(Got up as he was now,) his face displayed a still whiter appearance, as if painted, and his eyes as if they were set off with carnation. As he rolled his eyes, they brimmed with love. When he gave utterance to speech, he seemed to smile. But the chief natural pleasing feature was mainly centred in the curve of his eyebrows. The ten thousand and one fond sentiments, fostered by him during the whole of his existence, were all amassed in the corner of his eyes.
His outward appearance may have been pleasing to the highest degree, but yet it was no easy matter to fathom what lay beneath it.
There are a couple of roundelays, composed by a later poet, (after the excellent rhythm of the) Hsi Chiang Yueh, which depict Pao-yü in a most adequate manner.
The roundelays run as follows:
To gloom an
