And yet amidst this opulence of comfort, there is something in the general air that is not well. Is it that the carpets and the cushions are too soft and noiseless, so that those who move or repose among them seem to act by stealth? Is it that the prints and pictures do not commemorate great thoughts or deeds, or render nature in the poetry of landscape, hall, or hut, but are of one voluptuous cast--mere shows of form and colour--and no more? Is it that the books have all their gold outside, and that the titles of the greater part qualify them to be companions of the prints and pictures? Is it that the completeness and the beauty of the place are here and there belied by an affectation of humility, in some unimportant and inexpensive regard, which is as false as the face of the too truly p

