However, "where there is much smoke there must be a little fire," and based upon the superimposed testimony of the writers of the period, there appears little doubt but that Messalina was a nymphomaniac, that she prostituted herself in the public stews, naked, and with gilded n*****s, and that she did actually marry her chief adulterer, Silius, while Claudius was absent at Ostia, and that the wedding was consummated in the presence of a concourse of witnesses. This was "the straw that broke the camel's back." Claudius hastened back to Rome, Silius was dispatched, and Messalina, lacking the will-power to destroy herself, was killed when an officer ran a sword through her abdomen, just as it appeared that Claudius was about to relent.
"THEN SPAKE YE DAMNED WINDMILL, SIR WALTER"
Raleigh is thoroughly in character here; this observation is quite in keeping with the general veracity of his account of his travels in Guiana, one of the most mendacious accounts of adventure ever told. Naturally, the scholarly researches of Westermarck have failed to discover this people; perhaps Lady Helen might best be protected among the Jibaros of Ecuador, where the men marry when approaching forty.
Ben Jonson in his Conversations observed "That Sr. W. Raughlye esteemed more of fame than of conscience."
YE VIRGIN QUEENE
Grave historians have debated for centuries the pretensions of Elizabeth to the title, "The Virgin Queen," and it is utterly impossible to dispose of the issue in a note. However, the weight of opinion appears to be in the negative. Many and great were the difficulties attending the marriage of a Protestant princess in those troublous times, and Elizabeth finally announced that she would become wedded to the English nation, and she wore a ring in token thereof until her death. However, more or less open liaisons with Essex and Leicester, as well as a host of lesser courtiers, her ardent temperament, and her imperious temper, are indications that cannot be denied in determining any estimate upon the point in question.
Ben Jonson in his Conversations with William Drummond of Hawthornden says,
"Queen Elizabeth never saw herself after she became old in a true glass; they painted her, and sometymes would vermillion her nose. She had allwayes about Christmass evens set dice that threw sixes or five, and she knew not they were other, to make her win and esteame herself fortunate. That she had a membrana on her, which made her uncapable of man, though for her delight she tried many. At the comming over of Monsieur, there was a French Chirurgion who took in hand to cut it, yett fear stayed her, and his death."
It was a subject which again intrigued Clemens when he was abroad with W. H. Fisher, whom Mark employed to "nose up" everything pertaining to Queen Elizabeth's manly character.
"'BOCCACCIO HATH A STORY"
The author does not pay any great compliment to Raleigh's memory here. There is no such tale in all Boccaccio. The nearest related incident forms the subject matter of Dineo's novel (the fourth) of the First day of the Decameron.
OLD SR. NICHOLAS THROGMORTON
The incident referred to appears to be Sir Nicholas Throgmorton's trial for complicity in the attempt to make Lady Jane Grey Queen of England, a charge of which he was acquitted. This so angered Queen Mary that she imprisoned him in the Tower, and fined the jurors from one to two thousand pounds each. Her action terrified succeeding juries, so that Sir Nicholas's brother was condemned on no stronger evidence than that which had failed to prevail before. While Sir Nicholas's defense may have been brilliant, it must be admitted that the evidence was weak. He was later released from the Tower, and under Elizabeth was one of a group of commissioners sent by that princess into Scotland, to foment trouble with Mary, Queen of Scots. When the attempt became known, Elizabeth repudiated the acts of her agents, but Sir Nicholas, having anticipated this possibility, had sufficient foresight to secure endorsement of his plan by the Council, and so outwitted Elizabeth, who was playing a two-faced role, and Cecil, one of the greatest statesmen who ever held the post of principal minister. Perhaps it was this incident to which the company referred, which might in part explain Elizabeth's rejoinder. However, he had been restored to confidence ere this, and had served as ambassador to France.
"TO SAVE HIS DOTER'S MAIDENHEDDE"
Elizabeth Throckmorton (or Throgmorton), daughter of Sir Nicholas, was one of Elizabeth's maids of honor. When it was learned that she had been debauched by Raleigh, Sir Walter was recalled from his command at sea by the Queen, and compelled to marry the girl. This was not "in that olde daie," as the text has it, for it happened only eight years before the date of this purported "conversation," when Elizabeth was sixty years old.
PARTIAL BIBLIOGRAPHY
The various printings of 1601 reveal how Mark Twain's 'Fireside Conversation' has become a part of the American printer's lore. But more important, its many printings indicate that it has become a popular bit of American folklore, particularly for men and women who have a feeling for Mark Twain. Apparently it appeals to the typographer, who devotes to it his worthy art, as well as to the job printer, who may pull a crudely printed proof. The gay procession of curious printings of 1601 is unique in the history of American printing.
Indeed, the story of the various printings of 1601 is almost legendary. In the days of the "jour." printer, so I am told, well-thumbed copies were carried from print shop to print shop. For more than a quarter century now it has been one of the chief sources of enjoyment for printers' devils; and many a young rascal has learned about life from this Fireside Conversation. It has been printed all over the country, and if report is to be believed, in foreign countries as well. Because of the many surreptitious and anonymous printings it is exceedingly difficult, if not impossible, to compile a complete bibliography. Many printings lack the name of the publisher, the printer, the place or date of printing. In many instances some of the data, through the patient questioning of fellow collectors, has been obtained and supplied.
1. [Date, 1601.] Conversation, as it was by the Social Fireside, in the Time of the Tudors.
DESCRIPTION: Pamphlet, pp. [ 1 ]-8, without wrappers or cover, measuring 7x8 inches. The title is Set in caps. and small caps.
The excessively rare first printing, printed in Cleveland, 1880, at the instance of Alexander Gunn, friend of John Hay. Only four copies are believed to have been printed, of which, it is said now, the only known copy is located in the Willard S. Morse collection.
2. Date 1601. Conversation, as it was by the Social Fireside, in the time of the Tudors.
(Mem.--The following is supposed to be an extract from the diary of the Pepys of that day, the same being cup-bearer to Queen Elizabeth. It is supposed that he is of ancient and noble lineage; that he despises these literary canaille; that his soul consumes with wrath to see the Queen stooping to talk with such; and that the old man feels his nobility defiled by contact with Shakespeare, etc., and yet he has got to stay there till Her Majesty chooses to dismiss him.)
DESCRIPTION: Title as above, verso blank; pp. [i]-xi, text; verso p. xi blank. About 8 x 10 inches, printed on handmade linen paper soaked in weak coffee, wrappers. The title is set in caps and small caps.
COLOPHON: at the foot of p. xi: Done Att Ye Academie Preffe; M DCCC LXXX II.
The privately printed West Point edition, the first printing of the text authorized by Mark Twain, of which but fifty copies were printed. The story of this printing is fully told in the Introduction.
3. Conversation As It Was By The Social Fire-side In The Time Of The Tudors from Ye Diary of Ye Cupbearer to her Maisty Queen Elizabeth. [design] Imprinted by Ye Puritan Press At Ye Sign of Ye Jolly Virgin 1601.
DESCRIPTION: 2 blank leaves; p. [i] blank, p. [ii] fronds., p. [iii] title [as above], p. [iv] "Mem.", pp. 1-[25] text, I blank leaf. 4 3/4 by 6 1/4 inches, printed in a modern version of the Caxton black letter type, on M.B.M. French handmade paper. The frontispiece, a woodcut by A. E. Curtis, is a portrait of the cup-bearer. Bound in buff-grey boards, buckram back. Cover title reads, in pale red ink, Caxton type, Conversation As It Was By The Social Fire-side In The Time Of The Tudors. [The Byway Press, Cincinnati, Ohio, 1901, 120 copies.]
Probably the first published edition.
Later, in 1916, a facsimile edition of this printing was published in Chicago from plates.
A BURLESQUE AUTOBIOGRAPHY
and, FIRST ROMANCE
by Mark Twain
1871
Contents
BURLESQUE AUTOBIOGRAPHY
AWFUL, TERRIBLE MEDIEVAL ROMANCE
CHAPTER I.
THE SECRET REVEALED.
CHAPTER II.
FESTIVITY AND TEARS
CHAPTER III.
THE PLOT THICKENS.
CHAPTER IV.
THE AWFUL REVELATION.
CHAPTER V.
THE FRIGHTFUL CATASTROPHE.
BURLESQUE AUTOBIOGRAPHY.
Two or three persons having at different times intimated that if I would write an autobiography they would read it, when they got leisure, I yield at last to this frenzied public demand, and herewith tender my history:
Ours is a noble old house, and stretches a long way back into antiquity. The earliest ancestor the Twains have any record of was a friend of the family by the name of Higgins. This was in the eleventh century, when our people were living in Aberdeen, county of Cork, England. Why it is that our long line has ever since borne the maternal name (except when one of them now and then took a playful refuge in an alias to avert foolishness), instead of Higgins, is a mystery which none of us has ever felt much desire to stir. It is a kind of vague, pretty romance, and we leave it alone. All the old families do that way.
Arthour Twain was a man of considerable note--a solicitor on the highway in William Rufus' time. At about the age of thirty he went to one of those fine old English places of resort called Newgate , to see about something, and never returned again. While there he died suddenly.
Augustus Twain, seems to have made something of a stir about the year 1160. He was as full of fun as he could be, and used to take his old sabre and sharpen it up, and get in a convenient place on a dark night, and stick it through people as they went by, to see them jump. He was a born humorist. But he got to going too far with it; and the first time he was found stripping one of these parties, the authorities removed one end of him, and put it up on a nice high place on Temple Bar, where it could contemplate the people and have a good time. He never liked any situation so much or stuck to it so long.
Then for the next two hundred years the family tree shows a succession of soldiers--noble, high-spirited fellows, who always went into battle singing; right behind the army, and always went out a-whooping, right ahead of it.
This is a scathing rebuke to old dead Froissart's poor witticism that our family tree never had but one limb to it, and that that one stuck out at right angles, and bore fruit winter, and summer.
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OUR FAMILY TREE
Early in the fifteenth century we have Beau Twain, called "the Scholar." He wrote a beautiful, beautiful hand. And he could imitate anybody's hand so closely that it was enough to make a person laugh his head off to see it. He had infinite sport with his talent. But by and by he took a contract to break stone for a road, and the roughness of the work spoiled his hand. Still, he enjoyed life all the time he was in the stone business, which, with inconsiderable intervals, was some forty-two years. In fact, he died in harness. During all those long years he gave such satisfaction that he never was through with one contract a week till government gave him another. He was a perfect pet. And he was always a favorite with his fellow-artists, and was a conspicuous member of their benevolent secret society, called the Chain Gang. He always wore his hair short, had a preference for striped clothes, and died lamented by the government. He was a sore loss to his country. For he was so regular.