It is fortunate for tale-tellers that they are not tied down like theatrical writers to the unities of time and place, but may conduct their personages to Athens and Thebes at their pleasure, and bring them back at their convenience. Time, to use Rosalind's simile, has hitherto paced with the hero of our tale; for betwixt Morton's first appearance as a competitor for the popinjay and his final departure for Holland hardly two months elapsed. Years, however, glided away ere we find it possible to resume the thread of our narrative, and Time must be held to have galloped over the interval. Craving, therefore, the privilege of my cast, I entreat the reader's attention to the continuation of the narrative, as it starts from a new era, being the year immediately subsequent to the British Revolu
