CHAPTER XIV
AN ERROR IN JUDGMENT
I had expected that Lucia would have come to greet me, and that some of the other guests would be moving about the halls. But though the rooms were brightly lit, and servants moving here and there, there abode a hush upon the place strangely out of keeping with my expectation.
In my own room I arrayed me in clothes more fitted to the palace in which I found myself, though, after all was done, their plainness made a poor contrast to the mailed warriors on the pedestals and the scarlet senators in the frames.
There was a rose, fresh as the white briar-blossom in my mother's garden, upon my table. I took it as Lucia's gage, and set it in my coat.
"My lady waits," said the major-domo at the door.
I went down-stairs, conscious by the hearing of the ear that a heart was beating somewhere loudly, mine or another's I could not tell.
A door opened. A rush of warm and gracious air, a benediction of subdued light, and I found myself bending over the hand of the Countess. I had been talking some time before I came to the knowledge that I was saying anything.
Then we went to dinner through the long lit passages, the walls giving back the merry sound of our voices. Still, strangely enough, no other guests appeared. But my wonder was hushed by the gladness on the face of the Countess. We dined in an alcove, screened from the vast dining-room. The table was set for three. As we came in, the Countess murmured a name. An old lady bowed to me, and moved stiffly to a seat without a word. Lucia continued her conversation without a pause, and paid no further heed to the ancient dame, who took her meal with a single-eyed absorption upon her plate.
My wonder increased. Could it be that Lucia and I were alone in this great castle! I cannot tell whether the thought brought me more happiness or discontent. Clearly, I was the only guest. Was I to remain so, or would others join us after dinner? My heart beat faint and tumultuously. At random I answered to Lucia's questionings about my journey. My slow-moving Northern intelligence began to form questions which I must ask. Through the laughing charm of my lady's face and the burning radiance of her eyes, there grew into plainness against the tapestry the sad, pale face of my mother and her clear, consistent eyes. I talked--I answered--I listened--all through a humming chaos. For the teaching of the moorland farm, the ethic of the Sabbath nights lit by a single candle and sanctified by the chanted psalm and the open Book, possessed me. It was the domination of the Puritan base, and most bitterly I resented, while I could not prevent, its hold upon me.
Dinner was over. We took our way into a drawing-room, divided into two parts by a screen which was drawn half-way. In the other half of the great room stood an ancient piano, and to this our ancient lady betook herself.
The Countess sat down in a luxurious chair, and motioned me to sit close by her in another, but one smaller and lower. We talked of many things, circling ever about ourselves. Yet I could not keep the old farm out of my mind--its simple manners, its severe code of morals, its labour and its pain. Also there came another thought, the sense that all this had happened before--the devil's fear that I was not the first who had so sat alone beside the Countess and seen the obsequious movement of these well-trained servants.
"Tell me, Douglas," at last the Countess said, glancing down kindly at me, "why you are so silent and distrait . This is our first evening here, and yet you are sad and forgetful, even of me."
What a blind fool I was not to see the innocence and love in her eyes!
"Countess--" I began, and paused uncertain.
"Sir to you!" she returned, making me a little bow in acknowledgment of the title.
"Lucia," I went on, taking no notice of her frivolity, "I thought--I thought--that is, I imagined--that your brother--that others would be here as well as I--"
I got no further. I saw something sweep across her face. Her eyes darkened. Her face paled. The thin curved nostrils whitened at the edges. I paused, astonished at the tempest I had aroused by my faltering stupidities. Why could I not take what the gods gave?
"I see," she said bitterly: "you reproach me with bringing you here as my guest, alone. You think I am bold and abandoned because I dreamed of an Eden here with friendship and truth as dwellers in it. I saw a new and perfect life; and with a word, here in my own house, and before you have been an hour my guest, you insult me--"
"Lucia, Lucia," I pleaded, "I would not insult you for the world--I would not think a thought--speak a word--dishonouring to you for my life--"
"You have--you have--it is all ended--broken!" she said, standing up--"all broken and thrown down!"
She made with her hands the bitter gesture of breaking.
"Listen," she said, while I stood amazed and silent. "I am no girl. I am older than you, and know the world. It is because I dreamed I saw that which I thought truer and purer in you than the conventions of life that I asked you to come here--"
"Lucia, Lucia, my lady, listen to me," I pleaded, trying to take her hand. She put me aside with the single swift, imperious movement which women use when their pride is deeply wounded.
"That lady"--she pointed within to where the silent dame of years was tinkling unconcernedly on the keys--"is my dead husband's mother. Surely she abundantly supplies the proprieties. And now you--you whom I thought I could trust, spoil my year--spoil my life, slay in a moment my love with reproach and scorn!"
She walked to the door, turned and said--"You, whom I trusted, have done this!" Then she threw out her hands in an attitude of despair and scorn, and disappeared.
I sat long with my head on my hands, thinking--the world about me in ruins, never to be built up. Then I went up to my room, paused at the wardrobe, changed my black coat to that in which I had arrived, and went softly down-stairs again. The waning moon had just risen late, and threw a weird light over the ranges of buildings, the gateways and towers.
I walked swiftly to the outer gate, and, there leaping a hedge of flowering plants, I fled down the mountain through the vineyards. I went swiftly, eager to escape from Castel del Monte, but in the tangle of walls and fences it was not easy to advance. At the parting of three ways I paused, uncertain in which direction to proceed. Suddenly, without warning, a dark figure stepped from some hidden place. I saw the gleam of something bright. I knew that I was smitten. Waves of white-hot metal ran suddenly in upon my brain, and I knew no more.
When I awoke, my first thought was that I was back again in the room where Lucia and I had talked together. I felt something perfumed and soft like a caress. It seemed like the filmy lace that the Countess wore upon her shoulder. My head lay against it. I heard a voice say, as it had been in my ear, through the murmuring floods of many waters--"My boy! my boy! And I, wicked one that I was, sent you to this!"
All the time she who spoke was busy binding something to the place on my side where the pain burned like white metal. And as she did so she crooned softly over me, saying as before--"My poor boy! my poor boy!" It was like the murmuring of a dove over its nestling. Again and again I was borne away from her and from myself on the floods of great waters. The universe alternately opened out to infinite horrors of vastness, and shrank to pinpoint dimensions to crush me. Through it all I heard my love's voice, and was content to let my head bide just where it lay.
Ever and anon I came to the surface, as a diver does lest he die. I heard myself say--"It was an error in judgment!" ... Then after a pause--"nothing but an error in judgment."
And I felt that on which my head rested shake with a little earthquake of hysterical laughter. The strain had been too great, yet I had said the right word.
"Yes," she said softly, "my poor boy, it has been indeed an error in judgment for both of us!"
"But a blessed error, Lucia," I said, answering her when she least expected it.
A dark shape flitted before my dazzled eyes.
The Countess looked up. "Leonardi!" she called, "tell me, has one of your people done this?"
"Nay," said the man, "none of the servants of the Bond nor yet of the Mafia. Pietro the muleteer hath done it of his own evil heart for robbery. Here are the watch and purse!"
"And the murderer--where is he?" said again Lucia. "Let him be brought!"
"He has had an accident, Excellency. He is dead," said Leonardi simply.
Then they took me up very softly, and bore me to the door from which I had fled forth. Lucia walked with me. In the dusk of the leaves, while the bearers were fumbling with the inner doors, which would swing in their faces, Lucia put her hot lips to my hand, which she had held kindly in hers all the way.
"Pardon me, Douglas," she said, and there was a break in her voice. I felt the ocean of tears rising about me, and feared that I could not find the words fittingly to answer. For the pain had made me weak.
"Nay," I said at last, just over my breath, "it was my folly. Forgive me, little Saint Lucy of the Eyes! It was--it was--what was it that it was?--I have forgotten--"
"An error in judgment!" said Saint Lucy of the Eyes, and forgave me, though I cannot remember more about it.
I suppose I could take the title if I chose, for these things are easily arranged in Italy; but Lucia and I think it will keep for the second Stephen Douglas.
IV
UNDER THE RED TERROR
_What of the night, O Antwerp bells, Over the city swinging, Plaintive and sad, O kingly bells, In the winter midnight ringing?_
_And the winds in the belfry moan From the sand-dunes waste and lone, And these are the words they say, The turreted bells and they--_
_"Calamtout, Krabbendyk, Calloo," Say the noisy, turbulent crew; "Jabbeké, Chaam, Waterloo; Hoggerhaed, Sandvaet, Lilloo, We are weary, a-weary of you! We sigh for the hills of snow, For the hills where the hunters go, For the Matterhorn, Wetterhorn, Dom, For the Dom! Dom! Dom! For the summer sun and the rustling corn, And the pleasant vales of the Rhineland valley_."
" The Bells of Antwerp ."
I am writing this for my friend in Scotland, whose strange name I cannot spell. He wishes to, put it in the story-book he is writing. But his book is mostly lies. This is truth. I saw these things, and I write them down now because of the love I have for him, the young Herr who saved my brother's life among the black men in Egypt. Did I tell how our Fritz went away to be Gordon's man in the Soudan of Africa, and how he wrote to our father and the mother at home in the village--"I am a great man and the intendant of a military station, and have soldiers under me, and he who is our general is hardly a man. He has no fear, and death is to him as life"? So this young Herr, whom I love the same as my own brother, met Fritz when there was not the thickness of a Wurst-skin between him and the torture that makes men blanch for thinking on, and I will now tell you the story of how he saved him. It was--