginning," Juno said, pouring wine into two mismatched mugs because Mila didn't own wine glasses.
So Mila told her. The bakery. The coat that didn't belong. The photograph of Eli taken from a distance. The way Damon said "our son" like he had earned those words.
Juno listened without interrupting, which was unusual for her. When Mila finished, Juno took a long sip and set the mug down.
"Six years," Juno said. "Six years of nothing — no call, no letter, no child support, no apology — and he walks into your bakery like he's ordering a croissant?"
"He said he wants to know Eli."
"He wants to ease his guilt. There's a difference."
"I know."
"Do you? Because I saw your face when you said his name. You still —"
"Don't."
"Mila."
"I said don't."
Juno raised both hands. "Fine. What are you going to do?"
"Nothing. He'll leave in a week. He always gets bored."
"And if he doesn't?"
Mila stared into her mug. The wine was dark, almost black in the dim kitchen light. She thought about the note in her pocket. Four words that meant nothing and everything.
"Then I'll deal with it," she said.
She couldn't sleep that night.
At 1:00 AM, she gave up trying. She sat on the kitchen floor with her back against the refrigerator and the note unfolded on her lap.
I'm sorry for everything.
His handwriting hadn't changed. Still sharp, still tilted slightly to the right, still oddly elegant for a man who used to eat cereal straight from the box at midnight.
She remembered the first time she saw his handwriting — a note left on her dorm room door during their sophomore year at Hale University.
Mila Ashford — you forgot your scarf at the library. I have it. Room 412. — Damon
She had gone to Room 412, expecting to grab the scarf and leave. Instead, she stayed for three hours, talking about everything and nothing, and when she finally left, she knew she was in trouble.
He was magnetic. Not in the flashy, loud way. In the quiet way — the way he listened like you were the only person in the room, the way he remembered small things weeks later, the way he made you feel seen.
She fell hard. Stupidly hard. The kind of falling where you don't realize you've hit the ground until you're bleeding.
They married at twenty-two. Too young, everyone said. But Mila didn't care. She was in love, and love was supposed to be enough.
It wasn't.
The first year was good. The second was fine. The third was silence — long dinners with no conversation, separate bedrooms on "busy nights," business trips that stretched longer and longer.
And then the night she came home early from her mother's funeral.
Her mother had died on a Tuesday. The funeral was Thursday. Mila drove back Friday morning, exhausted and hollowed out, wanting nothing but her husband's arms around her.
She found Keira's arms around him instead.
The image was burned into her memory with surgical precision — Keira's red nail polish, the sheets tangled at the foot of the bed, Damon's face when he saw Mila in the doorway. Not guilt. Surprise. Like he had forgotten she existed.
That was the part that broke her. Not the betrayal. The forgetting.
She signed the papers the next morning. Damon didn't fight it. He said, "If that's what you want." As if she had chosen this. As if walking in on your husband with your best friend was a preference.
She drove south until the gas ran out. Ended up in Waverly Cove because that's where the car stopped. She got a job washing dishes at a diner, slept in the car for two weeks, found a cheap apartment, and discovered she was pregnant on a Tuesday — because apparently, Tuesdays were the day her life liked to fall apart.
She never told Damon.
He never asked.
Now Mila folded the note and put it back in her pocket. She pressed her palms against the cold kitchen floor and breathed.
He doesn't get to come back. He doesn't get to be sorry. He doesn't get to walk into my son's life with a toy castle and think that fixes anything.
But under the anger, buried so deep she almost couldn't feel it, was something else. Something small and stubborn and impossible to kill.
Hope.
She hated it.
The next morning, Eli came to breakfast holding a fully assembled castle.
"Look, Mom. I finished it."
She looked at the tiny towers, the crooked dragon on the drawbridge, the little knight standing guard at the gate.
"It's beautiful, baby."
"I named the knight," Eli said, placing it carefully in the center. "His name is Dad."
Mila's coffee cup stopped halfway to her lips.
"What?"
"The knight. I named him Dad. Because he protects the castle, and dads protect things." He looked up at her with those brown eyes — Damon's eyes — completely innocent. "Right?"
Mila set the cup down. Her hand was steady. Her heart was not.
"Right," she whispered. "That's exactly right."
She drove Eli to school in silence, kissed him goodbye even though he protested, and sat in the parked car for ten minutes, gripping the steering wheel until her knuckles turned white.
Then she pulled out her phone and typed a message she swore she would never send.
Mila: Seaside Inn. Tomorrow. 10 AM. You get one hour. If you waste it, you're done.
The reply came in four seconds.
Damon: I'll be there.