Part 1: The Breach
(Scene opens in a dimly lit newsroom. Rain lashes against the window. Elena Ward, mid-30s, smartly dressed but worn down, sits at her cluttered desk.)
ELENA
Every truth has a cost. Some truths can destroy a man. Others can bring down a nation. The ones I chase? They do both.
(She stares at her screen: an encrypted email with the subject line “RENNICK FILES – URGENT.”)
ELENA (muttering):
What are you hiding, Senator Rennick?
(Cut to a hotel ballroom. Campaign banners for Marcus Hale hang across the room. Marcus, early 40s, charismatic and idealistic, is finishing a rousing speech. Carla DuPont watches from the wings.)
MARCUS:
This country doesn’t need more power brokers. It needs public servants. If you elect me, I won’t serve the powerful. I’ll serve the people.
(Applause. Carla approaches as he steps offstage.)
CARLA:
That was clean. Sharp. The press is eating it up. But we need to talk. Privately.
(They move to a quiet hallway.)
CARLA (low tone):
Rennick’s people want a meeting. Tonight. Off the books. He says it’s “strategic.”
MARCUS:
Victor Rennick doesn’t do strategy. He does leverage.
CARLA:
He does what wins. And we need a win.
(Marcus hesitates, then nods reluctantly.)
(Scene shift: A warehouse loft. Elena meets Noah Briggs, 30s, ex-NSA, ethically ambiguous.)
NOAH:
You’re playing with fire. Rennick’s been untouchable for decades. He owns judges, journalists… maybe even you.
ELENA:
Not me. I need what's in those files.
NOAH:
He’s hiding more than donor lists. There’s a black budget, off-the-books contractors… foreign ties.
ELENA:
And Hale?
NOAH:
Clean. But not innocent. He has a past—and Rennick has it in his grip.
(Cut to a private estate outside D.C. Marcus meets Senator Victor Rennick in a library filled with leather-bound books and surveillance monitors.)
RENNICK:
Marcus. You’re doing well. Too well. That makes you dangerous.
MARCUS:
I didn’t come for threats, Victor.
RENNICK (smiling coldly):
No. You came because you know I can bury you… or crown you. You want the nomination? Then you play my game.
MARCUS:
I won’t be your puppet.
RENNICK:
You already are. You just don’t realize who’s holding the strings.
(Victor slides a manila envelope across the table. Marcus opens it, his face darkens.)
RENNICK:
Fix your past. Or it will fix you.
(Scene returns to newsroom. Elena scans redacted files: private meetings, offshore accounts, military contracts. Her phone rings—it’s Julian Rennick.)
JULIAN (nervous):
I don’t have much time. My father… he’s hiding something worse. I can get you proof. But we have to meet. Now.